<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271058">
    <dcterms:title><![CDATA[Women in the Middle Ages: An Encyclopedia]]></dcterms:title>
    <dcterms:description><![CDATA[Alphabetical listing of entries related to women in the Middle Ages, with a guide to topics and an index.  Volume I (A-J) includes a biographical entry on Alice Chaucer (pp. 159-64) by Karen K. Jambeck, a descriptive entry on Women in the Work of Geoffrey Chaucer (pp. 164-68) by Priscilla Martin, and analytical entries on Criseyde (pp. 230-34, Douglas Kelly) and Dido in the Middle Ages (pp. 247-57, Mary Louise Lord). The entry on Natura (volume 2:713-21, George Economou) also discusses Chaucer at length, and the cumulative index lists other references. Primary and secondary bibliographies accompany the entries.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271057">
    <dcterms:title><![CDATA[Ellesmere Miniatures of &#039;Canterbury Tales&#039; as Portraits]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys details of each of the GP descriptions of the pilgrims and each of the Ellesmere illustrations to show that the Ellesmere illustrator was a &quot;close reader&quot; of Chaucer.  Refers to 22 figures; includes a summary in Turkish]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271056">
    <dcterms:title><![CDATA[[&#039;Mayde and Modor,&#039; &#039;Almighty and Al Merciable Quenne&#039;: An Analysis of the Meaning of Virgin Mary in Chaucer&#039;s &#039;An ABC,&#039; the &#039;Prioress&#039;s Tale,&#039; and the &#039;Second Nun&#039;[s] Tale&#039;]]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the overt or implied gender of the narrator in ABC, in PrPT, and in SNPT, exploring how each correlates with the depiction of the Virgin Mary in these works.  Suggests that these depictions indicate that Chaucer was a &quot;keen observer of the change&quot; in late-medieval religious experience, especially that of women. In Korean, with an English summary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271055">
    <dcterms:title><![CDATA[The Last Knight: The Twilight of the Middle Ages and the Birth of the Modern Era]]></dcterms:title>
    <dcterms:description><![CDATA[A social and political history of the &quot;aristocracy of the fourteenth century through the life and times of John of Gaunt.&quot; Chapter ten, &quot;Chaucer&quot; (pp. 203-15), summarizes the poet&#039;s career, Gaunt&#039;s role in his life, and Gaunt&#039;s possible reactions to his poetry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271054">
    <dcterms:title><![CDATA[The Best Poems of the English Language: From Chaucer Through Frost]]></dcterms:title>
    <dcterms:description><![CDATA[Includes selections from GP, WBP, and PardP in Middle English, with glosses, and an introduction in which Bloom comments on Chaucer&#039;s characterizations, his influence on Shakespeare and Spenser, and reading Chaucer in its original Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271053">
    <dcterms:title><![CDATA[A Digital Approach to the History of the Book: The Case of Caxton]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests several revisions to traditional classifications of the typefaces of William Caxton, drawing evidence, in part, from the digital reproductions of British Museum copies of Caxton&#039;s two editions of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271052">
    <dcterms:title><![CDATA[&#039;So was thys castell layd wyde open&#039;: Battles for the Phallus in Early Modern Responses to Chaucer&#039;s Pardoner]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on John Heywood&#039;s &quot;The Foure PP&quot; and on the &quot;Tale of Beryn&quot; for their uses of the figure of the &quot;Chaucerian Pardoner&quot; and his &quot;irreducible ambiguity&quot; as a means to explore the &quot;rule of the phallus&quot; and the ways that each of the two texts &quot;situate its gender disruptions in a context of power relations&quot; appropriate to its own historical period.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271051">
    <dcterms:title><![CDATA[The Canterbury Tales, Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[An adaptation for the stage of selections from CT, designed for juvenile actors. Includes versions of PardT, NPT, WBT, KnT, and MilT, framed by a prologue and interludes that feature the antics of four &quot;alchemists.&quot; The volume includes instructions for sets and staging and extensive stage directions.  A series of related pedagogical activities (pp.101-25) are not included in the original publication of 1998.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271050">
    <dcterms:title><![CDATA[Gluttony: The Seven Deadly Sins]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys understandings of and attitudes toward gluttony (especially drunkenness and overeating) from Church fathers to M. F. K. Fisher in theology, literature, art, and popular culture, including a summary of PardT (pp. 15-19).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271049">
    <dcterms:title><![CDATA[History of the Concept of Mind: Speculations about Soul, Mind and Spirit from Homer to Hume]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a chapter entitled &quot;Mind and Soul in English from Chaucer to Shakespeare&quot; (pp. 245-78) that surveys the denotations and connotations of the words &quot;soul&quot; and &quot;mind,&quot; with examples drawn a range of authors, including Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271048">
    <dcterms:title><![CDATA[The Merchant&#039;s Prologue and Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Study guide to MerPT that includes a plot synopsis, running commentary, and glosses (text not included, except for three passages for closer analysis). Also includes descriptions of the Merchant&#039;s character and the characters in his tale, various themes and devices, sources and backgrounds, theoretical approaches, suggestions for further reading, and a glossary of literary terms.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271047">
    <dcterms:title><![CDATA[Chaucer&#039;s Friar&#039;s (Unpaid) Rent]]></dcterms:title>
    <dcterms:description><![CDATA[Explores ecclesiastical connotations of the word &quot;rente&quot; in the GP description of the Friar, in SumT, and elsewhere in medieval usage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271046">
