<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271107">
    <dcterms:title><![CDATA[The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Translation of selections from CT in modern prose, designed for &quot;pre-intermediate&quot; readers.  Includes adaptations of GP, KnT, ClT, WBT, PardT, FranT, FrT, and NPT), with a brief Introduction and activities for classroom use. Illustrated by Victor Ambrus]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271106">
    <dcterms:title><![CDATA[&#039;Of good mochel, and right yong therto&#039;: Geoffrey Chaucer, &#039;The Book of the Duchesse&#039; (li. 454)]]></dcterms:title>
    <dcterms:description><![CDATA[Provides an expansive list of Indo-European cognates for &quot;mochel,&quot; with a sematic core of &quot;&#039;approximation&#039; in time or space.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271105">
    <dcterms:title><![CDATA[Urban Birds: A Collection of Cuts]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-one original woodcuts of birds and related scenes, each accompanied by a single poem of &quot;suitable verse,&quot; by various authors. The first selection is from ManT (9.163-74). Printed in a limited edition of 180 copies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271104">
    <dcterms:title><![CDATA[The Poems: Venus and Adonis, The Rape of Lucrece, The Phoenix and the Turtle, The Passionate Pilgrim, A Lover&#039;s Complaint]]></dcterms:title>
    <dcterms:description><![CDATA[Includes discussion (pp. 35-41) of the influence of Chaucer&#039;s account of Lucrece (LGW) on Shakespeare&#039;s &quot;The Rape of Lucrece,&quot; focusing on Chaucer&#039;s &quot;particularly sympathetic defence&quot; of Lucrece, despite his overstating of St. Augustine&#039;s compassion for her.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271103">
    <dcterms:title><![CDATA[Povestirile din Canterbury]]></dcterms:title>
    <dcterms:description><![CDATA[Translation of CT (except PrT, Mel, and ParsT) in Romanian poetry, based on the text of W. W. Skeat, with b&amp;w illustrations of the pilgrims and the tales by Val Munteanu. The volume reprints with new pagination the 1964 version (Bucharest: Editura Pentru Literatură Universală, 2 vols. [412, 406 pp]). The early version includes an introduction, in Romanian (1:5-42), by Zoe Dumitrescu-Bușulenga; Duțescu provides his own (1:5-9) in 1998. Duțescu also published a compilation of GP, MilT, NPT, and ClT in 1958; not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271102">
    <dcterms:title><![CDATA[Troilus și Cresida]]></dcterms:title>
    <dcterms:description><![CDATA[Translation of TC in Romanian rhyme royal stanzas, based on the text of Albert C. Baugh (1963), with preface and end-of-text notes and commentary by Duțescu. Includes b&amp;w illustrations from ancient Mediterranean art, medieval manuscripts, and Chaucer&#039;s tomb, and a color plate of the Corpus Christi College, Cambridge, MS 61 frontispiece.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271101">
    <dcterms:title><![CDATA[Fictions of Business: Insights on Management from Great Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Chapter two, &quot;Selling on a Grand Scale, Playing to an Image-Conscious Society&quot; (pp. 35-59), includes discussion of the Merchant as a &quot;self-made man&quot; who relies on his image of success. Assesses the GP description and compares the character to Horatio Alger&#039;s Ragged Dick, Melmotte from Anthony Trollope&#039;s novel &quot;The Way We live Now,&quot; and modern analogues. Also includes comments on commerce and profit-seeking in CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271100">
    <dcterms:title><![CDATA[Merciless Beauty: Three Rondels for High Voice and String Trio or Piano. Poems by Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Score of musical setting for MercB, with text in Middle English, and an introductory note by Michael Kennedy. The score was published originally in 1922.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271099">
    <dcterms:title><![CDATA[Gay and Lesbian Poetry: An Anthology from Sappho to Michelangelo]]></dcterms:title>
    <dcterms:description><![CDATA[Includes versions of the GP description of the Pardoner and lines 591-640 of PardT in normalized spelling, with a brief Introduction that identifies several indications that the Pardoner is gay.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271098">
    <dcterms:title><![CDATA[Aufsätze zur Englischen Versdichtung: Von Chaucer bis Dylan Thomas]]></dcterms:title>
    <dcterms:description><![CDATA[A variety of essays, reprinted and original, by Ewald Standop, including reprinted versions of two essays that pertain to Chaucer:  &quot;Zur Allegorischen Deutung der &#039;Nonnes Preeste Tale&#039;&quot; (1961) and &quot;Chaucers Pardoner: Das Charakterproblem und die Kritiker&quot; (1981).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271097">
    <dcterms:title><![CDATA[Counting at Dusk (Why Poetry Matters When the Century Ends)]]></dcterms:title>
    <dcterms:description><![CDATA[Explores why the world is &quot;newly alert to its need for poetry&quot; at the end of each century, including comments on Chaucer&#039;s writing of CT at the end of the fourteenth.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271096">
    <dcterms:title><![CDATA[The Oxford Book of Money]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of excerpts and selections from poetry, fiction, drama, and essays on the topic of money, arranged by sub-topics. Includes the following pieces by Chaucer:  Purse and the apostrophe to poverty from MLP, in the section called &quot;Riches and Poverty&quot;; selections from PardPT, in &quot;Vice&quot;; and a selection from the GP description of the Merchant, in &quot;Exchange and Mart.&quot; Includes side-bar glosses.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271095">
