<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270983">
    <dcterms:title><![CDATA[The Wife of Bath&#039;s Tale by Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Study guide to WBPT that includes commentary on their place in the CT, their sources and backgrounds, and medieval and modern ways of assessing the Wife&#039;s character. Includes a summary/commentary of the narratives, arranged in segments, followed by discussion of the themes of marriage, mastery, and gentillesse, and commentary on style, imagery, and dramatic devices. Closes with a specimen passage in Middle English (with additional commentary), a brief description of critical approaches, and study questions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270982">
    <dcterms:title><![CDATA[The Pardoner&#039;s Tale by Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Study guide to PardPT and to the GP description of the Pardoner that first summarizes Chaucer&#039;s biography, his language (including a list of &quot;difficult or confusable words&quot;) and writings, and his literary context. Includes a summary/commentary on the Pardoner materials, arranged in narrative segments, followed by discussion of their themes, sources, and techniques, including irony. Closes with specimen passages in Middle English (with additional commentary), a brief description of critical approaches, and study questions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270981">
    <dcterms:title><![CDATA[Pilgrimage 87: A Souvenir Programme]]></dcterms:title>
    <dcterms:description><![CDATA[Produced to accompany a dramatic presentation of adapted versions of selections from CT. Includes comments on adapting the tales and directing the adaptations, accompanying music, parallels with medieval drama, medieval cooking, the &quot;Tale of Beryn,&quot; and more.  Contributors include Paula Neuss, Michael Philpot, Peter Field, Vanessa Harding, Darryll Grantley, Peter Brown, Peter Moore, and Claire Valentine.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270980">
    <dcterms:title><![CDATA[Geoffrey Chaucer: The Pardoner&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Study guide that includes text and facing-page prose translation of the GP description of the Pardoner and of PardPT, with same-page notes, end-of-text glosses, a &quot;structural summary,&quot; and shaping the Pardoner&#039;s materials.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270979">
    <dcterms:title><![CDATA[Brodie&#039;s Notes on Chaucer&#039;s The Nun&#039;s Priest&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Study guide that includes text and facing-page prose translation of NPPT, with end-of-text notes and glosses, and commentary on the characters, humor and irony, and on dreams and predestination. Includes comments on Chaucer&#039;s biography and verse and on Middle English grammar, pronunciation, and versification. Earlier version published in 1978.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270978">
    <dcterms:title><![CDATA[Henryson&#039;s &#039;Ballet Schort&#039;: A Virgin Reading of &#039;The Testament of Cresseid&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads Robert Henryson&#039;s &quot;Testament of Cresseid&quot; as a &quot;compilatio&quot; addressed to an audience of women, gauging the tone, theme, and unity of the poem. Includes recurrent comments on Henryson&#039;s uses of Chaucer&#039;s attitudes and perspectives, especially those derived from TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270977">
    <dcterms:title><![CDATA[El Uso de la Retórica en &#039;The House of Fame&#039; de G. Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Explicates aspects of rhetoric, person, and theme in lines 1868-1915 of HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270976">
    <dcterms:title><![CDATA[The Tale of Melibee]]></dcterms:title>
    <dcterms:description><![CDATA[Recorded digitally at Boulder, Colorado, in association with the 13th International Congress of the New Chaucer Society. Edited and mastered by Troy Sales and Paul Thomas.]]></dcterms:description>
    <dcterms:description><![CDATA[Readers include Andrew Lynch, Susan F. Yager, D. Thomas Hanks, Jr., and Tom Burton.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270975">
    <dcterms:title><![CDATA[The General Prologue]]></dcterms:title>
    <dcterms:description><![CDATA[Directed and read by Paul R. Thomas. Recorded digitally at Brigham Young University by Troy Sales. Edited in 27 tracks by Troy Sales and Paul Thomas.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270974">
    <dcterms:title><![CDATA[Anelida and Arcite]]></dcterms:title>
    <dcterms:description><![CDATA[Read by Helen Cooper. Edited and mastered in 2003 as a CD by Troy Sales and Paul Thomas. Design by Carie Jackson]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270973">
    <dcterms:title><![CDATA[The Naughty Bits: The Steamiest (and Most Scandalous) Sex Scenes from the World&#039;s Greatest Books]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes excerpts from more than eighty works of literature, from the Old Testament to the Starr Report, including a selection from WBP (pp. 128-31), modernized by Murnighan; includes an appreciative introduction which refers to the Wife as &quot;a kind of Mae West of the Middle Ages.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270972">
    <dcterms:title><![CDATA[Christian Literature: An Anthology]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of selections and excerpts, arranged chronologically, from Clement of Rome to Garrison Keillor, each example accompanied by a brief biographical introduction and study questions.  Includes a translation of PardP (6.329-462).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270971">
    <dcterms:title><![CDATA[Mythos Medea]]></dcterms:title>
    <dcterms:description><![CDATA[This anthology of drama, poetry, fiction, and essays that pertain to Medea ranges from Euripides to the late twentieth century, including a facing-page selection (pp. 114-23) from the story of Hypsipyle and Medea in LGW, presented in Middle English and German translation (by Adolf von Düring).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270970">
