<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271033">
    <dcterms:title><![CDATA[Computer Analysis of Spelling Variants in Chaucer&#039;s &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the potential for &quot;training&quot; a computer to identify spelling variants in Middle English texts, using Robinson&#039;s edition (1957) of CT as a basis for analysis. Describes a methodology, results, and perceived shortcomings.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271032">
    <dcterms:title><![CDATA[Einführung ins Mittelenglische]]></dcterms:title>
    <dcterms:description><![CDATA[An introductory textbook grammar of Middle English, particularly Chaucer&#039;s dialect, with a brief history of the English language and descriptions of the parts of speech, morphology, pronunciation, etc.  Includes an edition of the GP, edited from the Ellesmere manuscript., with a glossary that includes brief explanatory notes. Second edition published in 1993; third in 1997.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271031">
    <dcterms:title><![CDATA[&#039;A leur fez cousines&#039;: Words, Deeds, and Proper Speech in Jean de Meun and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Demonstrates that Chaucer&#039;s &quot;discourse of words and deeds&quot; in GP and his apology for language in MilP are &quot;heavily indebted&quot; to Jean de Meun&#039;s comments on language in &quot;Roman de la Rose,&quot; tracing lines of influence and emphasis from Jean&#039;s sources forward and exploring Chaucer&#039;s extension of Jean&#039;s depiction of what constitutes &quot;proper&quot; speech.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271030">
    <dcterms:title><![CDATA[Medieval English Literature. 2d. ed]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of works from &quot;Beowulf&quot; to Caxton, with a variety of selections from Chaucer (pp. 111-331) in Middle English, with introductions, notes, and glosses:  GP, NPPT (with two other fox stories), WBPT (with Dunbar&#039;s &quot;Two Married Women and the Widow&quot;), FranPT, Gent, PardPT, &quot;Thisbe&quot; from LGW, the invocation from Book 1 and Book 3 from TC (with the &quot;Complaint&quot; from Henryson&#039;s &quot;Testament of Cresseid&quot;), Adam, and Ret.]]></dcterms:description>
    <dcterms:description><![CDATA[First edition published in 1973.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271029">
    <dcterms:title><![CDATA[Making the Rocks Disappear: Refocusing Chaucer&#039;s Knight&#039;s and Franklin&#039;s Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes interactions between humans and nature (animals and environment) &quot;through the lens of ecocriticism,&quot; exploring animal metaphors and the treatment of trees in KnT and representations of the sea and rocks in FranT.  In KnT humans render nature safe by taming and burning, while FranT challenges masculinist binary thinking by &quot;tacitly acknowledging&quot; that humans &quot;deal less with the fact of the world than with our conceptions or preconceptions of it.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271028">
    <dcterms:title><![CDATA[The Ambassadors&#039; Secret: Holbein and the World of the Renaissance]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the &quot;highly contrived&quot; allegory of Hans Holbein&#039;s painting, &quot;The Ambassadors&quot; (1533), assessing its religious theme as conveyed through evocations of &quot;astronomy and geometry, optics and various occult arts.&quot; Also argues that the painting alludes to astronomical details related to Good Friday that are included in Chaucer&#039;s ParsP, details that may have been conveyed to Holbein by way of Francis Thynne.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271027">
    <dcterms:title><![CDATA[The House of Blue Leaves and Chaucer in Rome]]></dcterms:title>
    <dcterms:description><![CDATA[Two plays by John Guare, with additional apparatus, including an &quot;Afterword,&quot; comprised of selections from Guare&#039;s journal that records, among other things, his thoughts about Chaucer while the playwright was composing &quot;Chaucer in Rome,&quot; a play about an American painter set in modern Rome.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271026">
    <dcterms:title><![CDATA[Chaucer&#039;s &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Critiques the inconsistencies and overall lack of unity in CT, contrasting it with the structural and thematic wholeness of HF and TC, and castigating the sententiousness of Mel, ParsT, and Ret. Attributes the lack of unity and the inconclusiveness of CT to Chaucer&#039;s &quot;fatigue.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271025">
    <dcterms:title><![CDATA[Geoffrey Chaucer&#039;s The Pardoner&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Modern prose adaptation of PardPT, designed for children, with illustrations by Chris Mould.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271024">
    <dcterms:title><![CDATA[&#039;Novells of his devise&#039;: Chaucerian and Virgilian Career Paths in Spenser&#039;s &#039;Februarie&#039; Eclogue]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that in his references to Tityrus in the &quot;Februarie&quot; eclogue of &quot;The Shepheardes Calender&quot; Spenser represents a &quot;Chaucerian&quot; model of a career path for poets, one that emphasizes novelty and poses a third alternative to the classical Virgilian path and the Renaissance &quot;amateur&quot; one.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271023">
    <dcterms:title><![CDATA[Death&#039;s Trick: Based on &quot;The Pardoner&#039;s Tale&quot; from Geoffrey Chaucer&#039;s &quot;Canterbury Tales&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Modern prose adaptation for staging of PartT (without PardP), designed for child or adolescent actors, with illustrations by Mike Spoor.  A simultaneously published pamphlet of &quot;Play Teaching Notes,&quot; also titled &quot;Death&#039;s Trick,&quot; by David Calcutt and Sue Calcutt (8 pp.), offers suggestions for teaching the play to cover NLS (National Literacy Strategy of the UK) objectives.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271022">
    <dcterms:title><![CDATA[Cuentos de Canterbury]]></dcterms:title>
