<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275832">
    <dcterms:title><![CDATA[Dialogue des Cultures Courtoises.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records indicate that this volume of conference proceedings includes an essay entitled &quot;De la Fée Morgane à la Femme de Bath de Chaucer&quot;; no author indicated.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269960">
    <dcterms:title><![CDATA[Dialogue, Dialogics, and Love: Problems of Chaucer&#039;s Poetics in the Melibee]]></dcterms:title>
    <dcterms:description><![CDATA[Explores tensions among the Boethian, Platonic form of Mel as a didactic  dialogue, the Tale&#039;s practical Aristotelian subject matter, and its status as  a compilation of composite proverbs. Reflecting a literate author, Mel  modifies its sources and opposes the orality of Th. Such tensions problematize  the monologic underpinnings of the didactic debate genre.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269740">
    <dcterms:title><![CDATA[Dialogues of Love and Government: A Study of the Erotic Dialogue Form in Some Texts from the Courtly Love Tradition]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the &quot;Boethian dialogue model in literature concerned with courtly love,&quot; treating the literature as examples of dialogue rather than dream vision and examining the relationship between the hierarchical, upward-leading erotics of this literature and its worldly, political implications and  applications. Considers the Platonic, Augustinian roots of form and theme in Boethius&#039;s &quot;Consolation of Philosophy&quot; and the  pervasive influence of the treatise on Dante and on French and English writers--Machaut, Froissart, Usk, Gower, the Pearl poet, and more. Discusses narcissism and the dream of Morpheus in BD and assesses autocratic power and the marguerite tradition in  LGWP. Chaucer&#039;s poems explore ironies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266988">
    <dcterms:title><![CDATA[Diana&#039;s &#039;Bowe Ybroke&#039; : Impotence, Desire, and Virginity in Chaucer&#039;s Parliament of Fowls]]></dcterms:title>
    <dcterms:description><![CDATA[PF represents an &quot;oedipal moment&quot;--a psychological suspension between the &quot;male-dominated civilization of Africanus (&#039;culture,&#039; in a word)&quot; and the &quot;female-dominated love-garden of Nature and Venus (&#039;nature&#039;).&quot; The narrator stands &quot;on the brink of commitment,&quot; fearing that full &quot;adult masculine sexuality&quot; may return him to &quot;pre-oedipal unity with the mother.&quot; Obliquely, the poem suggests the need for emphasis on the &quot;feminine and maternal in human psycho-sexual development.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273394">
    <dcterms:title><![CDATA[Diary.]]></dcterms:title>
    <dcterms:description><![CDATA[Contemplates the writing of a literary biography of Chaucer, considering the use of archival material, the &quot;arcades&quot; of Walter Benjamin, and psychoanalysis. Comments on the GP description of the Shipman.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267428">
    <dcterms:title><![CDATA[Dice-Games and the Blasphemy of Prediction]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the literary and historical context for medieval attitudes toward dicing, mentioning hazardry in PardT and the notion of divine intervention in the chances of trade in CYT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273462">
    <dcterms:title><![CDATA[Dickens and Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the influence of Chaucer on several Romantic thinkers and their subsequent influence on Dickens, as well as Dickens&#039;s own reference and allusions to CT. Focuses on how &quot;Our Mutual Friend&quot; reflects medievalism in such aspects as the pilgrimage with its vast array of characters, the device of framed narrative, and the characterization of Canterbury as the past. Allusions to Chaucer, especially in GP and PardT, are also abundant in &quot;Our Mutual Friend.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267683">
    <dcterms:title><![CDATA[Dictating Authority in Lydgate&#039;s Troy Book]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Lydgate&#039;s responses to authority in &quot;Troy Book&quot;: his rhetorical additions to Guido delle Colonne&#039;s &quot;Historia destructionis Troiae&quot; (his source), his freeing himself from the influence of TC (his model) by transforming Chaucer into an &quot;institution,&quot; and his paradoxical praising and critiquing of Henry V (his patron). In &quot;Troy Book,&quot; Lydgate is a reformer of authorities.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273195">
