<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273396">
    <dcterms:title><![CDATA[Early Fiction in England: From Geoffrey of Monmouth to Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Anthology of early English fiction including excerpts from Wace, Marie de France, Chaucer, and others.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268880">
    <dcterms:title><![CDATA[Early Middle English Knight : (Pseudo)metathesis and Lexical Specificity]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys a wide range of occurrences and developments for [kn], a cluster with a number of uncommon properties. Examination of the lexical and phonetic idiosyncrasies demonstrates that observed figural representation in &lt;cin-/kin-&gt; is not at odds with a rational literal and phonetic interpretation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275951">
    <dcterms:title><![CDATA[Early Modern Editors and the Value of Middle English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that &quot;the increasing alterity of Middle English texts in the early modern period compelled editorial interventions designed to make the texts accessible as well as to identify, to emphasize, or to establish the texts/ relevance to contemporary audiences.&quot; Includes discussion of Thomas Speght&#039;s editing of Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273956">
    <dcterms:title><![CDATA[Early Modern Medievalism.]]></dcterms:title>
    <dcterms:description><![CDATA[Maintains that &quot;The Plowman&#039;s Tale&quot; and &quot;Jack Upland&quot; may have contributed to how Chaucer was received by &quot;anti-Catholic cultures of the sixteenth century.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272503">
    <dcterms:title><![CDATA[Early Modern Writing and the Privatization of Experience]]></dcterms:title>
    <dcterms:description><![CDATA[Examines a diverse range of authors from the fourteenth to the early eighteenth centuries for their political, philosophical, and scientific perspectives in order to map a movement away from a trust in collective experience and toward a focus on the individual as the source of authentic perception, thought, and feeling. Chapter 5 refers to BD.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272991">
    <dcterms:title><![CDATA[Early Printed Chaucer Editions in the Harry Ransom Center&#039;s George A. Aitken Collection]]></dcterms:title>
    <dcterms:description><![CDATA[Catalogues Chaucer resources at the Ransom Center at the University of Texas at Austin and focuses on Aitken as collector.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261198">
    <dcterms:title><![CDATA[Early Printers and English Lyrics: Sources, Selection and Presentation of Texts]]></dcterms:title>
    <dcterms:description><![CDATA[A study of the &quot;traditions of lyric publication on which Tottel built&quot; his 1557 collection, Tottel&#039;s Miscellany.  Discusses early English printers&#039; &quot;Chaucerian anthologies&quot;--Caxton&#039;s quarto volumes among them--that combine Chaucer&#039;s lyrics and longer works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276580">
    <dcterms:title><![CDATA[Early Shakespeare, Chaucer, and Narrative Theory: &quot;Arden of Faversham&quot; and (the) Franklin&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores relations between Franklin--the tale-telling character of &quot;Arden of Faversham&quot;--and Chaucer&#039;s Franklin as narrator of FranT, concentrating on scenes in the play attributed to Shakespeare, and focusing on the &quot;subject matter and literary artfulness&quot; as well as the unreliability of the two fictional tale-tellers. Also considers Chaucer&#039;s more general &quot;association with domestic tragedy&quot; in early modern reception.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265280">
    <dcterms:title><![CDATA[Earnest Exuberance in Chaucer&#039;s Poetics: Textual Games in the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[A close reading of selected tales and passages of CT, concentrating on the interpenetration of sexual nuances and theological resonances as a source of unity.  Reads the tales &quot;palimsestically,&quot; i.e., as a series of intratextual allusions and images that overarch the psychological reflections of the tellers in the tales.  ]]></dcterms:description>
    <dcterms:description><![CDATA[Both MilT and KnT are parodies of the overly serious view of sexuality in ParsT.  PrT reflects the Prioress&#039;s past sexual experiences, which Chaucer satirizes and which are inverted in the Pardoner, who is a correlative to the Virgin Mary.  ClT is a feminist joke; MerT, an &quot;anxiety-release&quot; story reflecting an Augustinian, post-Lapsarian view of sexuality as labor.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262939">
    <dcterms:title><![CDATA[Earnest Games: Folkloric Patterns in the &quot;Canterbury Tales&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s use of contemporary oral material and traditions of play in CT, especially by the churls.  In part 1, Lindahl examines the &quot;shapes of play and society&quot;:  community of players, role of the pilgrim, shape of performance, and substance of the game.]]></dcterms:description>
    <dcterms:description><![CDATA[In part 2, he examines the &quot;social base of angry speech in Chaucer&#039;s London,&quot; insult strategies, and the &quot;license to lie&quot; or churls&#039; rhetoric.  Part 3 takes up the &quot;gentil folk.&quot;  Lindahl discusses disputes based on occupational differences or rivalries--Host versus Cook, Host versus Pardoner, Wife of Bath versus Clerk and Friar--as well as the Knight&#039;s and the Host&#039;s skill in speech.  Folk rhetoric blossoms in the lower classes in MilT, RvT, CYT, WBT, SumT, FrT, ClT, MerT, PardT, ManT, and CkT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270595">
    <dcterms:title><![CDATA[Earth Took of Earth: A Golden Ecco Anthology]]></dcterms:title>
    <dcterms:description><![CDATA[An eclectic anthology of poetry in English that includes (pp. 6-9) a selection from NPT (7.3331-446) in rhymed pentameter couplets, lightly modernized and including stresses for meter.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275212">
    <dcterms:title><![CDATA[Earth.]]></dcterms:title>
