<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272479">
    <dcterms:title><![CDATA[Editors and Scribes in Two Clerk&#039;s Tale Cruxes]]></dcterms:title>
    <dcterms:description><![CDATA[Variant treatments of ClT 4.507-8 reflect editorial practices as well as scribal power, specifically Adam Pinkhurst&#039;s, in shaping Chaucer&#039;s texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275620">
    <dcterms:title><![CDATA[Editors Introduction: Chaucer&#039;s Global Orbits and Global Communities.]]></dcterms:title>
    <dcterms:description><![CDATA[Emphasizes the global diversity of CT--settings, sources, influence, etc.--and asks &quot;what underappreciated meanings in Chaucer&#039;s Middle English work open up through translation and adaptation.&quot; Summarizes the essays included in this special issue titled &quot;Chaucer&#039;s Global Compaignye&quot; and suggests that they help to offset &quot;Anglophone normativity.&quot; For individual essays, search for Chaucer&#039;s Global Compaignye under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276451">
    <dcterms:title><![CDATA[Editors&#039; Introduction: #MeToo, Medieval Literature, and Trauma-Informed Pedagogy.]]></dcterms:title>
    <dcterms:description><![CDATA[Reports on contemporary cultural conditions for teaching medieval narratives about rape, and summarizes the contents of this issue of the journal. Includes brief comments on modern responses to &quot;Cecily Chaumpaigne&#039;s charges against Geoffrey Chaucer for &#039;de raptu meo&#039;.&#039;&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276449">
    <dcterms:title><![CDATA[Editors&#039; Introduction.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the launch of a new electronic journal related to the study of Chaucer, &quot;New Chaucer Studies: Pedagogy &amp; Profession,&quot; and summarizes the contents of the inaugural issue.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275608">
    <dcterms:title><![CDATA[Edle Ritter, schlaue Studenten, betrügerische Ablasskrämer: Chaucers &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces CT as one of the major accomplishments of English medieval literature, surveying information about Chaucer&#039;s life and works and focusing on the range and variety of CT. Describes GP, Ret, the longer prologues, and each of the tales, and examines their narrative genres, settings, sources and analogues, themes, and motifs.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272079">
    <dcterms:title><![CDATA[Edmund Spenser and Dan Chaucer: A Study of the Influence of &#039;The Canterbury Tales&#039; on &#039;The Faerie Queene&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the influence of CT on Spenser&#039;s &quot;Faerie Queene,&quot; especially the Renaissance version of Chaucer&#039;s work available to Spenser in Thynne&#039;s edition. Includes a list of Spenser&#039;s references and allusions to Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263316">
    <dcterms:title><![CDATA[Educating Reader: Chaucer&#039;s Use of Proverbs in &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer uses &quot;ingenu&quot; irony (Muecke&#039;s term) in TC.  Pandarus, the most prodigious user of proverbs, demonstrates the illusiveness and unreliability of proverbs.  For all his proverbial wisdom, Pandarus, like the narrator, is inept in love.  Proverbs provide a safety net to deflect blame from both, and to protect the characters from audience disapproval.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265872">
    <dcterms:title><![CDATA[Education and Social Aspects of Children&#039;s Education in English Medieval Society (14th Century)]]></dcterms:title>
    <dcterms:description><![CDATA[Tallies instances of Chaucer&#039;s attention to childhood education in CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266037">
    <dcterms:title><![CDATA[Education and Society in Medieval and Renaissance England]]></dcterms:title>
    <dcterms:description><![CDATA[Fifteen chapters, fourteen reprinted, on various aspects of education in society and literature.  Includes a reprint of &quot;Chaucer and Education.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274918">
    <dcterms:title><![CDATA[Educational Expectation and Rhetorical Result in &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that in his &quot;mature work&quot; and in &quot;the service of greater realism,&quot; Chaucer used rhetoric &quot;dramatically rather than ornamentally.&quot; Then gauges the degree of appropriateness of tales to tellers in light of the percentage of rhetoric in a given tale and its teller&#039;s presumed level of education, &quot;special circumstances&quot; of the teller&#039;s background or character, or the supposition that the tale was reassigned from one teller to another.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269103">
    <dcterms:title><![CDATA[Edward Burne-Jones and Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses Edward Burne-Jones&#039;s illustrations for the Kelmscott Chaucer. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268860">
    <dcterms:title><![CDATA[Edward Burne-Jones&#039;s Chaucer Portraits in the Kelmscott Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[The thirty-one portraits in the Kelmscott Chaucer show Burne-Jones&#039;s development as a painter and his identification with Chaucer as an artist. Burne-Jones represents Chaucer as a tall and slender man, similar to his own self-portraits. The emotions he captures in Chaucer--happy to melancholy to almost deathlike--roughly parallel events in the artist&#039;s own life and reflect changes in his own philosophy, as well as tensions in late-Victorian England.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262390">
    <dcterms:title><![CDATA[Edward III and His Family]]></dcterms:title>
    <dcterms:description><![CDATA[Edward III achieved his dynastic ambitions through military activity, careful marriages, and apportionment of lands and titles among his children.  By 1377, his plans lay in ruins,and Richard II&#039;s abrasiveness destroyed Plantagenet harmony.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264790">
    <dcterms:title><![CDATA[Effigies of Power: Pitt and Fox as Canterbury Pilgrims]]></dcterms:title>