    <dcterms:title><![CDATA[Dictators of Venus: Clerical Love Letters and Female Subjection in &#039;Troilus and Criseyde&#039; and the &#039;Rota Veneris&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the Ovidian &quot;erotodidactic&quot; combination  of &quot;ars amandi&quot; and &quot;ars dictandi&quot; in TC, describing the similar &quot;rhetorical view of love&quot; in the &quot;Rota Veneris&quot; of Boncompagno de Signa. Focuses on Pandarus, letter-writing, and the manipulative &quot;eros of writing.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269766">
    <dcterms:title><![CDATA[Dictionaries in Early Modern Europe: Lexicography and the Making of Heritage]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the making of English, German, Latin, and Greek dictionaries from 1500  to 1650, including the contributions of Franciscus Junius (among others). Discusses the unpublished manuscript of Junius&#039;s  glossary to Chaucer and the place of Chaucer&#039;s lexicon in Junius&#039;s &quot;Etymologicum anglicanum.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270572">
    <dcterms:title><![CDATA[Dictionnaire des Littératures de Langue Anglaise]]></dcterms:title>
    <dcterms:description><![CDATA[The entry on Chaucer (pp. 213-15, written by Paul Bacquet) summarizes the poet&#039;s life and comments on his language, his prosody, and the importance of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277111">
    <dcterms:title><![CDATA[Did Chaucer Know Livy?]]></dcterms:title>
    <dcterms:description><![CDATA[Explores intertextual relations among versions of the Virginia / Virginius story (by Livy, Bersuire, Gower, and Chaucer), focusing on how the depiction of Virginia&#039;s mother in both Gower and Chaucer &quot;offers a broader semblance of propriety by assuring Virginius&#039;s legitimate paternity,&quot; and indicates that in PhyT Chaucer &quot;reveals how he knew his Livy&quot; through Gower.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269988">
    <dcterms:title><![CDATA[Did Chaucer Know the Ballad of Glen Kindy?]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s allusion to the legendary Welsh bard Glascurion in HF (line 1209) is paralleled by details that survive in the traditional ballad &quot;Glasgerion,&quot; or &quot;Glen Kindy.&quot; Echoes of the ballad tradition are also found in Gavin Douglas&#039;s &quot;The Palice of Honour.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269710">
    <dcterms:title><![CDATA[Did Chaucer Live at 177 Upper Thames Street? The Chaucer Life-Records and the Site of Chaucer&#039;s London Home]]></dcterms:title>
    <dcterms:description><![CDATA[Bestul reexamines the relevant evidence and shows that Chaucer lived at 179 Upper Thames Street rather than at 177. The study illuminates the history of scholarly politics and of conflicting &quot;historical paradigms&quot; behind the 1966 &quot;Chaucer Life-Records,&quot; pointing to the inevitability of error in such a monumental project.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269415">
    <dcterms:title><![CDATA[Did Chaucer Read the Wycliffite Bible?]]></dcterms:title>
    <dcterms:description><![CDATA[Studying CT alongside early and late versions of the Wycliffite Bible reveals examples of Chaucer&#039;s nearly direct quotations from LV and of his sympathy with developments in translation theory from EV to LV, which favored more idiomatic renderings of the original Latin.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277701">
    <dcterms:title><![CDATA[Did Chaucer Rearrange the Clerk&#039;s Envoy?]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the version of the Clerk&#039;s Envoy (4.1177-1212) found in the Ellesmere manuscript is the original version, modified by a scribe to compensate for an eye-skip error. Reassesses earlier arguments that the Ellesmere version is itself the revised version, adducing overall sense--especially pronoun references--to support the claim that Ellesmere provides the original. Also reassesses the status and placement of the so-called &quot;Host stanza&quot; (4.1212a-1212g).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267318">
