<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272086">
    <dcterms:title><![CDATA[The Conflict between Art and Morality in Two Fourteenth-Century Poets: Juan Ruiz and Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses ambivalence, conventional morality, and the functions of art in CT and in Juan Ruiz&#039;s &quot;Libro de Buen Amor,&quot; commenting on the role of the narrator in Chaucer and the &quot;staging&quot; of multiple views on &quot;caritas&quot; and &quot;cupiditas&quot; in both works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272085">
    <dcterms:title><![CDATA[The Medieval Ceyx and Alcyone: Ovid&#039;s &#039;Metamorphoses&#039; XI, 407-750 and Chaucer&#039;s &#039;Book of the Duchess&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys criticism that considers the Ceyx and Alcyone story in BD, exegetical readings in particular, and edits a version of the tale found in fourteenth-century Ovidian manuscripts available in Chaucer&#039;s England, with full apparatus and with information about the various commentaries, especially that of Pierre Bersuire.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272084">
    <dcterms:title><![CDATA[The Draf of Storyes: Chaucer as Non-Narrative Poet]]></dcterms:title>
    <dcterms:description><![CDATA[Explores Chaucer&#039;s rhetorical, &quot;inorganic,&quot; &quot;non-narrative&quot; structuring devices in various works: BD, Anel, selected lyrics, and TC, with comments on aspects of LGW and CT, especially Part 7 and ManT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272083">
    <dcterms:title><![CDATA[The Narrative of &#039;Sir Thopas&#039; and &#039;Melibeus&#039;: Parallels in the Vices and the Virtues]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Thop can be read as a didactic narrative that breaks off at the &quot;point most effective for developing the theme of salvation&quot; which is brought to conclusion in Mel. The tales share similar concerns with vice and with the world, the flesh, and the devil.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272082">
    <dcterms:title><![CDATA[Marriage in Old and Middle English Saints&#039; Legends]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys two medieval attitudes toward marriage (pro-matrimonial [Aquinas] and anti-matrimonial [Jerome] and their depictions in various tales of virgin martyrs, analyzing SNT most extensively.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272081">
    <dcterms:title><![CDATA[Medieval Rhetoric and Chaucer&#039;s Nun&#039;s Priest&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys rhetorical traditions in fourteenth-century England and assesses the impact of &quot;artes poetriae,&quot; &quot;grammaticae,&quot; and &quot;praedicandi&quot; on Chaucer&#039;s poetry generally and on NPT in particular. Includes appendixes of medieval rhetorical terms (with translations) and descriptions and locations of manuscripts of Latin rhetorical manuals.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272080">
    <dcterms:title><![CDATA[Chaucerian Narrative and Gothic Style: A Study of the &#039;Legend of Good Women,&#039; the &#039;Monk&#039;s Tale,&#039; and the &#039;House of Fame&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads LGW, MkT, and HF as structurally successful works when viewed in light of medieval &quot;Gothic&quot; aesthetics of &quot;inorganic&quot; structure, derived from visual tradition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272079">
    <dcterms:title><![CDATA[Edmund Spenser and Dan Chaucer: A Study of the Influence of &#039;The Canterbury Tales&#039; on &#039;The Faerie Queene&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the influence of CT on Spenser&#039;s &quot;Faerie Queene,&quot; especially the Renaissance version of Chaucer&#039;s work available to Spenser in Thynne&#039;s edition. Includes a list of Spenser&#039;s references and allusions to Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272078">
    <dcterms:title><![CDATA[Chaucer und die Armut: Zum Prinzip der Kontextuellen Wahrheit in den &quot;Canterbury Tales&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the depictions of poverty in the opening of NPT (7.2821-46) in light of the apparently contradictory attitudes expressed in MLP (2.99-133) and the gentility speech of WBT (3.1177-1206), finding &quot;contextualized&quot; truths. Also considers attitudes towards poverty in analogous passages from the &quot;Roman de la Rose,&quot; Pope Innocent&#039;s &quot;De Contemptus Mundi,&quot; and Langland&#039;s &quot;Piers Plowman.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272077">
    <dcterms:title><![CDATA[Afrerword [Chaucer the love poet]]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes the four papers included in this volume, with emphasis on how well they cohere.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272076">
    <dcterms:title><![CDATA[Panel Discussion [Chaucer the love poet]]]></dcterms:title>
    <dcterms:description><![CDATA[Panelists include Norman E. Eliason, Robert E. Kaske, Edmund Reiss, and James I. Wimsatt, exchanging views on Chaucer&#039;s love poetry and fielding questions from the audience at a symposium held at the University of Georgia, 1971. Recurrent concern with &quot;exegetical&quot; criticism of Chaucer and love.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272075">