    <dcterms:title><![CDATA[Purrfectly Classical]]></dcterms:title>
    <dcterms:description><![CDATA[Readings and musical performances of 36 pieces that pertain to cats, including a reading of a brief selection from ManT (9.175-80) in normalized English by Edward Crafts, accompanied by Noel Lester on piano.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270969">
    <dcterms:title><![CDATA[The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Audio recording of David Butler reading a modernized version of selections from CT (GP, KnT, MilPT, RvPT, CkPT, WBPT, FrPT, MerPT, FranPT, PardPT, PrPT, NPPTE, ClPT, and Ret.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270968">
    <dcterms:title><![CDATA[The Literary 100: A Ranking of the Most Influential Novelists, Playwrights, and Poets of All Time]]></dcterms:title>
    <dcterms:description><![CDATA[An international ranking which summarizes the lives and works of 100 writers. Chaucer is listed as number five (behind Shakespeare, Dante, Homer, and Tolstoy), and credited with a &quot;fundamental redefinition of the possibility of poetic expression.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270967">
    <dcterms:title><![CDATA[Making an Entrance: From Chaucer to Tarleton]]></dcterms:title>
    <dcterms:description><![CDATA[Includes commentary (pp. 16-18) on the &quot;entrances&quot; of Chanticleer and Russell into NPT, suggesting parallels between features of the Tale and the staging of a play.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270966">
    <dcterms:title><![CDATA[Americans&#039; Favorite Poems: The Favorite Poem Project Anthology]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes a large number of selections from responses to Robert Pinsky&#039;s request that Americans submit an example of their favorite poetry and &quot;comment on the poem&#039;s personal significance.&quot; The volume includes GP, lines 1-18, and brief comments by two people--Fan Staunton Ogilvie, a writer,  and Sandy Stewart, a handyman.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270965">
    <dcterms:title><![CDATA[The Canterbury Tales by Geoffrey Chaucer: Teacher Guide]]></dcterms:title>
    <dcterms:description><![CDATA[Pedagogical activities and assessment tools designed for the high school classroom, focusing on GP, KnT, MilT, WBPT, MerT, FranT, PardPT, PrT, and NPT. Targeted skills include vocabulary-building, critical thinking, reading comprehension, and writing.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270964">
    <dcterms:title><![CDATA[Encyclopedia of Medieval Literature]]></dcterms:title>
    <dcterms:description><![CDATA[An alphabetical one-volume encyclopedia of medieval &quot;literary works, authors, historical figures, events, themes, and genres,&quot; with a general emphasis on &quot;early British literature&quot; and individual entries for Continental literatures. Many entries are accompanied by selective bibliographies, and the volume includes an index.  The major entry for Chaucer (pp. 91-96) is biographical, with separate entries for CT and individual tales, TC, and selects other works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270963">
    <dcterms:title><![CDATA[Shakespeare&#039;s Sonnets and Narrative Poems]]></dcterms:title>
    <dcterms:description><![CDATA[This collection of critical essays by Cousins includes a discussion of Shakespeare&#039;s &quot;Lucrece,&quot; part of which is entitled &quot;Versions of the Lucretia Story by Ovid, Livy, Boccaccio, Chaucer and Gower&quot; (pp. 48-58), a survey of the various accounts which emphasizes what Shakespeare may have derived from his predecessors. The section on Chaucer focuses on the role and aggressiveness of Collatine in LGW and the mingling of pagan and Christian perspectives.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270962">
    <dcterms:title><![CDATA[Seneca and Chaucer: Translating both Poetry and Sense]]></dcterms:title>
    <dcterms:description><![CDATA[Laments the difficulties of translating wordplay, drawing examples from Chaucer to clarify examples from Seneca and other classical drama. Shows where modern translations of Chaucer&#039;s works lose puns, audio echoes, &quot;syllabic play,&quot; and anagrams]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270961">
    <dcterms:title><![CDATA[Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Dramatic recitation of TC, with a cast of eight: Jane Camfield (Antigone and Ladies), Harvey De Roo (Calkas and Troilus), Melanie Yeats (Cassandra, Eleyne, and Ladies), Mary-Ann Stouck (Criseyde), Eric Ball (Deiphebus), Tom Burton (Diomede), Ken Simpson (Ector), Thomas Rendall (Narrator), and William Riley (Pandarus), with sound and editing by Kurtis Vanel.]]></dcterms:description>
    <dcterms:description><![CDATA[Recorded in Burnaby, British Columbia; digitized, edited, and mastered in 2006.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270960">
    <dcterms:title><![CDATA[Exploring Chaucer&#039;s Theories of Language: &#039;Englyssh Suffissant&#039; amd &#039;Slydengness of Tongue]]></dcterms:title>
    <dcterms:description><![CDATA[Shows that throughout his career Chaucer &quot;attempts to stike a balance between apologizing for the instability of his meaning and open acceptance of the capricious nature of language.&quot; Comments on Chaucer&#039;s attitudes toward language, interpretation, style, and translation in Adam, Astr, HF, TC, Th, Mel, and NPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270959">
    <dcterms:title><![CDATA[The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Adaptation of selections from CT, intended for young adolescents. Selections include GP, KnT, MLT, portions of MkT, NPT, WBPT, FrT, SumT, ClT, FranT, PardPT, CYT, and Ret, each accompanied by prompts for discussion. The volume also includes a brief biographical introduction, with comments on language and historical context.  Illustrated by Carlotta Tormey.]]></dcterms:description>
</rdf:Description></rdf:RDF>