<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271508">
    <dcterms:title><![CDATA[The Allegorical Matrix: Technique and Tradition in Renaissance Allegory]]></dcterms:title>
    <dcterms:description><![CDATA[Uses Chaucer, Spenser, Homer, Virgil, and Bunyan as test specimens in the presentation of allegory as a vision of superimposed frames of reference.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271507">
    <dcterms:title><![CDATA[Bromance in the Middle Ages: The Impact of Sodomy on the Development of Male-Male Friendships in Medieval Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Examines various codes by which homosocial relationships were allowed to develop without violation of sodomy taboos. Uses as a case study the relationship between Troilus and Pandarus in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271506">
    <dcterms:title><![CDATA[The Invention of Goodness: Literary Ethics and Tropological Imagination in Late-Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[Includes discussion of Rita Copeland&#039;s representation of Chaucer as an author intending to supersede previous texts; where Chaucer would supplant classical texts, Langland is presented as attempting to conserve and extend scriptural/liturgical texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271505">
    <dcterms:title><![CDATA[A Regnal Genealogy in Trouble: The Trojan Myth as a Traumatic National Historiography in Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[Deploys Chaucer as part of an examination of the use of the Trojan/Brutus myth in British national historiography.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271504">
    <dcterms:title><![CDATA[The Problem of Revenge in Medieval Literature: &#039;Beowulf,&#039; &#039;The Canterbury Tales,&#039; and &#039;Ljosvetninga Saga&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the role of the avenger in several medieval works, including RvT and Mel.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271503">
    <dcterms:title><![CDATA[Thomas Hoccleve and the Poetics of Reading]]></dcterms:title>
    <dcterms:description><![CDATA[Mentions Hoccleve&#039;s role in establishing Chaucer as the prototypical English writer in the course of a larger discussion of Hoccleve&#039;s negotiation of the relationship between author and reader.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271502">
    <dcterms:title><![CDATA[Ecofeminist Subjectivities: Chaucer&#039;s Talking Birds]]></dcterms:title>
    <dcterms:description><![CDATA[Assuming a consistent narrative voice across the Chaucer canon, this study treats Chaucer&#039;s use of animal, specifically, avian, discourse as a means of exploring subjectivity. The author emphasizes the role of non-humans and women in &quot;challenging identities and preconceptions,&quot; noting how investing these speakers with agency works to alter genre and gender assumptions. Chaucer&#039;s use of animal speakers reveals &quot;his restless search for an authorial voice.&quot; Focuses on HF, PF, SqT, NPT, and ManT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271501">
    <dcterms:title><![CDATA[Reason and Imagination in Chaucer, the &quot;Perle&quot;-Poet, and the &quot;Cloud&quot;-Author: Seeing from the Center]]></dcterms:title>
    <dcterms:description><![CDATA[Building on recent studies related to space and epistemology, this study argues that Chaucer, as well as the &quot;Pearl&quot;-poet and author of &quot;The Cloud of Unknowing,&quot; take a pedagogical stance in their writing and &quot;proffer a space from which or by means of which the audience may see and understand.&quot; Knowledge through imagination, or analogy, works alongside knowledge via reason, or metaphor; in either case, understanding is predicated on measurement or motion. Focuses on NPT, HF, BD, and Astr.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271500">
    <dcterms:title><![CDATA[Neoplatonismo o Chaucerismo o Cómo Chaucer Utiliza los Mitos Clásicos]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s use of classical mythology from the perspective of how it is reinterpreted, sometimes following Neoplatonism (through St Augustine), and sometimes through other allegorical and moralizing reading.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271499">
    <dcterms:title><![CDATA[Lunatics, Lovers, and Poets: Compact Imaginations in Chaucer and Medieval Literary Theory]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer requires readers to actively engage with the text as &quot;active participators in the generation of meaning.&quot; Gillespie claims that Chaucer&#039;s role is more of a commentator rather than an &quot;auctore,&quot; because he is as much a &quot;product of the medieval commentary tradition as Dante, Petrarch or Boccaccio.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271498">
    <dcterms:title><![CDATA[The Account Book and the Treasure: Gilbert Maghfield&#039;s Textual Economy and the Poetics of Mercantile Accounting in Ricardian Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Uses Maghfield&#039;s account book of mercantile and monetary transactions (1390-95) to explore the &quot;ways in which mercantile culture and the &#039;new literacies&#039; associated with credit and commerce contributed centrally to the development of Ricardian literature.&quot; Reviews Maghfield&#039;s career--including his relations with Chaucer and others--and demonstrates that mercantile accounting influenced ideas of faith and credit in &quot;Piers Plowman,&quot; timing and loaning in WBP and ShT, contracts and rhetoric in Gower&#039;s &quot;Confessio Amantis,&quot; and professional status in Usk&#039;s &quot;Testament of Love.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271497">
    <dcterms:title><![CDATA[Living Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Contemplates Chaucer&#039;s concern with and depictions of therapeutic &quot;intersubjectvity&quot; in light of modern cognitive theory and evolutionary psychology, particularly as expressed by Brian Boyd. Chaucer&#039;s &quot;clinical sensibility&quot; (50) is evident in his concerns with &quot;adaptive&quot; meaning making, &quot;affective companionship,&quot; humor, play, healing, consolation, cuteness, openness, and &quot;vulnerability to the Other.&quot; Includes comments on BD, Bo, PF, MilT, Mel, and NPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271496">
