<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271808">
    <dcterms:title><![CDATA[Aristotle for Aristocrats and Poets: Giles of Rome&#039;s &#039;De regimine principum&#039; as Theodicy of Privilege]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Giles of Rome&#039;s social theory and its vision of unity and hierarchy, as well as the degree to which it might have been influential in Chaucer&#039;s time, commenting on the Wife of Bath&#039;s discussion of &quot;gentilesse.&quot; Also refers to LGW; HF; KnT; and the Wife of Bath, the Parson, and the Clerk in GP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271807">
    <dcterms:title><![CDATA[Arboreal Politics in the &#039;Knight&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the grove in KnT in the context of hunting and forest laws; reveals how Chaucer alters Boccaccio&#039;s &quot;Teseida&quot; to turn the grove first into a politicized space of human discord and then into a space of destruction, evoking warfare among men and against the natural world. By presenting the grove as Theseus&#039;s space, Chaucer advocates a &quot;custodial view of power&quot; that finds models in positive interactions with nature, even as he suggests that humans are incapable of lasting harmony.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271806">
    <dcterms:title><![CDATA[Chaucer and the Auchinleck Manuscript Revisited]]></dcterms:title>
    <dcterms:description><![CDATA[Reconsiders Laura Hibbard Loomis&#039;s method for gauging Chaucer&#039;s familiarity with the Auchinleck manuscript--a method based on collocations shared by Auchinleck and Th--arguing that the method does not prove his familiarity with Auchinleck, but does evince his knowledge of Oxford, Bodleian Library, MS Laud misc. 108, or something like it. Evidence from the records of the MED help to demonstrate the variety of Chaucer&#039;s poetic styles.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271805">
    <dcterms:title><![CDATA[Love Stories on Paper in Middle English Verse Love Epistles]]></dcterms:title>
    <dcterms:description><![CDATA[TC indicates that love letters were written on paper in England as early as the 1380s. Uses TC to frame connection of paper with verse love epistles and their fictions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271804">
    <dcterms:title><![CDATA[Neomedieval Trauma: The Cinematic Hyperreality of Geoffrey Chaucer&#039;s The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Essay on adaptations of CT, focusing on Powell and Pressburger&#039;s &quot;A Canterbury Tale (1944), Piero Pasolini&#039;s &quot;I racconti di Canterbury&quot; (1972), and Brian Helgeland&#039;s &quot;A Knight&#039;s Tale&quot; (2001), which treat CT in a &quot;neomedievalist fashion&quot; and also provide &quot;Chaucerian commentary&quot; on the time periods of these films.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271803">
    <dcterms:title><![CDATA[A Distinction of Poetic Form: What Happened to Rhyme Royal in Scotland?]]></dcterms:title>
    <dcterms:description><![CDATA[Employs both stylistic and codicological analysis to consider Chaucer&#039;s inheritance of the French rhyme royal stanza form and his use of it in TC. Demonstrates how rhyme royal flourished in Scotland, initially in &quot;The Kingis Quair,&quot; and later in the compositions of Robert Henryson.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271802">
    <dcterms:title><![CDATA[Passing the Book: The Scottish Shaping of Chaucer&#039;s Dream States in Bodleian Library, MS Arch. Selden B.24]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the Scottish reception of TC and PF by close study of the annotations in Bodleian Library, MS Arch. Selden B.24. Sketches a network of Scottish aristocratic readers of Chaucer&#039;s work and argues that political and ethical concerns were their main preoccupations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271801">
    <dcterms:title><![CDATA[The Anglo-Scottish Border and the Shaping of Identity, 1300-1600]]></dcterms:title>
    <dcterms:description><![CDATA[For two essays that pertain to Chaucer, search for Anglo-Scottish Border and the Shaping of Identity under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271800">
    <dcterms:title><![CDATA[Another Manuscript by the Scribe &#039;Cornhyll&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The scribe of Harley 1758 copied Pierpont Morgan Library, MS M.875.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271799">
    <dcterms:title><![CDATA[Chaucer Abroad, Chaucer at Home: MS Arch. Selden B. 24 as the &#039;Scottish Ellesmere&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on how Chaucer was perceived in Scotland in the fifteenth century, and how deliberate misattributions of Chaucer&#039;s writings created a &quot;vehicle for &#039;Scottish&#039; culture, identity, and nationalism.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271798">
    <dcterms:title><![CDATA[Additional Eighteenth-Century Materials on Middle English in the Hunterian Collection of the Glasgow University Library]]></dcterms:title>
    <dcterms:description><![CDATA[Adds to the group of manuscripts identified by Carl Grindley in 1995 (one of which was a concordance to the works of Chaucer), two more written in the same hand: MSS 621 and 622. The former is on the grammar of Robert of Gloucester, the latter on that of John Wyclif.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271797">
    <dcterms:title><![CDATA[&#039;Swete Cordyall&#039; of &#039;Lytterature&#039;: Some Middle English Manuscripts from the Cloister]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses monastic libraries and scribal communities where texts could be &quot;copied and translated without repercussions behind the monastic walls of England.&quot; Also reveals how demand for vernacular writing increased in female convents. Section 2, &quot;Monastic Manuscripts of Chaucer: Literary Excellence under Religious Rule,&quot; links Chaucer&#039;s works, including PF, Astr, Bo, and CT, to Augustinian, Benedictine, and Carthusian monastery collections, and to &quot;the nuns of Syon.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271796">
