<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277550">
    <dcterms:title><![CDATA[Do Al Andalus a Dante Alighieri: A Receção do &quot;Livro da Escada de Maomé,&quot; de Afonso X, na Europa [From Al Andalus to Dante Alighieri: The Reception of the &quot;Book of the Ladder of Muhammad,&quot; by Alfonso X, in Europe].]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys &quot;the wide influence exerted by the Islamic eschatological narrative known as &#039;Mohamme&#039;s Ladder&#039; on European literary production until the 17th century.&quot; Discusses the possibility that Chaucer knew the work, and assesses correspondences between the &quot;Escada&quot; and HF (also &quot;Pearl&quot; and &quot;Paradise Lost&quot;), perhaps mediated by Dante&#039;s &quot;Commedia.&quot; In Portuguese,<br />
with an abstract in English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262377">
    <dcterms:title><![CDATA[Doctors and Medicine in Medieval England, 1340-1530]]></dcterms:title>
    <dcterms:description><![CDATA[A survey of the organization, theory, and practice of medicine and surgery from the Black Death until the founding of the Royal College of Physicians.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266834">
    <dcterms:title><![CDATA[Doctrine Embodied: Gender, Performance, and Authority in Late-Medieval Preaching]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on the association of preaching and the preacher&#039;s body in medieval tradition, exploring the association through traditional identification of women and the body. Women preachers of hagiographic tradition and various exemplary women (including Constance of MLT, Griselda of ClT, and Philosophy of Bo) reflect the struggles of women to educate or preach.]]></dcterms:description>
    <dcterms:description><![CDATA[Elsewhere in CT, Chaucer&#039;s own body is a secular version of the struggle.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271428">
    <dcterms:title><![CDATA[Documents and Books: A Case Study of Luket Nantron and Geoffrey Spirleng as Fifteenth-Century Administrators and Textwriters]]></dcterms:title>
    <dcterms:description><![CDATA[Background of Spirleng, a copyist of CT (Glasgow, Hunterian MS U.1.1).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264027">
    <dcterms:title><![CDATA[Doer of the Word: The Epistle of St. James as a Source for Chaucer&#039;s &#039;Manciple&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[In Chaucer&#039;s day the Epistle was regarded as canonical.  In James 3.3-10, the theme is the tongue, the use and abuse of language--the theme not only of the Manciple&#039;s mother&#039;s advice but of the tale itself.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272158">
    <dcterms:title><![CDATA[Does the Franklin Interrupt the Squire?]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer intended to complete SqT, evident in the fact that the Franklin&#039;s interruption is unjustified or inconsistent with the characterization of the Franklin in several ways.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271721">
    <dcterms:title><![CDATA[Does the Manciple&#039;s Prologue Contain a Reference to Hell&#039;s Mouth?]]></dcterms:title>
    <dcterms:description><![CDATA[Documents various &quot;medieval representations of Hell&#039;s Mouth,&quot; and suggests that the example in ManP (9.35-40) complements the concern with Last Judgment in ParsP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275371">
    <dcterms:title><![CDATA[Does the Nun&#039;s Priest&#039;s Epilogue Contain a Link?]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews and evaluates discussions of the authenticity of &quot;the six-line continuation and the final couplet of the Nun&#039;s Priest&#039;s epilogue,&quot; agreeing on textual grounds with the &quot;traditional judgment of scholars&quot; that the lines are &quot;inauthentic&quot; and that &quot;should not be admitted as Chaucer&#039;s in any discussion of the order&quot; of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277668">
    <dcterms:title><![CDATA[Does the Nun&#039;s Priest&#039;s Epilogue Contain a Link?]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews opinions about the textual status of NPE and six additional lines found in four manuscripts of the CT often thought to be spurious. Considering issues of tale order, sequence of composition, dramatic consistency, and authorial or scribal cancellation and/or adjustment, suggests that the link--with the six lines--is authorial, originally intended to link NPE with WBPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271934">
    <dcterms:title><![CDATA[Does the Punishment Fit the Crime?: Chaucer&#039;s &#039;Physician&#039;s Tale&#039; and the Worlds of Judgment]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that PhyT not only addresses changes in the medieval social power structure, but also serves as a &quot;critique of masculine power&quot; within the medieval European court system.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266951">
    <dcterms:title><![CDATA[Doing What Comes Naturally : The &#039;Physician&#039;s Tale&#039; and the Pardoner]]></dcterms:title>
    <dcterms:description><![CDATA[The actions of the Host and the Pardoner in fragment 6 connect PhyT and PardT and their respective tellers, bringing &quot;the male body into view to an extent not seen elsewhere&quot; in CT. ]]></dcterms:description>
    <dcterms:description><![CDATA[The fragment&#039;s representation of gendered bodies sheds &quot;the harshest possible light [on] the oppressive force of the essentialized gender system lying behind medieval politics.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269302">
    <dcterms:title><![CDATA[Domestic Opportunities: The Social Comedy of the Shipman&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Read in the light of late medieval letter collections and conduct manuals for women, the comedy of ShT springs from a recognition of the merchant&#039;s wife&#039;s &quot;clever manipulation of her roles: as hostess, social networker, housekeeper, business assistant, and status symbol.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262986">
