<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270933">
    <dcterms:title><![CDATA[Chaucer to Chesterton: English Classics from Polish Perspective]]></dcterms:title>
    <dcterms:description><![CDATA[Collects sixteen essays by Mroczkowski, all previously printed, including five that pertain to Chaucer and his works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270932">
    <dcterms:title><![CDATA[Boccaccio-Chaucer-Shakespeare: Men of Renaissance: A Film Scenario]]></dcterms:title>
    <dcterms:description><![CDATA[A film script which combines &quot;key lines and phrases&quot; from Boccaccio&#039;s &quot;Filostrato,&quot; TC, and Shakespeare&#039;s &quot;Troilus and Cressida,&quot; interspersed with appearances of the three writers in moments of fictional biography. Re-tells the broad outlines of the traditional plot, and adds concern with literary tradition.  The Boccaccio and Chaucer quotations are given in their original language and in translation. A brief introduction (pp. v-xiii) describes the project, including &quot;Notes to the Filming.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270931">
    <dcterms:title><![CDATA[Paradox of Love in Chaucer&#039;s &quot;Troilus&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads TC as a &quot;jubilant celebration of earthly love&quot; which &quot;testifies to the accessibility of Christian salvation by means of human love&quot; (xi).  Earthly love and divine love are balanced in the poem, with Troilus regarding Criseyde as the &quot;Blessed Virgin&quot; and Pandarus viewing her as a figure of inconstancy. The narrator maintains both perspectives, and the epilogue  presents a &quot;Negative Negation of Love.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270930">
    <dcterms:title><![CDATA[The Knight&#039;s Tale from the Canterbury Tales by Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Edition of KnT, originally published in 1966, based on F. N. Robinson&#039;s 2d edition (1957), with a new Introduction (pp. 1-111), &quot;reconsidered&quot; notes, and a corrected glossary, both included at the end of the volume, much as in the 1966 original. The Introduction considers the Tale&#039;s relations with Boccaccio&#039;s &quot;Teseida&quot; and Boethius&#039;s &quot;Consolation of Philosophy&quot;; its composition and placement in CT, its characterizations, descriptions, and narrative techniques; and its thematic concerns as &quot;chivalric&quot; romance, &quot;philosophical romance,&quot; and &quot;pagan history.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270929">
    <dcterms:title><![CDATA[Chaucer&#039;s Blasphemous Churl: A New Interpretation of the &#039;Miller&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies elements of MilT that burlesque the Annunciation, the Incarnation, and the Flood, explaining imagery and allusions derived from the biblical narratives and mystery plays.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270928">
    <dcterms:title><![CDATA[Chaucer&#039;s &#039;Kynde Nature&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes Chaucer&#039;s various uses of the terms &quot;kynde&quot; and &quot;nature&quot; (and their derivatives), focusing particularly on their semantic range and potential as personifications]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270927">
    <dcterms:title><![CDATA[Man and Nature in the Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Fourteen essays from the seventeenth Sewanee Mediaeval Colloquium, on late-classical and medieval ideas of Nature, science, and human perception.  For two essays that pertain to Chaucer, search for Man and Nature in the Middle Ages under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270926">
    <dcterms:title><![CDATA[Geoffrey Chaucer&#039;s The Parson&#039;s Tale from The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Modern translation of ParsPT, Ret, and the GP description of the Parson, accompanied by brief notes and a glossary, Farrell&#039;s pen-and-ink illustrations, and her introduction (pp. 15-29) that comments on the structure and outlook of ParsT and what we can learn from it about Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270925">
    <dcterms:title><![CDATA[The Cranberry Trail: Misfits, Dreamers &amp; Drifters on the Heartland Road]]></dcterms:title>
    <dcterms:description><![CDATA[A comic novel that derives its characters from GP and most of its sub-plots from CT, cast as the thirty-year reunion of a hapless college baseball team, the Tabelard Bees, with first-person narration by the team&#039;s utility player, Jeffrey Shoemaker, who recalls their past losses while on a group trip from South Fork to Cranberry Bend.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270924">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[An introductory biography of Chaucer and chronological commentary on all of his major works in light of social and personal history. Includes a time line, brief selections from critical traditions, a bibliography, an index, and illustrations largely drawn from medieval manuscripts and later book illustrations,]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270923">
    <dcterms:title><![CDATA[Classic Animal Stories]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology for children of animal tales from Aesop, the Grimm brothers, etc., including a selection from NPT (pp. 51-56; excludes the dream commentary and philosophy), as &quot;retold by&quot; Stephen Corrin. Plates and illustrations by Angel Dominquez.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270922">
    <dcterms:title><![CDATA[The Suicide of the Legend of Good Women]]></dcterms:title>
    <dcterms:description><![CDATA[Marvin traces a pattern of concern with literary interpretation in LGWP-F and exemplifies that the pattern is also evident in &quot;some of the legends themselves,&quot; particularly Dido&#039;s. The F prologue and the tale assert bookish authority, question it, reject it, and then affirm the difficulty of resolving such contradictions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270921">
    <dcterms:title><![CDATA[Betraying Origins: The Many Faces of Aeneas in Medieval English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[In HF, Aeneas is a &quot;possible love-traitor,&quot; while in LGW the &quot;condemnation&quot; is much clearer. In the &quot;Laud Troy Book,&quot; he is a political traitor who is never presented as the founder of Rome. Such depictions of Aeneas reflect how the &quot;threat--or promise--of treason was always lurking&quot; in late medieval English consciousness.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270920">
