<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266184">
    <dcterms:title><![CDATA[Dramatic Intertextuality in the &#039;Miller&#039;s Tale&#039;: Chaucer&#039;s Use of Characters from Medieval Drama as Foils for John, Alisoun, Nicholas and Absolon]]></dcterms:title>
    <dcterms:description><![CDATA[Six brief essays from a graduate seminar explore how select medieval plays of the Flood, Nativity, Annunication and Slaughter of the Innocents and Jean Bodel&#039;s &quot;Le jeu de Saint Nicholas&quot; illuminate Chaucer&#039;s characters in MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262149">
    <dcterms:title><![CDATA[Dramatic Irony in Chaucer&#039;s &#039;The Franklin&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Dramatic irony in FranT and FranP results in incongruities between the characters&#039; appearances and their absurdities, also demonstrating the Franklin&#039;s ill-claimed eloquence and acquaintance with rhetoric.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274293">
    <dcterms:title><![CDATA[Dramatic Irony in the Canon&#039;s Yeoman&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the moral and intellectual &quot;failings&quot; of the priest in CYT, arguing that his greed, his gullibility, and his status as an &quot;annueleer&quot; make him a target of the Tale&#039;s satire by way of dramatic irony.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267101">
    <dcterms:title><![CDATA[Dramatic Perspective in Chaucer&#039;s &#039;The Canterbury Tales&#039; and &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer expresses the dialectical tension between subject and history, between the inner and the outer self, between canon and parody in CT and TC. He represents this conflict through dramatic dialogue and theatrical performance, making the subjective characters-the &quot;dramatis personae&quot;-more relevant than are story and narrative.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273343">
    <dcterms:title><![CDATA[Dramatic Time, Setting, and Motivation in Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Contrasts MerT, PrT, and PardT with their respective analogues, contending that Chaucer&#039;s Tales are inconsistent in time, setting, and character motivation, reflecting &quot;Chaucer&#039;s lack of concern for real people and real objects.&quot; Similarly in TC, Chaucer&#039;s characters operate &quot;within a framework of deliberate aesthetic stylization&quot; because he is more concerned with didactic persuasion than realistic depiction.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274574">
    <dcterms:title><![CDATA[Dramatized Classics for Radio-Style Reading: A Collection of Short Plays Adapted from Great Literature for Royalty-Free Performance or Classroom Reading. Volume I.]]></dcterms:title>
    <dcterms:description><![CDATA[Twelve short dramas for oral reading, including a Modern English prose adaptation of CT (pp. 161-83) that retells portions of GP, KnT, WBT, NPT, and PardT, with narrative transitions between them. Designed for juvenile audience; reading time approximately one-half hour.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271155">
    <dcterms:title><![CDATA[Drawbacks in the Process of Editing a Non-Canonical Chaucerian Text: The Case of Yonge Gamelyne of the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Vásquez describes her assumptions and practices in producing a scholarly edition of &quot;The Tale of Gamelyn,&quot; an outlaw narrative assigned to Chaucer&#039;s Cook in a number of manuscripts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273958">
    <dcterms:title><![CDATA[Drawing Out a Tale: Elisabeth Frink&#039;s Etchings Illustrating Chaucer&#039;s &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the British illustrator and sculptor Elisabeth Frink&#039;s 1972 illustrated version (with nineteen etchings on copper plates) of Nevill Coghill&#039;s 1951 translation of CT. Analyzes several engravings and provides modernist visual interpretation of CT. Brings artistic fascination with &quot;men, horses, and sex&quot; to bear on what is, and is not, present thematically in CT; includes emphasis on female encounters with male power. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271060">
    <dcterms:title><![CDATA[Drawings for Geoffrey Chaucer&#039;s &#039;The Reve&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-two b&amp;w drawings (plus two cover illustrations) by Armitage accompany Urry&#039;s 1721 text of RvPT, with same-page modern poetic translation in by Nevill Coghill (1951). Each drawing has a title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270920">
    <dcterms:title><![CDATA[Dream Poems]]></dcterms:title>
    <dcterms:description><![CDATA[Although Chaucer scholarship generally exaggerates the poet&#039;s learning, it seems to have missed his use of Huon de Méri&#039;s &quot;Tornoiemenz&quot; in LGWP. Scholarship also overemphasizes the visionary features of Chaucer&#039;s dream poems, while underestimating the value of treating them as natural dreams, ripe with the &quot;delicious unpredictability of their forward movement&quot; that obviates thematic fatalism. Spearing invites explorations of dream poetry as a subgenre of the &quot;dit,&quot; expressive of life experienced in the first person.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271384">
    <dcterms:title><![CDATA[Dream Vision for Langland and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Lyric poem about a dream within a dream.  An accompanying note mentions that both Langland and Chaucer &quot;often described a dream within a dream.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269400">
    <dcterms:title><![CDATA[Dream Visions and Other Poems: Authoritative Texts, Contexts, Criticism]]></dcterms:title>
    <dcterms:description><![CDATA[Includes BD, HF, PF, LGW, Anel, ABC, Adam, MercB, Ros, Truth, Gent, Sted, Scog, Buk, and Purse, with a general preface, an introduction for each of the longer works, selected background works and critical assessments (focusing on the dream visions), a chronology, an introduction to Chaucer&#039;s Middle English, and a brief bibliography. Texts include marginal glosses and bottom-of-page notes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276805">
    <dcterms:title><![CDATA[Dreamer Once More.]]></dcterms:title>
    <dcterms:description><![CDATA[Characterizes the dreamer of BD as consistently stupid, a &quot;nonpareil of dullwittedness&quot;-- technically, psychologically, and allegorically.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269201">