    <dcterms:title><![CDATA[Major Middle English Poets and Manuscript Studies, 1300-1450]]></dcterms:title>
    <dcterms:description><![CDATA[Section 5, &quot;Some of the Earliest Attempts to Assemble the Canterbury Tales,&quot; analyzes structural and scribal differences in CT manuscripts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271795">
    <dcterms:title><![CDATA[Illuminating Chaucer&#039;s Canterbury Tales: Portraits of the Authors and Selected Pilgrim Authors]]></dcterms:title>
    <dcterms:description><![CDATA[Examines illustrations of CT in several manuscripts, including the Hengwrt; Ellesmere; Bodley 686; and Tokyo, MS Takamiya 24 (formerly Devonshire); and portraits of Chaucer, exploring how manuscript illustrations &quot;serve to shape the text and its reception.&quot; Includes discussion of various illustrations of Chaucer&#039;s pilgrims.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271794">
    <dcterms:title><![CDATA[Opening up Middle English Manuscripts: Literary and Visual Approaches]]></dcterms:title>
    <dcterms:description><![CDATA[Richly illustrated text highlights issues that affected literary production, and focuses on how illustrations and glosses expand understanding of medieval English book culture. Introduction discusses different strategies of scribes in two versions of CkT: in the Hengwrt, fol. 57v, and Oxford Corpus Christi College, MS 198, fol. 62. For three chapters that focus on illustrated Chaucerian works, search for Opening up Middle English Manuscripts under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271793">
    <dcterms:title><![CDATA[Sir James Ware, the Collecting of Middle English Manuscripts in Ireland in the Seventeenth Century, and Chaucer&#039;s &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[A case study of the difficulty of identifying particular manuscripts in inventories, wills, catalogues, book lists, etc., surveying the Middle English manuscripts once owned by seventeenth-century collector Sir James Ware, focusing on the items that include works by Chaucer. Tentatively suggests identification, but emphasizes uncertainties.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271792">
    <dcterms:title><![CDATA[Canterburyjske Povesti]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; listed in WorldCat as a Slovenian translation of CT, with notes and apparatus.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271791">
    <dcterms:title><![CDATA[The Kelmscott Chaucer: A Census]]></dcterms:title>
    <dcterms:description><![CDATA[Complete census of all known extant copies of the Kelmscott &quot;Chaucer.&quot; Explores late nineteenth- and twentieth-century book history, and provides anecdotal and bibliographic details of the &quot;Chaucer.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271790">
    <dcterms:title><![CDATA[The Graphic Canon: From the &quot;Epic of Gilgamesh&quot; to Shakespeare to &quot;Dangerous Liaisons&quot; Vol. 1]]></dcterms:title>
    <dcterms:description><![CDATA[Includes graphic adaptations of great works of western literature. Contains brief introduction to CT, with example of Seymour Chwast&#039;s WBPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271789">
    <dcterms:title><![CDATA[Modern Antiques: The Material Past in England 1660-1780]]></dcterms:title>
    <dcterms:description><![CDATA[Examines how the long eighteenth century reflected &quot;the emergence of a modern historical consciousness.&quot; Chapter 2, &quot;Chaucer Ancient and Modern: Standardization, Modernization, and the Eighteenth-Century Reception of The Canterbury Tales,&quot; pp. 69-108, focuses on how political, literary, and social factors affected the standardization and modernization of CT during the eighteenth century.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271788">
    <dcterms:title><![CDATA[Chaucer&#039;s Canterbury Tales: An Interlinear Translation. 3rd ed]]></dcterms:title>
    <dcterms:description><![CDATA[Updated third edition includes new introduction by Galloway and four additional narratives.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271787">
    <dcterms:title><![CDATA[London: A History in Verse]]></dcterms:title>
    <dcterms:description><![CDATA[Anthology of poetry of London that includes GP and CkPT in Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271786">
    <dcterms:title><![CDATA[The Art of the Bridwell Library Kelmscott Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Describes Southern Methodist University Bridwell Library&#039;s 1896 William Morris paper copy of the Kelmscott Chaucer. Includes details about letters, manuscript notes, drafts of illustrations and borders by Edward Burne-Jones, photographs, and other items associated with the provenance. Of special interest is Morris&#039;s inscription to Burne-Jones.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271785">
    <dcterms:title><![CDATA[The Wife of Bath&#039;s Prologue and Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Part 5a includes a new text and set of collations for WBPT, based on the Hengwrt MS, with variants from landmark manuscripts and scholarly editions; also includes a Critical Commentary (pp. 3-148) that surveys critical tradition topically, a Textual Commentary (pp. 148-250) that describes the witnesses and surveys cruces, a Bibliographical Index (for Parts 5a and 5b), and a General Index (for Part 5a only). Part 5b includes explanatory notes keyed to individual lines and a General Index (for Part 5b only). Commentaries and notes cover materials published before 1997.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271784">
    <dcterms:title><![CDATA[Geoffrey Chaucer: Medieval Writer]]></dcterms:title>
    <dcterms:description><![CDATA[Illustrated biography of Chaucer written for elementary and middle-school children.]]></dcterms:description>
</rdf:Description></rdf:RDF>