<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267138">
    <dcterms:title><![CDATA[Dumb Chaucer : The Aesthetics of Stupefaction in the Love Visions and &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[In his love visions, Chaucer initially claims to be stupefied by love and love poetry. Dalton analyzes this topos-deriving from many sources, including Boethius, the Roman de la Rose, and poems of Machaut-in BD, HF, PF, and TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262079">
    <dcterms:title><![CDATA[Dunbar : New Light on Some Old Words]]></dcterms:title>
    <dcterms:description><![CDATA[Lexicographical study of Dunbar with occasional reference to Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270392">
    <dcterms:title><![CDATA[Dunbar the Makar]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys what is known of the life and context of William Dunbar, and discusses his canon and language, focusing on Dunbar&#039;s range of genres and his idea of himself as a poet or &quot;makar.&quot;  Comments frequently on Dunbar&#039;s debt to Chaucer (and others), including allusions, quotations, echoes, and similar ideas.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268835">
    <dcterms:title><![CDATA[Dunbar&#039;s &#039;The Goldyn Targe&#039; and the Question of the Auctoritates]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s four dream poems, especially PF and LGWP (both the F and G versions) are sources of Dunbar&#039;s &quot;Golden Targe,&quot; although Dunbar&#039;s imagery owes much to CT, Anel, and Rom. Dunbar seeks innovation within tradition, and the praise he bestows on Chaucer shows that he wishes to have in Scottish literature the place that Chaucer has in English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263588">
    <dcterms:title><![CDATA[Dunbar&#039;s &#039;The Goldyn Targe&#039;: A Chaucerian Masque]]></dcterms:title>
    <dcterms:description><![CDATA[Related to court pageantry, &quot;The Golden Targe&quot; is important politically.  Imagery suggests courtly origins and borrowings from Chaucer and the masque.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274488">
    <dcterms:title><![CDATA[Dunbar&#039;s &quot;Tretis of the Twa Mariit Wemen and the Wedo&quot; 185-87 and Chaucer&#039;s &quot;Parson&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Observes that William Dunbar ridicules sexual impotence by means of the image of a dog ineffectively lifting its leg and maintains that the image and its implications derive from the &quot;striking (and probably original)&quot; use in ParsT 10.858, ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272421">
    <dcterms:title><![CDATA[Dunbar&#039;s Fear of Fame]]></dcterms:title>
    <dcterms:description><![CDATA[Studies fame, death, and related motifs in William Dunbar&#039;s &quot;Lament for the Makars&quot; (&quot;Timor Mortis&quot;), including comments on his echoes of and references to Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264791">
    <dcterms:title><![CDATA[Dunbar&#039;s Self-Revelation and Poetic Tradition]]></dcterms:title>
    <dcterms:description><![CDATA[Dunbar&#039;s so-called autobiographical references are comparable to Chaucer&#039;s references to himself in his poetry.  Also Dunbar&#039;s references employ conventions that may be found in Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267713">
    <dcterms:title><![CDATA[Duplication of Vowels in Middle English Spelling]]></dcterms:title>
    <dcterms:description><![CDATA[Markus examines several features of Chaucer&#039;s spelling--digraphs, vowel doubling, &quot;ee&quot; versus &quot;e&quot;--drawing data from ParsT and arguing that inconsistencies in vowel-doubling are related to vowel length&#039;s &quot;having lost its former phonemic identity.&quot; Uses data from the Innsbruck Computer Archive of Machine-readable English Texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273834">
    <dcterms:title><![CDATA[Dusting off the Cobwebs: A Look at Chaucer&#039;s Lyrics.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the advantages of close reading of Chaucer&#039;s lyrics and shorter poems, examining ABC and Ros in detail for their riches of prosody, tone, structure, and meaning, with attention to narrative voice.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267587">
    <dcterms:title><![CDATA[Duxworth Redux : The Paris Manuscript of the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that scribe John Duxworth, rather than his patron Jean d&#039;Angoulême, was the guiding intelligence behind the execution of the Paris manuscript of CT (Ps) and that his revisions and errors are consistent with the habits of other scribes who treated manuscripts as compilatio.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266453">
    <dcterms:title><![CDATA[Dwelling on Women: Reading the Spatial Discourses of Medieval Texts]]></dcterms:title>
    <dcterms:description><![CDATA[Applies spatial metaphors from contemporary feminist scholarship to medieval texts of various genres, including &quot;Sir Gawain and the Green Knight,&quot; Chretien&#039;s &quot;Yvain,&quot; TC, the &quot;Life of Christina de Markyate,&quot; the &quot;Ancrene Wisse,&quot; and the &quot;Book of Margery Kempe.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275667">
    <dcterms:title><![CDATA[Dwelling with Humans and Nonhumans: Neighboring Ethics in &quot;The Franklin&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes a &quot;theoretical conjunction&quot; between &quot;an ecological love for the non-identical and ethical theories of love for the neighbor,&quot; exploring in light of neighbor theory Dorigen&#039;s relationships in FranT with Arveragus, with Aurelius, and with the black rocks, and commenting on the implications of to &quot;dwellen,&quot; strangeness, Dorigen being &quot;astonied,&quot; ecocriticism, new materialism, and posthumanist ontologies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271741">
    <dcterms:title><![CDATA[Dz. Coseris ir Prerenesanso Problems [G. Chaucer and the Problem of the Pre-Renaissance]]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the ways in which Chaucer anticipates features of Renaissance literature, focusing on realism and ideas of humanity in TC and CT, but also commenting on satire in PF and parody in Thop. In Lithuanian, with summaries in Russian and English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271656">