    <dcterms:title><![CDATA[Did Chaucer Visit Rome?]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s many references to Rome in CT reflect an interest that originated in a visit there. In particular, classical associations and the decoration of Santa Cecilia in Trastevere illuminate the style and meaning of SNT. A visit to Rome may have helped shape Chaucer&#039;s complex attitude toward ecclesiastical traditions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268419">
    <dcterms:title><![CDATA[Did Goddesses Empower Women? The Case of Dame Nature]]></dcterms:title>
    <dcterms:description><![CDATA[Traces two medieval constructions of Nature as goddess: the antifeminist tradition that runs from Alan de Lille through Jean de Meun to Chaucer&#039;s PF, and the relatively profeminist legacy of Heldris of Cornwall (&quot;Roman de Silence&quot;) and Christine de Pizan.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267526">
    <dcterms:title><![CDATA[Did John Donne Read Chaucer, and Does It Matter?]]></dcterms:title>
    <dcterms:description><![CDATA[Both Donne (&quot;The Sun Rising&quot;) and Chaucer (TC 3.1415-1527) were familiar with Ovid&#039;s Amores 1.13), but Chaucer may well have influenced the Renaissance poet directly. Such intertextual issues are complicated by the fact that Renaissance editors had constructed a Chaucer different from ours.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265514">
    <dcterms:title><![CDATA[Did the Medieval Laity Know the Canon Law Rules on Marriage? Some Evidence from Fourteenth-Century York]]></dcterms:title>
    <dcterms:description><![CDATA[Witnesses&#039; statements and other court documents concerning marriage litigation in the Northern Province (including the dioceses of York, Lincoln, Chester, and others) indicate that many lay people would have known the stipulations of canon law well enough to recognize that the exchange of vows and sexual union of Troilus and Criseyde constitute a valid marriage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266165">
    <dcterms:title><![CDATA[Didactismo y moralismo en Geoffrey Chaucer y Don Juan Manuel: Un estudio comparativo textual]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Don Juan Manuel&#039;s &quot;El Conde Lucanor&quot; and Chaucer&#039;s CT have many parallels and that CT may have been influenced by Manuel&#039;s work.  Explores the presence of both authors in Spain and compares their didactic methods and their many &quot;sententiae.&quot;  Explores in greatest detail the relations between Exemplum 50 of &quot;El Conde Lucanor&quot; and FranT, and Exemplum 20 and CYT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264189">
    <dcterms:title><![CDATA[Dido at Hunt, Chaucer at Work]]></dcterms:title>
    <dcterms:description><![CDATA[By deliberate excision lines 1188-1203 of LGW can be reduced from decasyllables to octosyllables, illustrating the different effects of the lines, especially the longer &quot;breath&quot; of the decasyllable.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261578">
    <dcterms:title><![CDATA[Dido, Emily, and Constance: Femininity and Subversion in the Mature Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s Dido, Emelye, and Custance differ from their respective literary ancestors.  In each case, Chaucer gives to his heroine a significant speech or set of speeches that subverts the narrative in which she appears, counterpointing the dominant ideology of the given tale or its genre.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275699">
    <dcterms:title><![CDATA[Dido&#039;s Words: Representing Speech and Consciousness in Ancient and Medieval Narrative.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the characterizations of Dido in HF, LGW, and William Caxton&#039;s &quot;Eneydos,&quot; analyzing their direct discourse and representations of mental state as examples of how premodern authors present well-known figures from the literary past. Chaucer&#039;s Dido is &quot;far less outspoken and verbose&quot; than Virgil&#039;s or Caxton&#039;s character, but, influenced by Ovid&#039;s &quot;Heroides,&quot; her &quot;direct discourse cannot be controlled . . . because her story itself speaks louder than the narrator&#039;s voice.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264451">
    <dcterms:title><![CDATA[Die &#039;Schwurzene&#039; in Chaucers &#039;Book of the Duchess&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[An examination of the source, Machaut&#039;s &quot;Jugement dou Roy de Behaingne,&quot; proves that the Knight&#039;s and the Dreamer&#039;s mutual lack of understanding--which serves a powerful dramatic purpose--stems from differences in social background and rank.]]></dcterms:description>
</rdf:Description></rdf:RDF>