    <dcterms:title><![CDATA[Dream Poems]]></dcterms:title>
    <dcterms:description><![CDATA[Although Chaucer scholarship generally exaggerates the poet&#039;s learning, it seems to have missed his use of Huon de Méri&#039;s &quot;Tornoiemenz&quot; in LGWP. Scholarship also overemphasizes the visionary features of Chaucer&#039;s dream poems, while underestimating the value of treating them as natural dreams, ripe with the &quot;delicious unpredictability of their forward movement&quot; that obviates thematic fatalism. Spearing invites explorations of dream poetry as a subgenre of the &quot;dit,&quot; expressive of life experienced in the first person.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270919">
    <dcterms:title><![CDATA[Monstrous Women in Middle English Romance: Representations of Mysterious Female Power]]></dcterms:title>
    <dcterms:description><![CDATA[Explores treatments of monstrous women in Middle English romance, particularly Melusine, Medea, and Constance. Argues that Chaucer adapts the romance to critique the suffering, violent treatment, and &quot;liminality&quot; of women within the genre. Depicting Medea and Constance as neither monstrous nor violent and focusing on the violence or betrayal committed against them, Chaucer shows that the &quot;good&quot; woman of medieval romance is forced into one dimension and can exist only as a passive vessel acted upon by those around her. Includes a Foreword by Andrew Galloway.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270918">
    <dcterms:title><![CDATA[Suffering in the Service of Venus: The Sacred, the Sublime, and Chaucerian Joy in the Middle Part of the &#039;Parliament of Fowls&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Without a shift in tone, Chaucer both appreciates and censures the fruitless love depicted in the Temple of Venus in PF. By fusing &quot;joy and judgment,&quot; he evokes paradoxically the &quot;deeper joy&quot; of beauty.]]></dcterms:description>
    <dcterms:description><![CDATA[Revised version of &quot;Surprised by Joy: Chaucer&#039;s Tonal Achievement in &#039;Parliament of Fowls,&#039; 92-294.&quot; In Michel Desjardins and Harold Remus, eds. Tradition and Formation: Claiming an Inheritance: Essays in Honour of Peter C. Erb (Kitchener, Ont.: Pandora Press, 2008), pp. 213-28.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270917">
    <dcterms:title><![CDATA[Sing To Celebrate Summer (2010): For Tenor, Harp, and Optional Audience Participation]]></dcterms:title>
    <dcterms:description><![CDATA[Musical score for a normalized-spelling version of the closing song (rondel) of PF (ll. 680-92). Performance notes suggest harp effects and ways to involve audience participation.  Commissioned by the Buck Hill-Skytop Music Festival.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270916">
    <dcterms:title><![CDATA[Chaucer&#039;s Parliament of Fowls and His Pre-Text of Narration]]></dcterms:title>
    <dcterms:description><![CDATA[Considers how editorial and critical assumptions have retroactively made the manuscript records of PF conform to post-print expectations about narrative poetry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270915">
    <dcterms:title><![CDATA[Negation in Fragments A, B, and C of the Hunter Manuscript of &#039;The Romaunt of the Rose&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Iyeiri analyzes the &quot;various forms of negation&quot; in the fragments of Rom, commenting on their implications for attribution. Fragment C is more like B than like the Chaucerian A in many of its forms of negation; hence, it is unlikely to be by Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270914">
    <dcterms:title><![CDATA[Chaucer&#039;s Second Hector: The Triumphs of Diomede and the Possibility of Epic in &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[In TC, Diomede, rather than Troilus, functions as the second Hector, and Diomede is the only hero who escapes the cycle of Theban and Trojan violence. At a dangerous time in English history, Chaucer desires a healing ideology for England; his turn from epic and history to romance parallels problems with political discourse in the Ricardian era.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270913">
    <dcterms:title><![CDATA[What Chaucer Did to an &#039;Orazion&#039; in the &#039;Filostrato&#039;: Calkas&#039;s Speech as Deliberative Oratory]]></dcterms:title>
    <dcterms:description><![CDATA[Rubrics in &quot;Filostrato&quot; manuscripts label Calkas&#039;s bid to trade a prisoner for his daughter as an &quot;oratory.&quot; Chaucer&#039;s version of the speech fulfills the formal requirements of a speech arguing &quot;for a particular course of action&quot; and in so doing demonstrates that a rhetorician, unlike a prophet, &quot;can revise the past as he acts to change the future.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270912">
    <dcterms:title><![CDATA[Chaucer&#039;s Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Blamires introduces TC as Chaucer&#039;s &quot;longest finished poem,&quot; commenting on sources, fusion of genres, suppleness of verse form and diction, the characters&#039; sympathies, and the poem&#039;s &quot;emotional trajectory.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270911">
    <dcterms:title><![CDATA[The Trouthe/Routhe Rhyme in Chaucer&#039;s &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The &quot;complex&quot; trouthe/routhe rhyme tracks the stages in the lovers&#039; relationship: from its beginnings, when Troilus&#039;s trouthe is pledged for Criseyde&#039;s routhe; to its consummation, when mutual compassion assures reciprocal honesty and fidelity; to its break-up, when the two rhyme words--along with Criseyde--are put back into circulation in &quot;the world of intrigue, bargaining, and manipulation.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270910">
    <dcterms:title><![CDATA[National Histories]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on Chaucer&#039;s address to his book at the end of TC as an example of the poet&#039;s awareness of linguistic and cultural diversity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270909">
    <dcterms:title><![CDATA[Criseyde&#039;s Absent Friends]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s evocation of contrasting senses of &quot;frend&quot; sharpens his depiction of Criseyde&#039;s precarious state in Troy. Lacking advisors, and thus dangerously dependent on Pandarus and Troilus, she also belongs to a network of relationships devoted solely to &quot;an ideal of sociability&quot; and therefore possesses a dangerous independence.]]></dcterms:description>
</rdf:Description></rdf:RDF>