<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271233">
    <dcterms:title><![CDATA[Chaucer&#039;s Allergy]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer is &quot;constitutionally sensitive&quot; to intellectual realism, preferring sensory experientialism instead. In BD, as in HF and PF, inconclusiveness and tentativeness defer rather than console and encourage a &quot;broader mundane perspective&quot; than is traditional in the dream vision genre.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271232">
    <dcterms:title><![CDATA[&#039;The Wife of Bath&#039;s Tale&#039; (Geoffrey Chaucer)]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how WBT &quot;ironizes the quest motif at the heart&quot; of the romance genre and assesses the extent to which the loathly lady, the knight, and the Wife of Bath may be considered to be tricksters.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271231">
    <dcterms:title><![CDATA[The Wife of Bath&#039;s Prologue and Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Reported in WorldCat; item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271230">
    <dcterms:title><![CDATA[The Wife of Bath as Inspiration for Defoe&#039;s Moll Flanders: A Case of Eighteenth-Century Medievalism]]></dcterms:title>
    <dcterms:description><![CDATA[Demonstrates Daniel Defoe&#039;s familiarity with CT, and documents the fundamental influence of Chaucer&#039;s Wife of Bath on the form and content of &quot;Moll Flanders.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271229">
    <dcterms:title><![CDATA[Derrida&#039;s Cat and Nicholas&#039;s Study]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the cat in MilT as a device of demarcation between the domesticity of John&#039;s house and the privacy of Nicholas&#039;s &quot;elite&quot; study, observing links between this use of an animal as a device with Derrida&#039;s contemplations on his cat. Also considers connections between Nicholas&#039;s study and that of Petrarch, who treasured his cat enough to mummify it. Includes 5 b&amp;w figs.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271228">
    <dcterms:title><![CDATA[Was Chaucer a Poet?]]></dcterms:title>
    <dcterms:description><![CDATA[Despite Chaucer&#039;s characteristic humility about his poetry and the absence of any references to poetry in his &quot;Life-Records,&quot; critics are wrong to deemphasize the respect that subsequent writers accorded to his writing. Imitation of Chaucer&#039;s poetic techniques is evidence that Chaucer was a master poet.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271227">
    <dcterms:title><![CDATA[Troilus and Criseyde by Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Reprints twelve examples of critical studies of TC published between 1962 and 2008, several in excerpts. An introduction (pp. 225-27) summarizes the plot of TC and comments on its characters, major themes, and critical reception. Closes with annotated suggestions for further reading.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271226">
    <dcterms:title><![CDATA[Culture and Anarchy on the Coast of Bohemia]]></dcterms:title>
    <dcterms:description><![CDATA[Recounts the experiences of teaching a British Literature survey at a Louisiana university in the wake of Hurricane Katrina in Fall 2005, exploring why student response to CT was unusually intense at that time, particularly for its concern with social responsibility.  Available at http://www.borrowers.uga.edu/archive.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271225">
    <dcterms:title><![CDATA[The Ambiguous Greek in Old French and Middle English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates various characterizations of Greeks in Old French and Middle English, including that of Diomede in TC, a depiction &quot;informed by classical ideas and Chaucer&#039;s depictions of Jews and Saracens in other works.&quot; Troilus, in contrast, is proto-Christian.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271224">
    <dcterms:title><![CDATA[&#039;I nam no divinistre&#039;: Heterodoxy and Disjunction in Chaucer&#039;s &#039;Knight&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that, in KnT, Chaucer does not resolve the disjunction between Aristotelian natural philosophy and Christian theology that is found in medieval university discourse; instead, he amplifies the tension to allow the &quot;freeplay of interpretation.&quot;  Focuses on Arcite&#039;s death and Theseus&#039; final speech.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271223">
    <dcterms:title><![CDATA[Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Defines pragmaphilology as a field of study, explains why Chaucer is an important focus for study in the field, surveys the pragmaphilological work that has been done concerning Chaucer, and makes suggestions for future directions. Much of the work that has been done relates to speech acts (especially insults, threats, and promises), forms of address, and pronouns.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271222">
    <dcterms:title><![CDATA[Nine Medieval Romances of Magic: Re-Rhymed in Modern English]]></dcterms:title>
    <dcterms:description><![CDATA[Modern verse translations of romances in their original verse forms, with individual introductions and notes, a general introduction, and a commentary on the value of modern verse translation.   Includes WBT and Th, along with Gower&#039;s &quot;Tale of Florent,&quot; &quot;Thomas of Erceldoune,&quot; &quot;Sir Orfeo,&quot; Thomas Chestre&#039;s &quot;Sir Launfal,&quot; &quot;Emaré,&quot; &quot;Sir Gowther,&quot; and &quot;Floris and Blanchefleur.&quot;  Appendix A includes two later analogous narratives: the ending of &quot;Sir Libeaus and the Lamia&quot; and &quot;Tam Lin.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271221">
