<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271858">
    <dcterms:title><![CDATA[Intoxicated with Words: The Colours of Rhetoric]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer is aware of poetic or aureate diction but seldom uses it. He is &quot;essentially a poet of &#039;occupatio&#039;.&quot; Language change rapidly made Chaucer&#039;s meter difficult to imitate, even for Lydgate. Like other writers, Chaucer introduces new Latinate vocabulary, especially in prose, even as he tries to write simply. This essay, edited from Frye&#039;s holograph, apparently notes toward a history of English literature, in the Victoria University Library, University of Toronto. Refers to Astr and Bo.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271857">
    <dcterms:title><![CDATA[English Historical Linguistics: An International Handbook]]></dcterms:title>
    <dcterms:description><![CDATA[Comprehensive interdisciplinary and theoretical study of the history of the English language. Chapter 36 discusses Chaucer&#039;s language.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271856">
    <dcterms:title><![CDATA[The Animals that Therefore They Were: Some Chaucerian Animal/Human Relationships]]></dcterms:title>
    <dcterms:description><![CDATA[Explores human affiliations with the &quot;non-power&quot; of animals in four Chaucerian images: capons in PardT, mouse in WBP (in contrast with lioness), stags in KnT, and carrion in ClT. Contrasts these with the brass steed as an image of power in SqT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271855">
    <dcterms:title><![CDATA[Chaucer and the Oxford Renaissance of Anglo-Latin Rhetoric]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys rhetorical approaches to Chaucer and documents the &quot;renaissance in rhetoric&quot; in late fourteenth-century England by surveying manuscripts that contain rhetorical treatises. The impact of this renaissance is evident in Chaucer&#039;s poetry: while his early poetry was relatively unconcerned with rhetoric, it is clearly evident in TC; present in NPT and SqT; and underlying the characterizations of the Franklin, the Pardoner, and the Monk.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271854">
    <dcterms:title><![CDATA[Troubled Bones: A Crispin Guest Medieval Noir]]></dcterms:title>
    <dcterms:description><![CDATA[. Murder mystery in which medieval detective Crispin Guest aids Chaucer and the Canterbury pilgrims in seeking a murderer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271853">
    <dcterms:title><![CDATA[Blood Lance]]></dcterms:title>
    <dcterms:description><![CDATA[Murder mystery in which Chaucer aids medieval detective Crispin Guest to solve the murder of a man who apparently was seeking the Spear of Longinus.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271852">
    <dcterms:title><![CDATA[&#039;Penny Poet&#039; Chaucer, or Chaucer and the &#039;Penny Dreadfuls&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses William Thomas Stead&#039;s 1895 publication of Masterpiece Library&#039;s CT, part of the &quot;Penny Poets&quot; series, and its effects on the circulation of Chaucer&#039;s works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271851">
    <dcterms:title><![CDATA[John Lydgate Reads &#039;The Clerk&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Provides an &quot;anatomy of Lydgate&#039;s engagement with&quot; ClT, documenting his &quot;many Griseldas&quot;: muse, &quot;haughty beloved,&quot; &quot;antithesis of contemporary women,&quot; &quot;exemplary spouse,&quot; woman who &quot;falls short of being the Virgin Mary,&quot; &quot;victim of misrepresentation,&quot; and model for Lydgate&#039;s &quot;own conception of poetry.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271850">
    <dcterms:title><![CDATA[Medievalisms: Making the Past in the Present]]></dcterms:title>
    <dcterms:description><![CDATA[Analysis of the influence of medieval literature and culture on contemporary film, literature, and various academic disciplines. Includes discussion of Chaucer&#039;s CT, KnT, PF, and TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271849">
    <dcterms:title><![CDATA[My Poets]]></dcterms:title>
    <dcterms:description><![CDATA[Combines memoir with literary criticism to explore the importance of poetry in the examined life. Begins with discussion of TC and Chaucer&#039;s use of &quot;kankedort.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271848">
    <dcterms:title><![CDATA[The Naughty Bits: Dating Chaucer&#039;s &#039;House of Fame&#039; and &#039;Legend of Good Women&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Dates HF in the mid-1380s, positioning it as a &quot;transitional work&quot; between TC and CT and a reflection of Chaucer&#039;s status at the time as a king&#039;s man. Argues that LGW was written concurrently with CT, with LGWP-F as early as 1392, and revised as LGWP-G after 1394. LGW is addressed to Richard II and his court; CT to &quot;literary posterity.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271847">
    <dcterms:title><![CDATA[Chaucer, Langland, and the Hundred Years&#039; War]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on how the Hundred Years War &quot;infiltrates&quot; CT by way of &quot;the first trio of portraits&quot; and their depictions of late medieval warfare. Clarifies the meaning of &quot;chyvachie&quot; in the description of the Squire and dilates upon the significance of the English occupation of Calais, which shared a border with the places where the Squire fought.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271846">