    <dcterms:title><![CDATA[e-Chaucer: Chaucer in the Twenty-First Century]]></dcterms:title>
    <dcterms:description><![CDATA[Electronic texts of Chaucer&#039;s works in plain text and html, with a concordance and glossary, translations, and links to images, a chronology, and various web resources.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276138">
    <dcterms:title><![CDATA[E(Race)ing the Future: Imagined Medieval Reproductive Possibilities and the Monstrosity of Power.]]></dcterms:title>
    <dcterms:description><![CDATA[Intersectional analysis discloses that MLT, John Gower&#039;s Tale of Constance, and &quot;The King of Tars&quot; cast out &quot;non-Christian bodies from the possibilities of reproductive futurism&quot; and &quot;offer visions of Christian imperialist futures enacted and made possible through the bodies of their heroines.&quot; By foregrounding a &quot;hegemonic world order,&quot; they allow us &quot;to see the true monstrosity of their imagined futures.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269350">
    <dcterms:title><![CDATA[Eagles Mating with Doves: Troilus and Criseyde, II, 925-931, Inferno V and Purgatorio IX]]></dcterms:title>
    <dcterms:description><![CDATA[The white eagle of Criseyde&#039;s dream of TC 2.925-931 is a &quot;superimposition of the eagle of Purgatorio IX and the doves of Inferno V&quot;; it links the love affair of TC with that of Dante&#039;s ruined Paolo and Francesca. The mating of doves and eagles in Criseyde&#039;s speech of 3.1492-98 is not the impossibilium it would appear to be, in keeping with the inevitability of Criseyde&#039;s betrayal of Troilus.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270318">
    <dcterms:title><![CDATA[Earl Birney and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Tallies Birney&#039;s contributions to Chaucer scholarship, particularly his studies that pertain to irony and close reading, and assesses their importance in the tradition of twentieth-century Chaucer criticism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264227">
    <dcterms:title><![CDATA[Earle Birney and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews the work of Earle Birney (1930s, 1940s) on Chaucerian irony: dramatic, verbal, structural.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276501">
    <dcterms:title><![CDATA[Earle Birney as Public Poet: A Canadian Chaucer?]]></dcterms:title>
    <dcterms:description><![CDATA[Shows that in his writing and public persona, Earle Birney &quot;engages in a conscious and self-conscious effort to make himself a public poet for Canada, using Chaucer&#039;s role as the father of English poetry as a model&quot; and echoing Chaucer&#039;s stylistic irony, themes, and efforts to achieve a wide appeal. Discusses archival materials that pertain to Birney&#039;s publications and radio broadcasts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275906">
    <dcterms:title><![CDATA[Earle Birney: Medievalist Bard of British Columbia.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes comments on Earle Birney&#039;s use of Chaucerian motifs in his poetry and his writing about Chaucer&#039;s irony.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270895">
    <dcterms:title><![CDATA[Early British Poetry: &quot;Words That Burn&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Introductory commentary on British poetry from Anglo-Saxon poetry to the works of John Keats, focusing on canonical works and writers. Chapter 2 (pp. 21-30) summarizes Chaucer&#039;s life and describes his iambic meter, explicating Truth (original and translation) and commenting on Adam and MercB.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263037">
    <dcterms:title><![CDATA[Early Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[In BD, Chaucer relies on Latin &quot;artes poeticae&quot; and French courtly poetry for sources and models.  &quot;Amplificatio&quot; is prominent:  &quot;expolitio,&quot; &quot;circumlocutio,&quot; &quot;collatio,&quot; &quot;apostrophatio,&quot; &quot;prosopopeia,&quot; &quot;digressio,&quot; &quot;descriptio,&quot; and &quot;oppositio.&quot;  The beginning complaint in BD would be appropriate for Aurelius in FranT.  The narrator is literal;it is only &quot;in the context of the figurative that the literal possess its full rhetorical power.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[The first section of HF is related stylistically to English romances such as &quot;Havelok,&quot; but Chaucer is more reticent:  his art conceals &quot;itself behind the appearance of artlessness,&quot; as the narrator relates the story by the pictorial record in the temple of Venus.  The code of visual images is dominant.  Chaucer follows &quot;artes poeticae&quot; in advancing to prominence the narrator who calls attention to textuality and intretextuality.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270957">
    <dcterms:title><![CDATA[Early English Aloud and Alive: The Language of Beowulf, Chaucer, and Shakespeare]]></dcterms:title>
    <dcterms:description><![CDATA[On location in England, Gallagher recites passages from Old English, Middle English, Early Modern English, comparing and contrasting their phonologies, morphologies, and vocabularies. The emphasis is on &quot;Beowulf,&quot; but includes a passage from FranT (5.761-70), recited in the cloister of Canterbury Cathedral.]]></dcterms:description>
    <dcterms:description><![CDATA[Produced and directed by Marcus Rogers; first produced at Simon Fraser University, Caritas Productions, 1991.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268859">
    <dcterms:title><![CDATA[Early English Printing and the Hands of Compositors]]></dcterms:title>
    <dcterms:description><![CDATA[Explains the value of variant type faces in establishing the process and sequence of composition in Caxton&#039;s Westminster print house, focusing particularly on the two compositors of the first edition of CT and on evidence of their involvement in other early Caxton volumes. Computer-aided analysis enables specific surmises about the process of composition in Mel and ParsT.]]></dcterms:description>
</rdf:Description></rdf:RDF>