    <dcterms:title><![CDATA[False Memories: The Dream of Chaucer and Chaucer&#039;s Dream in the Medieval Revival]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the role of two &quot;false memories&quot; of Chaucer&#039;s life in the formation of nineteenth-century attitudes toward the poet and his reputation.  The spurious incidents--Chaucer&#039;s exile and imprisonment and his &quot;retirement&quot; to a park at Woodstock--were repeated in biographical accounts and other popular materials, helping to create a romanticized idea of the poet.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271220">
    <dcterms:title><![CDATA[Further Investigation into the Scansion of Chaucer&#039;s Troilus and Criseyde: Revising the Scansion Dictionary of Chaucer&#039;s Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; reported in WorldCat.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271219">
    <dcterms:title><![CDATA[One Hundred Portraits]]></dcterms:title>
    <dcterms:description><![CDATA[Includes Moser&#039;s engraving of Chaucer (p. [93]), described by Moser as &quot;invented&quot; (p. 124).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271218">
    <dcterms:title><![CDATA[Classic Love Poems]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of lyrics and excerpts, including lines from KnT (1.1074-1122) in Middle English. Earlier versions of the volume were published in 1994, 2001, 2006, and 2008.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271217">
    <dcterms:title><![CDATA[Shame and Guilt in Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[In Chaucer&#039;s poetry, guilt is represented as an &quot;ethical ideal,&quot; whereas shame is often &quot;portrayed as the psychological reality&quot; that disrupts attempts to &quot;realize the ideal.&quot; Throughout his poetry, but especially in CT, Chaucer articulates &quot;the public and private aspects of these emotions,  and the &quot;injustice of guiltless shame&quot; is depicted recurrently in the figures of female victims such as Dido, Criseyde, Virginia, and Dorigen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271216">
    <dcterms:title><![CDATA[Reading Emotional Bodies: Love and Gender in Late Medieval English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes history of emotions, phenomenology, and gender theory, and specifically discusses &quot;feminine embodiment and the bodily expressions of love&quot; in TC and LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271215">
    <dcterms:title><![CDATA[[Troilus and Criseyde: Desire and Death]]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; reported in MLA International Bibliography, where it is described as written in Korean with English summary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271214">
    <dcterms:title><![CDATA[Transcribing and Editing Graphetic Details in the Manuscripts of Chaucer&#039;s &#039;Man of Law&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Questions the precision of transcribing manuscripts in electronic editing as undertaken for The &quot;Canterbury Tales&quot; Project and the Middle English Grammar Project. Uses examples from MLT to demonstrate that even graphetic transcription does not represent manuscript details precisely, especially in the cases of abbreviations and word-end flourishes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271213">
    <dcterms:title><![CDATA[Some Aspects of Word Formation in Henryson&#039;s &#039;Fables&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes abstract noun formation (adding suffixes) in Robert Henryson&#039;s &quot;Fables&quot; and offers some brief comparisons with data from works by Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271212">
    <dcterms:title><![CDATA[Þe Comoun Peplis Language]]></dcterms:title>
    <dcterms:description><![CDATA[Eleven essays on Old and Middle English language and literature. For two essays that pertain to Chaucer, search  for Comoun Peplis Language under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271211">
    <dcterms:title><![CDATA[Merchants and the Medieval Mirror.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; reported by WorldCat, with abstract:  argues that in MerT, Hoccleve&#039;s &quot;Regiment of Princes,&quot; and Lydgate&#039;s &quot;Fall of Princes&quot; merchants are &quot;used to model kingly virtues. By mapping monarchical characteristics onto merchants, these late medieval texts promoted an urban hierarchy.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271210">
    <dcterms:title><![CDATA[Geschlechter-Lektüren: Emotion und Intimität in Chaucers &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the &quot;relationship between reading, space and emotions&quot; in TC, focusing on the two scenes of book reading in the poem. Criseyde&#039;s reading in the paved parlor links her with &quot;hermeneutical openness,&quot; while Pandarus&#039;s feigned reading of an old romance in the bedroom reduces texts to &quot;mere instruments.&quot;  In German, with English summary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271209">
    <dcterms:title><![CDATA[Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Item not accessed; reported by WorldCat, with link to a commercial description:  &quot;A BBC Radio 4 full-cast [modernization] of Chaucer&#039;s Troilus and Criseyde by poet and writer Lavinia Greenlaw . . . . The cast includes Tom Ferguson as Troilus, Maxine Peake as Criseyde and Malcolm Raeburn as Pandarus. Also starring Kathryn Hunt, Kevin Doyle, Terence Mann and Declan Wilson. Directed by Susan Roberts.&quot; BBC 4 website reports that the initial broadcast began on April 26, 2009.]]></dcterms:description>
</rdf:Description></rdf:RDF>