    <dcterms:description><![CDATA[Spanish prose translation of selections from CT (MilT, RvT, MkT, NPPT, excerpts from ParsT, and Ret), accompanied by an introduction to Chaucer&#039;s life and works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271021">
    <dcterms:title><![CDATA[Four Fragments from the Canterbury Tales for High Voice and Flute, Clarinet, and Harpsichord (1967)]]></dcterms:title>
    <dcterms:description><![CDATA[Audio recording, performed by Nancy Armstrong (soprano), Mark Kroll (harpsichord), Bruce Creditor (clarinet), and Alan Weiss (Flute).  The lyrics adapt selections from GP (opening, Knight, and Squire) and WBP. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271020">
    <dcterms:title><![CDATA[The Many Faces of Evil]]></dcterms:title>
    <dcterms:description><![CDATA[Chronological anthology of selections and excerpts from philosophy, religious texts, and fiction, representing the historical &quot;varieties&quot; of evil. Includes excerpts from ParsT, entitled &quot;The Seven Deadly Sins&quot; (pp. 100-05) in modern translation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271019">
    <dcterms:title><![CDATA[Was the Pearl Poet in Aquitaine with Chaucer? A Note on &#039;Fade,&#039; Line 149 of &#039;Sir Gawain and the Green Knight&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes that &quot;fade&quot; is an &quot;Anglicized form of Occitan &quot;fado&quot;/&quot;fada&quot; and therefore further evidence that the &quot;Gawain&quot; or &quot;Pearl&quot; Poet served in Aquitaine, associated with military and/or diplomatic exploits, as did Chaucer. Proposes several possible names to identify the poet, and suggests that their time in Aquitaine may indicate close relations between Chaucer and the Pearl Poet.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271018">
    <dcterms:title><![CDATA[A Melancholy Madrigal: For SATB Chamber Choir]]></dcterms:title>
    <dcterms:description><![CDATA[Musical score for Chaucer&#039;s MercB, set for four voices.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271017">
    <dcterms:title><![CDATA[Notes on Chaucer&#039;s &quot;The Pardoner&#039;s Tale&quot;]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271016">
    <dcterms:title><![CDATA[Usura Alone Not Understood? A Rhetorical Consideration of &#039;Usura&#039; in &#039;The Cantos&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Includes discussion of PrT as one of several &quot;possible intertexts&quot; for Ezra Pound&#039;s &quot;Usury Cantos.&quot; In PrT Chaucer presents usury as a defining characteristic of Jews, antithetical to Christian notions of virginity, and aligned with lust and the sterility of the Pardoner.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271015">
    <dcterms:title><![CDATA[Distortions of the Chaucerian Tradition in &#039;The Assembly of Ladies&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses &quot;The Assembly of Ladies&quot; in light of several Chaucerian techniques, particularly his use of a disarming narrative persona. The relatively straightforward female narrative persona of &quot;Assembly&quot; is unlike the narrator of LGW, although both poems present &quot;profeminine&quot; perspectives.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271014">
    <dcterms:title><![CDATA[Satire]]></dcterms:title>
    <dcterms:description><![CDATA[An introduction to satire for classroom use, directed at university students and focusing on English literature from Chaucer to Carol Ann Duffy; concerned with definitions, social contexts, and the transaction between reader and text. The discussion of Chaucer (especially pp. 31-35) pertains to the GP description of the Pardoner.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271013">
    <dcterms:title><![CDATA[The Canterbury Tales: A Play Based on the Poem by Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Modern prose adaptation of selections from CT (GP, PardT, RvT, Th, FranT, and MilT), set within the pilgrimage frame, designed for staging by students in their &quot;lower and middle years of secondary school&quot;. The text is interspersed with various activities for language study, writing, and staging, and the volume includes additional pedagogical activities. Illustrations by Zhenya Matysiak.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271012">
    <dcterms:title><![CDATA[A Guide to the Miller&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Study guide to MilT, designed for university students. Includes summaries, commentaries, and discussion of contexts, themes, characterization, style, language, and critical approaches, with advice on how score well on exams, a model exam answer, and a glossary of literary terms.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271011">
    <dcterms:title><![CDATA[Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Adaptation of the CT for staging that incorporates abridged versions of PardT, FrT, MilT, RvT, WBT, and NPT, with stage directions, framed by dialogue among Chaucer, a modern student, the Host, and several fiends. The volume includes suggestions for pedagogical activities designed for juvenile/adolescent drama and English students.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271010">
    <dcterms:title><![CDATA[The Franklin&#039;s Prologue and Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Study guide to FranPT and the GP description of the Franklin that includes a plot synopsis, running commentary, and glosses (text not included, except for three passages in Middle English, with closer analysis). Also includes descriptions of the Franklin&#039;s character, various themes and devices, sources and backgrounds, theoretical approaches, and suggestions for further reading.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271009">
    <dcterms:title><![CDATA[A Guide to the Wife of Bath&#039;s Prologue and Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Study guide to WBPT, designed for university students. Includes summaries, commentaries, and discussion of contexts, themes, characterization, style, language, and critical approaches, with advice on how score well on exams, a model exam answer, and a glossary of literary terms.]]></dcterms:description>
</rdf:Description></rdf:RDF>