    <dcterms:description><![CDATA[An edited epistolary exchange between medievalist Cohen and physical scientist Elkins-Tanton, exploring humanist and scientific perspectives on epistemology, point of view, temporality, beauty, and human comprehension of the earth and the cosmos. Includes brief comments on Troilus&#039;s view of earth from the spheres in TC, 5.1807–27, in contrast with views in &quot;Mandeville&#039;s Travels.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268734">
    <dcterms:title><![CDATA[Earthen Vessels: Pedagogy, Authorship, and the Endings of Piers Plowman and Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Olsen argues that TC is an effort to &quot;use poetry as a spiritual instrument,&quot; specifically in an attempt to link &quot;celestial and earthly loves.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273638">
    <dcterms:title><![CDATA[Easing of the &quot;Hert&quot; in the &quot;Book of the Duchess.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Contrasts the &quot;tone, circumstance and result&quot; of the Ceyx and Alcyone story and the grief of the Black Knight in BD, suggesting that the contrasts in the heart/herte hunt emphasize the consolation of Chaucer&#039;s poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265959">
    <dcterms:title><![CDATA[East Meets West in Chaucer&#039;s Squire&#039;s and Franklin&#039;s Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the possible oriental analogues of SqT.  ]]></dcterms:description>
    <dcterms:description><![CDATA[  SqT exhibits an open-ended narrative that contrasts with the Western emphasis on closure, resolution, and rhetorical discipline in FranT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276479">
    <dcterms:title><![CDATA[Easton and Dante: Beyond Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Demonstrates Adam Easton&#039;s &quot;detailed engagement&quot; with Dante&#039;s &quot;Monarchia&quot; (especially Book 3) in his &quot;Defensorium ecclesiastice potestatis,&quot; and suggests that Easton and Chaucer &quot;might well have known about each other&#039;s work.&quot; Includes comments on SNT and Chaucer&#039;s reference to Giovanni da Legnano in ClP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267049">
    <dcterms:title><![CDATA[Eating Griselda]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Griselda of ClT in light of the folkloric tradition of the &quot;Chichevache,&quot; said to have eaten ideal wives in medieval Europe. Includes visual representations of the legendary beast and describes the relations of ClT to its sources.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267478">
    <dcterms:title><![CDATA[Eating the Book : Reading and the Formation of the Devout Subject in Late Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[In the fourteenth and fifteenth centuries, the English laity became increasingly literate, in part because readers consumed religious literature to increase their devotion and to achieve personal relationship with God. PrT and SNT, among other medieval works, demonstrate the Christian laity&#039;s need for vernacular reading ability.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272947">
    <dcterms:title><![CDATA[Eccles Street and Canterbury: An Approach to Molly Bloom]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the Wife of Bath is a distant source (not necessarily intentional) for the characterization of Molly Bloom in James Joyce&#039;s &quot;Ulysses.&quot; Both characters are sensual, hedonistic, heterodox, touched by despair, shrewish, and unfaithful--part of a long tradition of literary women.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269348">
    <dcterms:title><![CDATA[Echoes of Boethius and Dante in Chaucer&#039;s Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Shows how allusions to Dante in TC combine with Boethian elements to offer an ironic commentary on Troilus&#039;s notion of happiness. Also comments on allusions to Statius.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269963">
    <dcterms:title><![CDATA[Echoes of Communal Response in the Tale of Melibee]]></dcterms:title>
    <dcterms:description><![CDATA[Through extensive use of &quot;multiple dialogue introducers,&quot; Chaucer creates a &quot;mimetic representation of speech&quot; in Mel and  thus invites a listening audience to be part of the fictional conversation and, beyond that, to emulate it by taking time to &quot;pause, consider, and discuss before acting.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265029">
    <dcterms:title><![CDATA[Echoes of Leviathan and the Harrowing of Hell in Chaucer&#039;s &#039;Man of Law&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Echoes of the Book of Job, and especially of the figure of Leviathan, in MLT reinforce the poem&#039;s thematic connection with the Harrowing of Hell.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273409">
    <dcterms:title><![CDATA[Eclecticism and Its Discontents.]]></dcterms:title>
    <dcterms:description><![CDATA[Cautions editors against eclectic emendation, assessing George Kane&#039;s method and observing how its rigor is undercut by subjectivity, particularly notions of authorial &quot;genius.&quot; Uses WBP 3.838 (the Summoner jeering at the Friar) as a case study to show that this indisputably Chaucerian line is regularly emended by eclectic editors, despite scribal consistency.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268613">
    <dcterms:title><![CDATA[EcoChaucer: Green Ethics and Medieval Nature]]></dcterms:title>
    <dcterms:description><![CDATA[Depicting nature as an &quot;active force,&quot; Chaucer encourages the reader to explore nature&#039;s &quot;effects on social institutions and human drives.&quot; In so doing, he balances &quot;a dis-enchanted skepticism about nature&#039;s benevolence&quot; with &quot;a canny understanding&quot; of how institutions invoke &quot;&#039;the natural&#039; to justify their own privileges.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267404">
    <dcterms:title><![CDATA[Ecocriticism and Middle English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Ecocriticism is &quot;a discipline that examines (criticizes) the relationship of texts to literal and figurative environments.&quot; Douglass&#039;s test case is an examination of how metaphors of nature are used in KnT and MilT to set off the person of Emilye, the characters of Palamon and Arcite, and the youthful energy of Alisoun. Also explores how implied natural settings relate to the conventions of romance and fabliau.]]></dcterms:description>
</rdf:Description></rdf:RDF>