<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272134">
    <dcterms:title><![CDATA[Clerical Satire in the Portrait of the Monk and the Prologue to &#039;The Monk&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores seven aspects of Chaucer&#039;s satiric presentation of the Monk and his failure to follow monastic ideals: claustration, hunting, Benedictine rule, monastic study, poverty, asceticism, and celibacy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272133">
    <dcterms:title><![CDATA[Lyric and Lyrical in the Works of Chaucer: The Poet in His Literary Context]]></dcterms:title>
    <dcterms:description><![CDATA[Characterizes medieval lyrics and various sub-genres by illustrative examples; then comments on several themes and topoi in Chaucer&#039;s lyrics and lyrical passages from his longer works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272132">
    <dcterms:title><![CDATA[An Interpretive Study of Chaucer&#039;s &#039;Legend of Good Women&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys medieval attitudes toward the women featured as protagonists in Chaucer&#039;s LGW and reads Chaucer&#039;s characters in light of these attitudes, observing that they vary as &quot;not-so-good&quot; women and &quot;not-so-bad&quot; ones, a reflection of the limits of human love.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272131">
    <dcterms:title><![CDATA[Archetypes of Transformation: A Jungian Analysis of Chaucer&#039;s &#039;Wife of Bath&#039;s Tale&#039; and &#039;Clerk&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Psychoanalytic analysis of WBT and ClT, reading the two as parallel transformation stories. The first &quot;seems to commemorate the event of the separation of consciousness&quot;; in the second, Griselda &quot;achieved individuation by recognizing her animus.&quot; Also comments on MerT and FranT as parts of the &quot;Marriage Group.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272130">
    <dcterms:title><![CDATA[The Wife of Bath&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; the record in WorldCat states: &quot;The text and a commentary for the use of Senior High School students.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272129">
    <dcterms:title><![CDATA[Chaucer: The Art of Self-Consciousness]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272128">
    <dcterms:title><![CDATA[Troilus and Criseyde (Chaucer)]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat entry describes this as a lecture which discusses TC, &quot;comparing it to similar poetry of the period.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272127">
    <dcterms:title><![CDATA[The Canterbury Tales (Chaucer)]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat entry describes this as a lecture which &quot;Discusses the significance and meaning&quot; of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272126">
    <dcterms:title><![CDATA[Kantaberi Monogatari, 1 [Canterbury Tales, 1]]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272125">
    <dcterms:title><![CDATA[Cuentos de Canterbury]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272124">
    <dcterms:title><![CDATA[Qiao sai gu shi ji [Tales from Chaucer]]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272123">
    <dcterms:title><![CDATA[The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; the note in WorldCat quotes the following: &quot;This facsimile edition of Chaucer&#039;s Canterbury tales as printed by William Caxton is limited to 500 copies, of which this in number 280 ...&quot;/ &quot;The present facsimile reproduces for the first time [Samuel] Pepy&#039;s copy of The Canterbury Tales (no. 2503 in the Pepys Library, no. 23 in S. de Ricci, A census of Caxtons, Bibliog. Soc., 1909).&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[Reissed by Paradine, in association with Magdalene College, 1973, with credit given to Pepys&#039; librarian, Robert Latham.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272122">
    <dcterms:title><![CDATA[A Rhetoric of Irony]]></dcterms:title>
    <dcterms:description><![CDATA[Anatomizes irony as a literary device. Includes one example from Chaucer: details of the Monk&#039;s description (GP 1.177-82) describing it as straightforward irony that is stable, covert, and local, &quot;firm as a rock&quot; when &quot;discovered by the proper reader.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272121">
    <dcterms:title><![CDATA[Mirth and Marriage in &#039;The Parlement of Foules&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads PF as a &quot;poem of love and marriage, touching upon the question of pleasure versus the duty of procreation, realistically set in the framework of a dream, and seasoned with wit.&quot; Emphasizes the poem&#039;s balanced sensibility and &quot;refreshing spirit.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272120">