    <dcterms:title><![CDATA[Experience, Epistemology, and Women&#039;s Writing in the Late Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Mentions Chaucer (WBP) while discussing the rise of experience as an acceptable authority in the writing of female mystics, supplanting a previous exclusive reliance on traditional authority.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271495">
    <dcterms:title><![CDATA[Gender, Race, and the Individual Subject in Middle English Representations of Conversion]]></dcterms:title>
    <dcterms:description><![CDATA[Uses Chaucer&#039;s works, Mannyng&#039;s &quot;Handlyng Sinne,&quot; and several Middle English romances to examine conversion as a process by which the self is redefined either in opposition to a dominant class or as a means of admission to it.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271494">
    <dcterms:title><![CDATA[From Eve to Eve: Women&#039;s Dreaming in the Middle Ages and Renaissance]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses Chaucer&#039;s works in the context of a tradition of depicting women&#039;s dreams as deceiving and women as deceivers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271493">
    <dcterms:title><![CDATA[Artisans and Narrative Craft in Late Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[Explores literary production and representations of craft labor and artisans in the Middle Ages. Looks at works by Chaucer, Lydgate, and Caxton, as well as lesser-known medieval writers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271492">
    <dcterms:title><![CDATA[The Poet and the Antiquaries: Renaissance Readers and Chaucerian Scholarship]]></dcterms:title>
    <dcterms:description><![CDATA[Looks at Tudor scholarship&#039;s role in the development and maintenance of Chaucer&#039;s fame and canonicity, with particular attention to Speght, Thynne, and post-Reformation views of Chaucer&#039;s work.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271491">
    <dcterms:title><![CDATA[The Later Middle Ages: A Sourcebook]]></dcterms:title>
    <dcterms:description><![CDATA[Anthology of documents pertaining to English literature from 1350-1500. Introduction details historical, social, and political movements of late Middle Ages. Includes annotations, timeline, and chronological listing of major medieval literary works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271490">
    <dcterms:title><![CDATA[Gower and &#039;The Canterbury Tales&#039;: The Enticement to Fraud]]></dcterms:title>
    <dcterms:description><![CDATA[Offers recommendations for teaching Gower in relation to Chaucer&#039;s CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271489">
    <dcterms:title><![CDATA[Chaucer by Default? Difficult Choices and Teaching the Sophomore British Literature Survey]]></dcterms:title>
    <dcterms:description><![CDATA[Addresses issues of teaching Gower and Chaucer in college survey classes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271488">
    <dcterms:title><![CDATA[Approaches to Teaching the Poetry of John Gower]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses Gower&#039;s influence on other Middle English writers and provides recommendations for teaching Gower, from community college to graduate programs. Includes several essays specific to Gower&#039;s relationship to Chaucer. Includes bibliography references and an index. For two essays that pertain to Chaucer, search for Approaches to Teaching the Poetry of John Gower under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271487">
    <dcterms:title><![CDATA[Twentieth-Century Chaucer Criticism: Reading Audiences.]]></dcterms:title>
    <dcterms:description><![CDATA[Six previously published essays by individual authors, an introduction, and a conclusion look at how Chaucer addresses audiences and how contemporary audiences interpret Chaucer&#039;s works. Describes the &quot;audience function&quot; and traces the &quot;effect of differing ideas of audience about Chaucer&#039;s audience on Chaucerian scholarship.&quot; Essays focus on CT (especially ClT), BD, LGW, TC, and HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271486">
    <dcterms:title><![CDATA[&#039;I hear a voice you cannot hear,&#039; Madness, Blake, and the &#039;Magazin für die Literatur des Auslandes&#039; (1833)]]></dcterms:title>
    <dcterms:description><![CDATA[A biography of Blake, &quot;William Blake, ein ausgezeichneter Künstler, Dichter und Narr,&quot; mentions his work on his &quot;Canterbury Pilgrims&quot; and his troubled relationships with Thomas Stothard and Robert Cromek.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271485">
    <dcterms:title><![CDATA[Chaucer&#039;s Canterbury Comedies: Origins and Originality]]></dcterms:title>
    <dcterms:description><![CDATA[Reprints twenty of Beidler&#039;s previously published essays on MilT, WBT, ShT, MerT, and PardT, with an explanatory Preface by Beidler (vii-ix) and a Foreword by Holly A. Crocker (x-xvi) that gauges Beidler&#039;s notion of originality and comedy. Includes an index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271484">
    <dcterms:title><![CDATA[Chaucer&#039;s Viragos: A Postcolonial Engagement? A Case Study of &#039;The Man of Law&#039;s Tale,&#039; &#039;The Monk&#039;s Tale,&#039; and &#039;The Knight&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers three of the CT that contain &#039;virago&#039; figures and focus on an encounter between East and West at the heart of the tales. Chaucer&#039;s attitude to the set of viragos is enigmatic. By discrediting the reliability of his narrators, he blurs the categories of difference that they strongly advocate, thus creating a space in which the medieval racial and racist clichés concerning Oriental viragos may be reconsidered.]]></dcterms:description>
</rdf:Description></rdf:RDF>