    <dcterms:title><![CDATA[Chaucer and the Canticle of Canticles]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the uses of the biblical Song of Songs in medieval secular love poetry as background to exploring Chaucer&#039;s uses of it in BD and TC, and his comic adaptations of it in MerT and MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272074">
    <dcterms:title><![CDATA[Chaucer&#039;s Marriage Group]]></dcterms:title>
    <dcterms:description><![CDATA[Restricts the &quot;marriage group&quot; to the four components originally proposed by George Lyman Kittredge (WBPT, ClT, MerT, FranT), disclosing the intricacies of their interconnections and considering in turn their various attitudes toward sex and mastery in marriage. Reads the attitudes as &quot;complementary,&quot; even though Chaucer&#039;s &quot;major emphasis falls finally&quot; on FranT as a &quot;presentation of an ideal, so far as it can be attained in a spectacularly imperfect world.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272073">
    <dcterms:title><![CDATA[Chaucer&#039;s Parodies of Love]]></dcterms:title>
    <dcterms:description><![CDATA[Treats parody as a technique that expresses the inadequacies of a given topic but also evokes its ideals, exemplifying how Chaucer achieves this dual perspective in BD, PF, TC, and Part 1 of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272072">
    <dcterms:title><![CDATA[Chaucer the Love Poet]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on the varieties of love in Chaucer&#039;s poetry (Christian, philosophic, courtly, and allegorical) and focuses on &quot;ordinary&quot; love in TC, where the personal experience of love is &quot;not merely displayed&quot; but probed with thoughtfulness, honesty, good sense, and sympathy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272071">
    <dcterms:title><![CDATA[Introduction]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys criticism that, in various ways, treats Chaucer as a love poet, commenting on the strengths and weaknesses of individual approaches.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272070">
    <dcterms:title><![CDATA[Chaucer the Love Poet]]></dcterms:title>
    <dcterms:description><![CDATA[Includes an Introduction, four essays, a Panel Discussion, and an Afterword, with a subject index. For individual entries, search for Chaucer the Love Poet under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272069">
    <dcterms:title><![CDATA[To Go A-Blackberrying]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on the etymology of a modern and a medieval (PardT 6.406) instance of the figurative use of the phrase to go &quot;a blackberrying.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272068">
    <dcterms:title><![CDATA[&#039;Miller&#039;s Tale&#039; [I (A) 3384]]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests a link between the Gild of St. Nicholas, performance of mystery plays by parish clerks, and Nicholas of MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272067">
    <dcterms:title><![CDATA[&#039;Canterbury Tales&#039; Prologue 60: The Knight&#039;s Army]]></dcterms:title>
    <dcterms:description><![CDATA[Confronts the scribal and editorial difficulties of the variants &quot;armee&quot;/&quot;arryue&quot; in GP 1.60, preferring the latter because of parallel usage in a fifteenth-century manuscript of the &quot;Gilte Legende.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272066">
    <dcterms:title><![CDATA[&#039;Canterbury Tales&#039; D 1554: &#039;Caples Thre&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Provides evidence that the locution &quot;caples thre&quot; (FrT 1554) means &quot;three cart horses&quot; and &quot;preestes thre&quot; (GP 1.164) means &quot;three priests.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272065">
    <dcterms:title><![CDATA[The Supernatural in Fiction]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of supernatural fiction with selections from the classical period to the modern; includes (pp. 132-33) a modernized selection from NPT (7.3000-49) as an example of a ghost story.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272064">
    <dcterms:title><![CDATA[Twentieth Century Interpretations of The Pardoner&#039;s Tale: A Collection of Critical Essays]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of thirteen new and previously printed essays and excerpts pertaining to PardPT, with a critical introduction, a brief chronology, and a selected bibliography. The Introduction (pp. 1-14) focuses on characterization, the place of PardPT in CT, and the theme of evil. For two newly published essays, search for Twentieth Century Interpretations of The Pardoner&#039;s Tale under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272063">
    <dcterms:title><![CDATA[Chaucerian Apocrypha]]></dcterms:title>
    <dcterms:description><![CDATA[A bibliography of the resources that pertain to the study of Chaucerian apocrypha (background studies, manuscripts and editions, and critical essays), arranged by the titles of the works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272062">
    <dcterms:title><![CDATA[The &#039;Reeve&#039;s Tale&#039; and the Comedy of Limitation]]></dcterms:title>
    <dcterms:description><![CDATA[Reads RvP as a &quot;confession of old age&quot; and RvT as a &quot;tribute&quot; to unrestrained passion and an extension of the concern with love in KnT and MilT. Compares RvT with its analogues, and comments on its characterizations, the straightforwardness of its comedy, its style, and its thematic concerns with &quot;space and place&quot; and with the &quot;inescapable reality of the real world.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>