    <dcterms:description><![CDATA[Blake&#039;s portraits of the Pardoner and Summoner in &quot;Chaucer&#039;s Canterbury Pilgrims&quot; bear strong resemblances to contemporary satirical portraits of William Pitt the Younger and Charles James Fox, respectively.  The descriptions of the two pilgrims in GP and in their individual tales closely parallel the physical traits, tastes, abilities, and personalities of the historical figures.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269944">
    <dcterms:title><![CDATA[Eglentyne&#039;s Mary/Widow: Reconsidering the Anti-Semitism of The Prioress&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[The Prioress aligns herself with the widow in her Tale and with the Virgin Mary. Although the clergeon is like Christ in his challenge to Jewish tradition, PrT is concerned with female power as well as with cultural prejudice.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275777">
    <dcterms:title><![CDATA[Eighteen Lines of Chaucer&#039;s &quot;Prologue.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on stylistic and tonal aspects of GP 1.1-18, focusing on their harmonious energy and &quot;generalized vocabulary.&quot; Also comments Chaucer&#039;s sympathetic irony elsewhere in GP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261200">
    <dcterms:title><![CDATA[Eighteenth-Century Modernizations from the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[A collection of thirty-two eighteenth-century modernizations of CT by at least seventeen authors, known and anonymous.  Valuable in an exploration of reception aesthetics and reader-response theory.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264214">
    <dcterms:title><![CDATA[Eighteenth-Century Ownership of Two Chaucer Manuscripts]]></dcterms:title>
    <dcterms:description><![CDATA[British Libreary NMS Additional 12524 was owned successively by Samuel Smith, Ralph Thoresby, and Horace Walpole.  British Library MS Additional 9832, owned by Morell Thurston and them by Joseph Haselwood, was used by Urry for his edition.  Both contain lines from LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276200">
    <dcterms:title><![CDATA[Eine alte Reisebekanntschaft: Alchemie bei Chaucer, Balzac, und Patricia Görg.]]></dcterms:title>
    <dcterms:description><![CDATA[Exemplifies the recurrent concern with alchemy in western culture and literature, including description of Chaucer&#039;s depiction of it in CYPT, along with his reputation for scientific knowledge.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275892">
    <dcterms:title><![CDATA[Einführung in das Studium des Mittelenglischen unter Der Prologs der &quot;Canterbury Tale.&quot;.]]></dcterms:title>
    <dcterms:description><![CDATA[Part 2 (pp. 225-379) prints the entire GP, based on the text of Manly and Rickert (1940), with phonetic transcription of lines 1-78; introductory commentary on its meter, stress patterns, syllabification, and rhyme techniques; and a comprehensive glossary of its vocabulary. Also includes an introductory survey of Chaucer&#039;s life and works, with particular emphasis on CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263379">
    <dcterms:title><![CDATA[Einfuhrung in die Sprache Chaucers: Phonologie, Metrik und Morphologie]]></dcterms:title>
    <dcterms:description><![CDATA[Treats phonology (vowels, consonants, dipthongs), morphology, and meter of Chaucer&#039;s language.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271032">
    <dcterms:title><![CDATA[Einführung ins Mittelenglische]]></dcterms:title>
    <dcterms:description><![CDATA[An introductory textbook grammar of Middle English, particularly Chaucer&#039;s dialect, with a brief history of the English language and descriptions of the parts of speech, morphology, pronunciation, etc.  Includes an edition of the GP, edited from the Ellesmere manuscript., with a glossary that includes brief explanatory notes. Second edition published in 1993; third in 1997.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275702">
    <dcterms:title><![CDATA[Eingebildetes Wissen: Imaginationstheorie, Haushalt und Kommerz in spätmittelalterlichen britischen Traumvisionen.]]></dcterms:title>
    <dcterms:description><![CDATA[Clarifies the late medieval shift from household economics to usurious commerce, and argues that HF, John Lydgate&#039;s &quot;Temple of Glass,&quot; and Gavin Douglas&#039;s &quot;Palice of Honour&quot; depict the &quot;dissolution&quot; of traditional households entailed in this shift. As well, the poems&#039; buildings and spaces represent the &quot;mental ventricles of imagination, logic and memory&quot; and reflect a new &quot;chresmatistic&quot; poetics in which the &quot;usurious multiplication and arbitrary evaluation of images&quot; is aligned with a &quot;desirous imagination.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274764">
    <dcterms:title><![CDATA[Ekphrasis in the &quot;Knight&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how in KnT ekphrasis (here the &quot;verbal depiction of fictional images rather than of real ones&quot;) serves &quot;a specific politics of representation&quot; in which &quot;the verbal and the visual&quot; and &quot;the classical and the medieval&quot; are locked in &quot;ineluctable conflict.&quot; Comments on the temples in KnT (especially that of Mars), their relation to the theater, the descriptions of Emetreus and Lygurge, subjectivity, self-reflexivity, voyeurism, &quot;poetic narcissism,&quot; the paradoxical aims of chivalry, and &quot;Lollard iconophobia.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270798">
    <dcterms:title><![CDATA[El canon literario y sus efectos sobre la construcción cultural de la violencia de género: Los casos de Chaucer y Shakespeare]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes how art--canonical literature, in particular--helps to construct, consolidate, and transmit patriarchal ideologies that support violence and female subjection. Assesses KnT as an example of how a masculine gaze affects female identity. Chaucer tones down the sexual allusions of his sources in Ovid and Boccaccio, but not the sexual violence.]]></dcterms:description>
</rdf:Description></rdf:RDF>