<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271583">
    <dcterms:title><![CDATA[A Neo-Canterbury Tales: The Hog Drover&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[An imitation of Chaucer in rhyme royal stanzas and faux Middle English; includes a prologue. Adapts the tale of Ulysses and Circe.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271582">
    <dcterms:title><![CDATA[The Panage Papers: From Cyprus to the Ozarks, 1942-55]]></dcterms:title>
    <dcterms:description><![CDATA[Presents the personal and pedagogical diary of Dr. John Panage, including his teaching career at John Brown University. The CD records a class session of October 9, 1972, conducted by Panage, that pertains to Chaucer&#039;s GP, including the teacher&#039;s and students&#039; readings.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271581">
    <dcterms:title><![CDATA[Radical Pastoral, 1381-1594: Appropriation and the Writing of Religious Controversy]]></dcterms:title>
    <dcterms:description><![CDATA[Includes Chaucerian apocrypha, &quot;The Plowman&#039;s Tale&quot; and &quot;Jack Upland,&quot; in an examination of the figure of the plowman in English early modern imagination, from &quot;Piers Plowman&quot; to the 1590s. Argues that there was a &quot;highly politicized tradition of &#039;polemical pastoral&#039;&quot; in the sixteenth century, rooted in medieval satire. Notes the place in this tradition of Chaucer&#039;s alignment of Parson and Plowman in GP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271580">
    <dcterms:title><![CDATA[The Lyric in England, 1200-1400]]></dcterms:title>
    <dcterms:description><![CDATA[Reads Chaucer&#039;s lyric poetry as an important bridge or &quot;hinge&quot; between the medieval lyric poem and its modern successors.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271579">
    <dcterms:title><![CDATA[Modern and Medieval Views on Swooning: The Literary and Medical Contexts of Fainting in Romance]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys representations of male and female fainting in medieval romances and &quot;chansons de geste,&quot; and describes the medieval medical status of fainting (&quot;syncope&quot;). Considers Troilus&#039; swoon in TC 3, observing that the &quot;precision of Chaucer&#039;s medical references&quot; and the long tradition of literary fainting should deter modern readers from oversimplifying the action as an unmanly or a &quot;feminine&quot; characteristic and encourage us instead to see it as evidence of strong emotion.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271578">
    <dcterms:title><![CDATA[Cassandra&#039;s Moment: How to Interpret Criseyde&#039;s Loss?]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the narration and the interpretations of Troilus&#039;s dream in Book V of TC, the questions of sources and authority, and the function of the Latin argument to Cassandra&#039;s speech in manuscripts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271577">
    <dcterms:title><![CDATA[A Pseudo-&#039;Canterbury Tale&#039;: Chaucer in the Seventeenth Century]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on Chaucer&#039;s reputation as a Wycliffite reformer or Lollard that resulted from his depictions of clergymen (especially the Parson) and from apocryphal tales attributed to him. Edits and assesses a 1641 pamphlet that includes two poetic texts: 1) a tale of a &quot;Potent Peer of Calidon&quot; attributed to Chaucer and 2) the &quot;Scots Pedlar&quot; that is analogous to the &quot;Pardoner&#039;s Confession.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271576">
    <dcterms:title><![CDATA[Adam Pynkhurst&#039;s &#039;Necglygence and Rape&#039; Reassessed]]></dcterms:title>
    <dcterms:description><![CDATA[The author addresses the question whether Chaucer had Adam Pynkhurst in mind when berating his scribe Adam for his sloppy work and, on the basis of palaeographical evidence, seeks to determine whether Pynkhurst&#039;s performance improved afterwards.  To round off her argument, Sánchez-Marti further discusses the possibility that the &quot;Gawain&quot; scribe may have taken part in the supervision of the Ellesmere MS.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271575">
    <dcterms:title><![CDATA[Chaucer&#039;s &#039;Troilus and Criseyde&#039; V. 1821 and Dante&#039;s &#039;Paradiso&#039; XXII. 135: Laughter and Smiles]]></dcterms:title>
    <dcterms:description><![CDATA[The ludic responses depicted in these two lines bear out Barry Windeatt&#039;s assertion that Chaucer&#039;s &quot;displacement of tragedy by comedy&quot; at the end of TC took its inspiration from Dante&#039;s &quot;Commedia.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271574">
    <dcterms:title><![CDATA[Theological Sophistication and the Middle English Religious Lyric: A Polemic]]></dcterms:title>
    <dcterms:description><![CDATA[More critical attention to the codicological contexts, Latin sources, rhetorical devices, and clerical &quot;authorial milieu&quot; of Middle English lyrics would release them from the categories of the &quot;practical or boring,&quot; and give their refinement and erudition due recognition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271573">
    <dcterms:title><![CDATA[Chaucer as Petitioner: Three Poems]]></dcterms:title>
    <dcterms:description><![CDATA[In Purse, For, and Scog, Chaucer employs the basic elements of an official &#039;supplicacio&#039; &quot;with great freedom, voicing them in a variety of unexpected ways.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271572">
    <dcterms:title><![CDATA[Chaucer&#039;s Twelve &#039;Long&#039; and &#039;Short&#039; Vowels: the Evidence from the Rhymes in &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[An examination of Skeat&#039;s Rime-Index to Chaucer&#039;s &quot;Troilus and Criseyde&quot; shows that &quot;vowel length is an unneeded hypothesis&quot; and Chaucer&#039;s vowels may be classified solely on the basis of &quot;quality, not quantity.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271571">