    <dcterms:title><![CDATA[Dreaming]]></dcterms:title>
    <dcterms:description><![CDATA[Kruger summarizes medieval dream theory and argues that Chaucer exploits &quot;the complexities, ambiguities, and uncertainties of dreams, their causes, and their interpretation.&quot; Dreams pose interpretive problems in NPT and TC. As dream visions, BD, HF, PF, and LGWP take up psychological or personal concerns and address philosophical and theological questions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266294">
    <dcterms:title><![CDATA[Dreaming and Speaking in &#039;The Parliament of Fowls&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Questions whether Chaucer&#039;s deviations from traditional literary standards disguise or disclose personal messages.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261543">
    <dcterms:title><![CDATA[Dreaming in the Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes medieval theory of dreams, tracing development from late antiquity to the late Middle Ages.  In theory, in literature, and in life, dreams were regarded as both potentially deceptive and potentially illuminating.  The work concentrates on theorists of dreams and interpretation of real-life dreams but comments on and provides background for literary dream visions, including Chaucer&#039;s.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276215">
    <dcterms:title><![CDATA[Dreaming of (Self-) Annihilation: Gendered Temporalities in Gavin Douglas&#039;s &quot;Palyce of Honour.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Gavin Douglas&#039;s construction of Honour and Venus in the &quot;Palyce of Honour,&quot; though misogynistic, constitutes a complex allegorical response to Chaucer&#039;s model of literary renovation in the HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277377">
    <dcterms:title><![CDATA[Dreaming of Authors, Authoring Dreams: Literary Authorship in the Framed First-Person Allegories of John Skelton, William Dunbar, Stephen Hawes, and Gavin Douglas.]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;[I]nvestigates the distinctive conceptions of literary authorship of John Skelton, William Dunbar, Stephen Hawes, and Gavin Douglas by means of close and comparative readings of their utilisation of a particular form and mode: framed first-person allegory.&quot; Recurrent attention to Chaucer as a &quot;predecessor&quot; and his works as &quot;models.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274637">
    <dcterms:title><![CDATA[Dreaming the Dream of Scipio.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how Chaucer&#039;s adaptations in PF of Macrobius&#039;s Neoplatonic commentary on Cicero&#039;s &quot;Dream of Scipio&quot; anticipate &quot;the humanist recovery of Ciceronian ideals,&quot; particularly the &quot;ideal of marriage and mating as civic duty&quot; and the &quot;possibility of a monarchical continuity that counsels adjudication between personal prerogatives and the social duties of love.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276195">
    <dcterms:title><![CDATA[Dreams and Knowledge in Medieval Literary Theory: Three Comparative Examples.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses relations between dreams and determinism (fate, providence, and prophecy) in three medieval narratives: Kriemhild&#039;s dream in the &quot;Nibelungenlied,&quot; the dreams in&quot; Der Nonne von Engeltal Büchlein von der Gnaden Überlast,&quot; and Chanticleer&#039;s dream in NPT. In the latter, physiological humoral processes counterpoint dream theories, and the philosophical implications of the tale are &quot;relativized&quot; by humor and &quot;the fact that the protagonists must also be considered as natural enemies.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273593">
    <dcterms:title><![CDATA[Dreams and Visions in Medieval Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers BD in a larger survey of dream visions, with particular attention to &quot;connections [to] the conventions of medieval mystical texts.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276294">
    <dcterms:title><![CDATA[Dreams in &#039;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues in Freudian terms that dreams in TC disclose psychological aspects of the characters. Criseyde&#039;s dream (II, 925-31), added by Chaucer to his source, Boccaccio&#039;s &quot;Filostrato,&quot; indicates her desire for ravishment and marks her early submission to Troilus&#039;s pursuit. Troilus&#039;s two &quot;anxiety&quot; dreams (in Book V), especially the second--a &quot;primal scene&quot; nightmare--and its variations from the version in &quot;Filostrato,&quot; &quot;point in the direction of shaping Troilus as an Oedipal figure.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274418">
    <dcterms:title><![CDATA[Dreams in Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes medieval dream psychology, both medical and Macrobian, and summarizes the realism of dreams as narrative frame in Chaucer&#039;s dream visions (BD, HF, PF, and LGWP) and as device of characterization and dramatic irony when dreams are otherwise embedded in his narratives (KnT, TC, NPT). Praises Chaucer&#039;s &quot;tremendous knowledge of medieval dream-lore&quot; and his respect for dreams as &quot;part of the mystery of creation.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268023">
    <dcterms:title><![CDATA[Dreams in Place]]></dcterms:title>
    <dcterms:description><![CDATA[Hacking describes cultural assumptions about dreams in Western tradition (biblical, Cartesian, Freudian, etc.), noting especially dreams&#039; presumed separation from &quot;reality&quot; and the complexities of their relationships with narrative. He briefly considers the concern with &quot;philosophical speculation&quot; in Chaucer&#039;s dream poems and the reciprocity of dreaming and fiction-making in these poems.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262510">
    <dcterms:title><![CDATA[Dreams in Search of Knowledge: The Middle Vision of Chaucer and His Contemporaries]]></dcterms:title>
    <dcterms:description><![CDATA[Kruger investigates the ambivalent nature of dreams in light of various classical and medieval dream theories, as well as actual accounts of dreams.  The &quot;middle vision,&quot; neither divine nor satanic, figures in Langland, Nicole Oresme, and Chaucer (BD and HF).]]></dcterms:description>
</rdf:Description></rdf:RDF>