    <dcterms:title><![CDATA[Chaucer&#039;s Bad Tales: The Aesthetic Forms of Late Medieval Pathos and the Tradition of &#039;Sermo Humilis&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the development of the &quot;sermo humilis&quot; tradition in literature and the visual arts as a context for Chaucer&#039;s uses of &quot;pathetic style&quot; in the Ugolino episode of MkT, PrT, PhyT, and MLT, arguing that these accounts reflect the evolution of Gothic pathos.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272119">
    <dcterms:title><![CDATA[&#039;Chaucerian Realist&#039;: A Study of Mimesis in the Canterbury Pilgrimage]]></dcterms:title>
    <dcterms:description><![CDATA[Considers Chaucer&#039;s realism, seeking to define it &quot;inductively&quot; through close reading of GP, the links between the tales, and the &quot;confessional monologues&quot; of CT. Focuses on concrete descriptions, dialogue, and &quot;haphazard organization and juxtaposition&quot; as devices.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272118">
    <dcterms:title><![CDATA[The Middle English Breton Lays: A Structural Analysis of Narrative Technique]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the progressions of events in various French and English Breton Lays; includes commentary on repetition as a narrative technique that leads to closure in FranT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272117">
    <dcterms:title><![CDATA[A Boethian Approach to the Problem of Genre in Chaucer&#039;s &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads TC as a critique of the &quot;old tragic idea&quot; of fall through fortune, emphasizing the poem&#039;s concern with human choice derived from Boethius&#039;s &quot;Consolation,&quot; and observing a &quot;Boethian comedy&quot; in Troilus and a &quot;Boethian tragedy&quot; in Criseyde. TC discloses the &quot;limitations of all tragedies and comedies&quot; as interpretations of human life, which only God can judge.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272116">
    <dcterms:title><![CDATA[A Rhetorical Analysis of Chaucer&#039;s &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Quantitative analysis of Chaucer&#039;s uses of rhetorical techniques in TC, including &quot;suasive&quot; techniques, proverbial materials, and rhetorical figures.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272115">
    <dcterms:title><![CDATA[A Dictionary of Personal, Mythological, Allegorical, and Astrological Proper Names and Allusions in the Works of Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Alphabetically arranged, cross-listed dictionary of proper names in Chaucer&#039;s works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272114">
    <dcterms:title><![CDATA[Creatures Like Ourselves: The Romantic Criticism of Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on critical commentary on Chaucer by William Godwin, William Hazlitt, Leigh Hunt, and Walter Savage Landor, concluding with a survey of efforts by Romantic writers to claim that Chaucer shared their outlooks.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272113">
    <dcterms:title><![CDATA[The Rhetoric of Love: A Study of the Development of the Theme of Courtly Love by Rhetorical/Poetic Methods in Chaucer&#039;s &#039;Book of the Duchess,&#039; &#039;Parliament of Fowls,&#039; &#039;Legend of Good Women,&#039; &#039;Knight&#039;s Tale&#039; and &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[DAI citation of 1973 dissertation, completed at Queen&#039;s University (Canada).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272112">
    <dcterms:title><![CDATA[&#039;A Jape of Malice&#039;: The Dark Spirit of Chaucer&#039;s Fabliaux]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies the &quot;dark spirit&quot; in MilT, RvT, FrT, SumT, MerT, and ShT, focusing on their &quot;violence, deception, and sense of continual flux rather than their comedy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272111">
    <dcterms:title><![CDATA[Chaucer&#039;s Use of Classical Story]]></dcterms:title>
    <dcterms:description><![CDATA[Considers Chaucer&#039;s diminishing use of classical stories in various stages of his &quot;development as a creative artist,&quot; focusing on the rise of realism in his works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272110">
    <dcterms:title><![CDATA[Tradition and Innovation in the Prologues of Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Contends that Chaucer uses and supersedes the conventions of the classical &quot;exordium&quot; and of medieval prologues in HF, the proems of TC, LGWP, and GP.]]></dcterms:description>
</rdf:Description></rdf:RDF>