    <dcterms:title><![CDATA[&#039;Verray goddes apes&#039;: Troilus, Seynt Idiot, and Festive Culture]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer draws upon the festive tradition of mock saints early in TC to poke fun at &quot;the pretensions of &#039;fin amor&#039;&quot;; as the poem progresses, the inversions of carnival come to represent &quot;a necessary part of being a lover.&quot; By the time Troilus laughs at the world and all its woes, festivity&#039;s alternative perspective has become equated with transcendence.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271570">
    <dcterms:title><![CDATA[Hating Criseyde: Last Words on a Heroine from Chaucer to Henryson]]></dcterms:title>
    <dcterms:description><![CDATA[Expressions of hatred of Criseyde belie a persistent love for her and thus motivate new attempts at telling her story. In this way, hatred serves as &quot;a sign of dispossession&quot; of Criseyde &quot;that invites repossession by the next author.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271569">
    <dcterms:title><![CDATA[Challenging and Promoting Peace: The Politics of Chaucer&#039;s &#039;The Romaunt of the Rose&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the &quot;political implications&quot; of Rom as it reflects Chaucer&#039;s attitudes towards French during the Hundred Years&#039; War, suggesting that Chaucer may be &quot;resisting French literary culture.&quot; Also assesses Eustace Deschamps&#039; praise of Chaucer as a political move in bridging the English and French courts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271568">
    <dcterms:title><![CDATA[Thomas Hoccleve&#039;s &#039;Letter of Cupid&#039; and &#039;Martir Margarete&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[In referring to St. Margaret of Antioch in this poem, Hoccleve draws out her &quot;implied presence&quot; in the form of the marguerite in the prologue to Chaucer&#039;s LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271567">
    <dcterms:title><![CDATA[Writing Dreams to Good: Reading as Writing and Writing as Reading in Chaucer&#039;s Dream Visions]]></dcterms:title>
    <dcterms:description><![CDATA[Asserts that Chaucer&#039;s dream visions dramatize the act of reading and illustrate the author&#039;s interest in the reciprocity of author, text, and reader in making and renewing of meaning. Argues that Chaucer represents the failure of all kinds of reading, maintains that meaning can be derived from recursive reading, and indicates Chaucer was interested in preserving the past while looking forward. Focuses on BD, PF, and HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271566">
    <dcterms:title><![CDATA[Living Death in Medieval French and English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[In the chapter &quot;Becoming Woman in Chaucer: &#039;On ne naît pas femme, on le devient en mourant&#039;,&quot; Gilbert reads BD and LGW through the lenses of Robert Hertz&#039;s and Jacques Lacan&#039;s theories, respectively. BD represents a response to death that follows a Hertzian anthropological pattern; the Duchess is first mourned and then transmuted from a singular woman whose death has disrupted the social order into a socio-politically acceptable archetype in service of that order. In contrast, Alceste in LGW exists in a liminal &quot;entre-deux-morts&quot; that allows for opposition to the &quot;masculinist cycle of normal life and consummated death.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271565">
    <dcterms:title><![CDATA[Grieving American Civil War Dead: General Hitchcock&#039;s Hermetic Interpretation of Chaucer&#039;s &#039;Book of the Duchess&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses General Ethan Allen Hitchcock&#039;s 1865 published explication of Chaucer&#039;s BD. Argues that this study of Chaucer&#039;s dream visions offers new insights into &quot;Chaucer&#039;s reception in the nineteenth-century United States.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271564">
    <dcterms:title><![CDATA[Similitudes, Divergences et Réécriture dans &#039;The Parliament of Fowls&#039; de Chaucer (XIVème siècle) et &#039;The Conference of the Birds&#039; de Farid Ud-Din Attar (XIIème)]]></dcterms:title>
    <dcterms:description><![CDATA[This comparative study of the two texts, based on the same motif of the gathering of birds, aims at exposing the spiritual and moral differences of the works. The theological and philosophical intention in Attar has disappeared in Chaucer&#039;s treatment of the &quot;parlement&quot; rooted in the 14th century society of merchants.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271563">
    <dcterms:title><![CDATA[Formule, surface et profondeur dans &#039;Sir Thopas&#039; et &#039;Le Conte de Mellibée&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the type, use, and functions of formulas in Th, in relation to parody; in Mel, in dramatic form reinforcing allegory.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271562">
    <dcterms:title><![CDATA[[Chaucer&#039;s Most Difficult Tale: The Prioress&#039;s Tale]]]></dcterms:title>
    <dcterms:description><![CDATA[Provides historical, literary, and religious backgrounds to PrT, intended for classroom teaching of the tale and focusing on ethical values. In Hungarian.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271561">
    <dcterms:title><![CDATA[Politics, Patronage, and Orthodoxy in Late Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[Uses ABC, Hoccleve&#039;s &quot;Complaint of the Virgin Before the Cross,&quot; and other sources to outline a mutually reinforcing relationship between the Lancastrians (orthodox supporters of the Church) and the Church (which allied with the Lancastrians).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271560">
    <dcterms:title><![CDATA[&#039;Sende this Booke Ageyne Hoome to Shirley&#039;: John Shirley and the Circulation of Manuscripts in Fifteenth-Century England]]></dcterms:title>
    <dcterms:description><![CDATA[As part of a larger consideration of John Shirley&#039;s role in English literary culture and canon formation, mentions the presence of several unique Chaucer poems in Shirley&#039;s library.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271559">
    <dcterms:title><![CDATA[Enriching Friendship: Representations of Profitable Amity from Chaucer to Milton]]></dcterms:title>
    <dcterms:description><![CDATA[As part of a larger discussion of changing paradigms of friendship, considers TC, along with Shakespeare, Milton, Lanyer, and others.]]></dcterms:description>
</rdf:Description></rdf:RDF>