    <dcterms:title><![CDATA[Kenterberiĭskie rasskazy. [Canterbury Tales]]]></dcterms:title>
    <dcterms:description><![CDATA[Translation of CT into Russian verse and prose (by Kashkin and Rumer, orginally published in 1946; again in 1973), with an introduction to Chaucer by Kashkin (1946), end-of-text notes by Kashkin and Popovoi, and color illustrations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271094">
    <dcterms:title><![CDATA[Kenterberiĭskie rasskazy. [Canterbury Tales]]]></dcterms:title>
    <dcterms:description><![CDATA[Selection from CT in Russian poetic translation by Ivan Kashkin and O. B. Rumer, with Introduction and notes by A. Anikst. Miniature book in 9 cm., with nine b&amp;w illustrations of the tales and a fold-out color depiction of the pilgrims in progress.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271093">
    <dcterms:title><![CDATA[&#039;Good ber and bryht wyn bothe&#039;: Feste in der Mittelenglischen Literatur un Kultur]]></dcterms:title>
    <dcterms:description><![CDATA[Compares and contrasts descriptions of feasts by the &quot;Gawain&quot;-poet and Chaucer (WBT, KnT, SqT, the GP description of the Prioress, and ParsT), with comments on the &quot;Second Shepherds&#039; Play,&quot; and Robert Henryson.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271092">
    <dcterms:title><![CDATA[Pilgrims &amp; Pilgrimage: Journey, Spirituality, &amp; Daily Life through the Centuries]]></dcterms:title>
    <dcterms:description><![CDATA[Interactive, illustrated exploration of the &quot;multiple meanings of pilgrimage within the Christian tradition,&quot; especially as expressed in the Middle Ages, although set in the broader context of worldwide practice. Includes a wide variety of descriptive topics and sub-topics, with pop-up definitions, an encyclopedia of terms, and a bibliography.  The section entitled &quot;Pilgrimage in Medieval Literature&quot; includes a sub-section, &quot;Chaucer&#039;s &#039;Canterbury Tales&#039;&quot; (n.p.), by Helen Phillips.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271091">
    <dcterms:title><![CDATA[Medieval Rhetoric Delivers; or, Where Chaucer Learned How to Act]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the role of performance, or delivery, in medieval rhetorical and grammatical treatises, and exemplifies the evidence of Chaucer&#039;s concern with rhetoric and performance in CT--in the Host&#039;s remarks to the Clerk, the role-playing of the Pardoner, and the apostrophes of the NPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271090">
    <dcterms:title><![CDATA[80 Great Poems from Chaucer to Now]]></dcterms:title>
    <dcterms:description><![CDATA[This anthology includes the description of the Clerk from the GP, with a commentary that explains details unfamiliar to modern readers and analyzes features of structure and prosody.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271089">
    <dcterms:title><![CDATA[Chaucer&#039;s Other Works in Modern English Prose]]></dcterms:title>
    <dcterms:description><![CDATA[Translations into modern English prose of BD, HF, Anel, PF, Bo, TC, LGW, the &quot;Shorter Poems,&quot; and Rom.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271088">
    <dcterms:title><![CDATA[The Canterbury Tales in Modern English Prose]]></dcterms:title>
    <dcterms:description><![CDATA[Translation of CT into modern English prose.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271087">
    <dcterms:title><![CDATA[John Lydgate and the Making of Public Culture]]></dcterms:title>
    <dcterms:description><![CDATA[Studies how John Lydgate&#039;s occasional poetry, including mummings and diguisings, reacts to and helps to shape an emergent notion of &quot;public culture&quot; that differs from that of his predecessor, Chaucer.  Lydgate, Nolan argues, translated &quot;the poetic and literary techniques he learned from Chaucer into new media, especially spectacle.&quot;  Includes recurrent attention to Lydgate&#039;s dependencies on Chaucer and his departures from him, with sustained attention to the idea of tragedy in MkT and Lydgate&#039;s &quot;Serpent of Division&quot; and to the impact of MkP, WBT, ClT, and the fabliaux on the comedy of Lydgate&#039;s &quot;Disguising at Hereford.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271086">
    <dcterms:title><![CDATA[Chaucer and a Choice of Taboo Words]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on Chaucer&#039;s uses of words that have come to be regarded as obscene or distasteful.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271085">
    <dcterms:title><![CDATA[Sinclair Lewis as Reader and Critic]]></dcterms:title>
    <dcterms:description><![CDATA[Comments briefly on references to Chaucer in the fiction and criticism of Sinclair Lewis.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271084">
    <dcterms:title><![CDATA[Chaucer and His Bawdy Miller]]></dcterms:title>
    <dcterms:description><![CDATA[Study guide to MilPT, designed for adolescents, with Middle English text and facing translation in modern verse and a variety of background materials: GP descriptions of Miller, Wife, of Bath, and Pardoner; an introduction to Chaucer&#039;s life and works; and various topics for study and review.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271083">
    <dcterms:title><![CDATA[Ovid and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Describes Ovid&#039;s response to Virgil, and gauges Ovid&#039;s influence on Chaucer, focusing on the latter&#039;s acquaintance with &quot;Ars Amatoria,&quot; &quot;Remedia Amoris,&quot; and &quot;Amores,&quot; and on the &quot;self-conscious, obtrusive narrator.&quot; Like Ovid, and unlike Virgil, Chaucer is more the &quot;poeta&quot; than the &quot;vates&quot;--&quot;self-consciously trapped&quot; by human limitations.]]></dcterms:description>
</rdf:Description></rdf:RDF>