    <dcterms:title><![CDATA[Authority and Interpretation in the &#039;House of Fame&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the three-part structure of HF, the poem&#039;s references to Virgil&#039;s &quot;Aeneid,&quot; and its allusions to Dante&#039;s &quot;Divine Comedy&quot; and to Ezekiel, arguing that, thematically, it abandons history as a source of truth, considers the potential of poetry, and concludes in a &quot;kind of eschaton.&quot; i.e., in the biblically-inspired hope of &quot;deferred understanding,&quot; despite human limitations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271045">
    <dcterms:title><![CDATA[Robert Henryson&#039;s Pastoral Burlesque &#039;Robene and Makyne&#039; (c.1470)]]></dcterms:title>
    <dcterms:description><![CDATA[Reads Henryson&#039;s pastoral &quot;Robene and Makyne&quot; as a burlesque, attributing its generic variety to the poet&#039;s attempt to emulate Chaucer&#039;s &quot;virtuosity,&quot; and exploring several instances where Henryson follows Chaucer&#039;s steps more closely, treating most extensively the influence of WBPT on Makyne&#039;s desire to &quot;rule men&quot; in Henryson&#039;s poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271044">
    <dcterms:title><![CDATA[Il &#039;Teseida&#039; da Boccaccio a Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the impact of Boccaccio&#039;s &quot;Teseida&quot; on Chaucer&#039;s works in Anel, PF, TC, and, especially, KnT, exploring Chaucer&#039;s adaptations, the later English adaptations of the story, and critical responses to Chaucer&#039;s uses of his source.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271043">
    <dcterms:title><![CDATA[The Gleaner&#039;s Prologue: Chaucer&#039;s Legend of Ruth]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes Chaucer&#039;s uses in LGWP of the term &quot;legend&quot; and the image of &quot;gleaning&quot; for literary leftovers, the latter derived from Leviticus and here linked to the Book of Ruth. Reads these devices for their implications in the development of hagiography and narrative tradition in western literature, suggesting that LGWP represents Chaucer&#039;s awareness of the &quot;intertextal transactions&quot; involved in writing literature.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271042">
    <dcterms:title><![CDATA[Dafydd ap Gwilym: Un Barde Gallois Contemporain de Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces Dafydd ap Gwilym as a contemporary of Chaucer, but provides no comparative analysis. Describes Dafydd&#039;s works and reception, and includes French translations of three of his poems.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271041">
    <dcterms:title><![CDATA[Intertextuality and Renaissance Texts]]></dcterms:title>
    <dcterms:description><![CDATA[Defines and anatomizes &quot;intertextuality,&quot; and proceeds to examine aspects of Thomas More&#039;s &quot;Utopia&quot; in this light.  Uses examples from Chaucer to help clarify the varieties of the concept:  from NPT, Chauntecleer&#039;s Latin misquotation as an example of a &quot;comic use of intertextuality which plays more than one level&quot;; the repetition of &quot;pite renneth soone in gentil herte&quot; as internal intertextuality; in PF, reference to the French &quot;note&quot; as &quot;non-verbal intertextuality&quot;; use of academic language in non-academic contexts in MerT, ParsT, and elsewhere; etc.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271040">
    <dcterms:title><![CDATA[A Görög-Római Újkomédia Szolga-Típusa Chaucer &#039;Troilus és Cressida Címü Müvében]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the characterization of Pandarus in TC was influenced by the tradition of the comic servant in Greco-Roman New Comedy. In Hungarian.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271039">
    <dcterms:title><![CDATA[Cracking the Whip: Sadomasochistic Heroics in &#039;The Wife of Bath&#039;s Prologue&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the sexual relations between the Wife of Bath and her husbands in WBP as a dynamic between her sadism and their masochism. Through her sadism the Wife &quot;avenges herself on the medieval patriarchal subordination of women.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271038">
    <dcterms:title><![CDATA[Memory&#039;s History and the History of Criseyde: Chaucer&#039;s &#039;Troilus&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on Pierre Nora&#039;s theory of cultural memory loss and on Christopher Nolan&#039;s film &quot;Memento&quot; (2000).  Then explores TC for the ways that it represents the relations between historical events and the reconstruction or remembering of these events, particularly through the character of Criseyde, her allusion to Amphiorax (Amphiaraus), and the audience&#039;s awareness of the traditional plot.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271037">
    <dcterms:title><![CDATA[The Clerkenwell Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Historical novel set in medieval London, comprised of interlinked stories about various characters who are modeled on Chaucer&#039;s Canterbury pilgrims.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271036">
    <dcterms:title><![CDATA[The Canterbury Tales Panto: A Pantomime [3rd ed.]]]></dcterms:title>
    <dcterms:description><![CDATA[A pantomime adaptation of CT in two acts, with script, song list, properties list, and suggestions for costuming and staging. The characters are drawn from Chaucer&#039;s pilgrims, and the plot centers on the pursuit of a &quot;magic story,&quot; with motifs, allusions, and jokes drawn from the CT. First published in 1993 and first revised in 1994.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271035">
    <dcterms:title><![CDATA[The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Text of CT--the order of the tales following the Bradshaw shift--with a glossary, brief Introduction, and a Note on language and meter.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271034">
    <dcterms:title><![CDATA[The Medieval Cookbook]]></dcterms:title>
    <dcterms:description><![CDATA[An illustrated, indexed cookbook of medieval recipes, drawn from the resources of the British Museum, with one chapter entitled &quot;Chaucer&#039;s Company&quot; (pp. 34-50) that includes seven recipes, linked to the CT pilgrims.]]></dcterms:description>
</rdf:Description></rdf:RDF>