    <dcterms:title><![CDATA[Domestic Treachery in the &#039;Clerk&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Associations of the home and domestic situation with &quot;ambiguity, insecurity, and women&#039;s vulnerability&quot; are most effective in TC and ClT.  In the medieval home, the hall was the domain of the male and open to public affairs; the chamber was the female&#039;s domain.  In ClT, Griselda loses all control, even over the chamber.  Domestic treachery is also a feature in MerT, PhyT, and WBT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268009">
    <dcterms:title><![CDATA[Domestic Violence in Medieval Texts]]></dcterms:title>
    <dcterms:description><![CDATA[Thirteen essays by various authors discuss the portrayal of domestic violence in medieval literary, iconographic, legal, religious, and dramatic texts, focusing on how the texts reflect the family as a microcosm of society. For essays that pertain to Chaucer, search for Domestic Violence in Medieval Texts under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268639">
    <dcterms:title><![CDATA[Domesticating Amazons in The Knight&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;postcolonial uneasiness visible&quot; in KnT, particularly in Hippolyta&#039;s subversive mimicry in the face of efforts by Theseus and the Knight to westernize her &quot;Amazon-ness.&quot; Emelye&#039;s powerful gaze upon the victorious Arcite reveals similar slippage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270380">
    <dcterms:title><![CDATA[Domesticating the Dayraven in &#039;Beowulf&#039; 1801 (with Some Attention to Alison&#039;s &#039;Ston&#039;)]]></dcterms:title>
    <dcterms:description><![CDATA[Argues against over-ingenious readings of the dayraven in &quot;Beowulf&quot; and of the stone with which Alison threatens Absalon in MilT (3708, 3712), clarifying the commonplace nature of each.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262728">
    <dcterms:title><![CDATA[Domesticating the Exotic in the &#039;Squire&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Romance typically treats ambiguous doubles, threatened incest,and the unfallen world.  Though SqT fits both genre and teller, it devalues the marvelous (e.g., the dry tree) and transmutes its components (analogously to but differently from CYT).  The Squire treats the &quot;other&quot; without understanding that his apparent sympathy may be self-interest.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271363">
    <dcterms:title><![CDATA[Domestication as Creativity in Mediated Discourse]]></dcterms:title>
    <dcterms:description><![CDATA[Describes various kinds of mediation involved in interlingual, intralingual, and intersemiotic translation, and assesses the nature and degree of interpretation and originality in such mediation. Includes extended discussion of Ermanno Barisone&#039;s translation of CT, &quot;I Racconti di Canterbury&quot; (1967), and Barisone&#039;s comments on translating Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266211">
    <dcterms:title><![CDATA[Don&#039;t Ask; Don&#039;t Tell: The Wife of Bath and Vernacular Translations]]></dcterms:title>
    <dcterms:description><![CDATA[WBPT addresses the relationship between vernacular texts and female audiences.  Vernacular translations of authoritative texts allow women to enter the discourse of power, creating a new discourse that validates not only the existence of a different truth for women but also Chaucer&#039;s authority as a vernacular author.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268411">
    <dcterms:title><![CDATA[Don&#039;t Blame Me: The Metaethics of a Chaucerian Apology]]></dcterms:title>
    <dcterms:description><![CDATA[Scriptural injunctions underlie Chaucer&#039;s apology in MilP 1.3172-81 and his encouraging the audience to be cautious when judging his poetic enterprise.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273509">
    <dcterms:title><![CDATA[Don&#039;t Cry for Me, Augustinius: Dido and the Dangers of Empathy.]]></dcterms:title>
    <dcterms:description><![CDATA[Provides a &quot;newly broadened context for Chaucer&#039;s obsession with Dido,&quot; and looks at Chaucer&#039;s narrators in HF and LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269441">
    <dcterms:title><![CDATA[Donaldson and Irony]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;Working within and yet exploding New Critical terminology,&quot; E. Talbot Donaldson&#039;s studies of Chaucer&#039;s irony--exemplified in his writing on Criseyde--are grounded in his deep understanding of rhetoric. They anticipate Linda Hutcheon&#039;s theory of irony, in which &quot;the said and the unsaid simultaneously make up the ironic meaning.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269484">
    <dcterms:title><![CDATA[Donaldson and Robertson: An Obligatory Conjunction]]></dcterms:title>
    <dcterms:description><![CDATA[In juxtaposition to D. W. Robertson&#039;s comprehensive historicist method, E. Talbot Donaldson&#039;s &quot;fundamentally rhetorical mode of analysis&quot; also constituted a historicist approach, but one that moved from philological detail &quot;toward some larger whole,&quot; the opposite of Robertson&#039;s approach from &quot;grand theory&quot; to individual case.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269463">
    <dcterms:title><![CDATA[Donaldson and the Romantic Poets]]></dcterms:title>
    <dcterms:description><![CDATA[Revisiting E. Talbot Donaldson&#039;s scholarship provokes nostalgia as well as the recognition that, for Donaldson, &quot;poems of the order of Chaucer&#039;s arouse feelings as well as thoughts, feelings based on the critic&#039;s own experience.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269492">
    <dcterms:title><![CDATA[Donaldson Teaching and Learning]]></dcterms:title>
    <dcterms:description><![CDATA[A review of four semesters&#039; course work with E. Talbot Donaldson suggests the organic connection for him between teaching and scholarship.]]></dcterms:description>
</rdf:Description></rdf:RDF>