    <dcterms:title><![CDATA[The &#039;Silly&#039; Pacifism of Geoffrey Chaucer and Terry Jones]]></dcterms:title>
    <dcterms:description><![CDATA[Corroborates Terry Jones&#039;s view that Chaucer was a pacifist, and argues that Jones and Chaucer both use humor and indirection against war. Chaucer was very earnest in his critiques of war in Mel and ParsT, but less direct in KnT and his description of the Knight. Chaucer was downright funny in Th, although equally critical of battle.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271845">
    <dcterms:title><![CDATA[Medieval Monks and Friars: Differing Literary Perceptions]]></dcterms:title>
    <dcterms:description><![CDATA[Describes various depictions of monks and friars in late medieval English vernacular literature, observing that, despite prevalent anti-fraternal satire, friars &quot;retained considerable support&quot; in this literature. Because they were cloistered, monks generally &quot;receive less attention.&quot; Comments on Chaucer&#039;s Monk, Friar, and ShT, as well as other works of the English Middle Ages.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271844">
    <dcterms:title><![CDATA[Jack and John: The Plowman&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[This is a short story, told from the first-person point of view of Chaucer&#039;s Plowman, who describes his early life, his distaste for his brother the Parson, and their pilgrimage to Canterbury.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271843">
    <dcterms:title><![CDATA[The Medieval Python: The Purposive and Provocative Work of Terry Jones]]></dcterms:title>
    <dcterms:description><![CDATA[Eighteen essays comprise an &quot;&#039;Un&#039;festschrift&quot; that celebrates Terry Jones as a comedian, cinematographer, historian, and Chaucerian. For five contributions that pertain to Chaucer, search for Medieval Python under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271842">
    <dcterms:title><![CDATA[Another Medieval Scientific Manuscript Owned and Annotated by James Cobbes]]></dcterms:title>
    <dcterms:description><![CDATA[Cobbes&#039;s dense annotations of Nicholas of Lynn&#039;s &quot;Kalendarium&quot; in University of North Carolina, Chapel Hill, MS 522 may reflect this seventeenth-century book collector&#039;s familiarity with the British Library, MS Additional 23002 text of Astr.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271841">
    <dcterms:title><![CDATA[Story Kit]]></dcterms:title>
    <dcterms:description><![CDATA[Experimental retelling of the story of Dido and Aeneas that opens with references to HF and LGW, among other works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271840">
    <dcterms:title><![CDATA[Shakespeare Adapting Chaucer: &#039;Myn auctour shal I folwen, if I konne&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Shakespeare&#039;s adaptations relied not only on understanding and knowing Chaucerian texts, but on his &quot;memory of Chaucer &quot; and Chaucerian ideas and practices, particularly his mingling of &quot;sources and authorities&quot; in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271839">
    <dcterms:title><![CDATA[Playing the &quot;Canterbury Tales&quot;: The Continuations and Additions]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the &quot;post-Chaucer continuations and additions&quot; to CT, particularly so-called &quot;spurious&quot; links between tales, &quot;Siege of Thebes,&quot; &quot;Tale of Beryn,&quot; &quot;Canterbury Interlude,&quot; &quot;Ploughman&#039;s Tale,&quot; &quot;Plowman&#039;s Tale,&quot; &quot;Tale of Gamelyn,&quot; and alternative endings to CkT. Considers the Tales as interactive, dynamic, polyvocal, game-like, and &quot;ergodic,&quot; and argues that readers should appreciate the post-Chaucerian additions to CT as part of its reception history.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271838">
    <dcterms:title><![CDATA[John Lydgate and the Poetics of Fame]]></dcterms:title>
    <dcterms:description><![CDATA[Looks at fame in medieval texts and argues that although Lydgate was Chaucer&#039;s fifteenth-century successor, he &quot;diverges from Chaucer&#039;s treatment&quot; of fame by &quot;constructing a more confident model of authorship.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271837">
    <dcterms:title><![CDATA[The Midnight Man: The Physician&#039;s Tale of Mystery and Murder as He Goes on Pilgrimage from London to Canterbury]]></dcterms:title>
    <dcterms:description><![CDATA[Historical detective fiction set in the frame of CT, in which a doctor, modeled on Chaucer&#039;s Physician, tells a story to the rest of the pilgrims about sorcery, exorcism, and deaths involved with the mysterious figure of the Midnight Man.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271836">
    <dcterms:title><![CDATA[Inheriting the Legacy: Dekker Reading Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that playwright Thomas Dekker, influenced by John Stow, refashioned the Chaucer legacy in the theater.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271835">
    <dcterms:title><![CDATA[Black Gold: The Former and Future Age]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Form Age transcends its sources to offer &quot;its own glimmer of hope&quot; for new textual communities.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271834">
    <dcterms:title><![CDATA[The Light Has Lifted: Trickster Pandare]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that readers most identify with Pandarus in TC because he embodies the type of the folkloric trickster.]]></dcterms:description>
</rdf:Description></rdf:RDF>