<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270972">
    <dcterms:title><![CDATA[Christian Literature: An Anthology]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of selections and excerpts, arranged chronologically, from Clement of Rome to Garrison Keillor, each example accompanied by a brief biographical introduction and study questions.  Includes a translation of PardP (6.329-462).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269063">
    <dcterms:title><![CDATA[Christian Revelation and the Cruel Game of Courtly Love in Troilus and Criesyde]]></dcterms:title>
    <dcterms:description><![CDATA[Pugh explores the &quot;performative cruelties&quot; of TC--the ways the three major characters are willing to &quot;resort to tactics of cruelty to advance their individual agendas&quot; and the way the narrative itself displays the &quot;pleasures of salvation&quot; that are unavailable to the pagan characters.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262130">
    <dcterms:title><![CDATA[Christian Tragedy/Tragedy of Christianity]]></dcterms:title>
    <dcterms:description><![CDATA[Treats the concept of tragedy in the Middle Ages and Renaissance, touching on TC and MkT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266504">
    <dcterms:title><![CDATA[Christian-Islamic Relations in Dante and Chaucer: Reflections on Recent Catholicism]]></dcterms:title>
    <dcterms:description><![CDATA[Unlike modern thinkers who pose Islam as an &quot;Other&quot; in opposition to Christianity, Dante and Chaucer depict the continuities of the two religions.  In &quot;Divine Comedy,&quot; Dante disapproves of Islam but incorporates it into his cosmic scheme.  In MLT, CHaucer presents Islam and Anglo-Saxon paganism as &quot;paired marginalities,&quot; bridging the two in his use of the name &quot;Alla.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269237">
    <dcterms:title><![CDATA[Christianity and the Church]]></dcterms:title>
    <dcterms:description><![CDATA[Hirsh summarizes how religious concepts, contexts, and developments in the politico-religious situation in Ricardian and Lancastrian England bear on our understanding of CT. Discusses the Great Schism, pilgrimage, mysticism, and the shared themes of travel, suffering, and reward in MLT, ClT, PrT, and SNT. Although changed since the time of Augustine, the notion of the common good informs the description of pilgrimage in ParsP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262284">
    <dcterms:title><![CDATA[Christine de Pizan&#039;s &quot;Letter of Othea to Hector&quot;: With introduction, notes, and interpretative essay]]></dcterms:title>
    <dcterms:description><![CDATA[In her introduction, Chance treats the life and works of Christine de Pizan, the origins of Pizan&#039;s &quot;gynocentric mythography&quot; and the debate over the &quot;Rose,&quot; medieval genealogy of the gods, and the &quot;Letter of Othea&quot; as a mythographic text, with references to Chaucer and his TC and LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261906">
    <dcterms:title><![CDATA[Christmas Games in Chaucer&#039;s &#039;The Miller&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The tale includes several oblique references to Christmas.  At once comic and suggestive of serious religious ideas, these features may mark the work as an actual bawdy Christmas tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271258">
    <dcterms:title><![CDATA[Christmas Poems]]></dcterms:title>
    <dcterms:description><![CDATA[Eighty-four brief poems or excerpts from longer ones, including lines 36-56 of SNP in Middle English (pp. 68-69), with indication of Chaucer&#039;s debt to Dante, whose version of &quot;St. Bernard&#039;s Hymn to the Virgin&quot; is given in Italian and English translation later in the volume.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264022">
    <dcterms:title><![CDATA[Christus Gallinaceus: A Chaucerian Enigma: or the Cock as Symbol of Christ]]></dcterms:title>
    <dcterms:description><![CDATA[Pre-Christian and Christian traditions connecting &quot;gallus&quot; and &quot;deus&quot; bear on NPT, especially hymns of Jerome and Prudentius, iconography, and popular equations of the cock with Christ in apocrypha, devotionals, folklore, and slang. As antagonist of the Iscariot fox, Chauntecleer is a Christ figure.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264113">
    <dcterms:title><![CDATA[Chronicle, Chivalric Biography and Family Tradition in Fourteenth-Century England]]></dcterms:title>
    <dcterms:description><![CDATA[Deals with the interrelations between the chivalry of literature and chivalric actualities, chronicles, biographical accounts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275430">
    <dcterms:title><![CDATA[Chronicles of Old London: Exploring England&#039;s Historic Capital.]]></dcterms:title>
    <dcterms:description><![CDATA[Thirty vignettes of London and its citizens arranged chronologically, with nine recommended walking tours and an Index. Chapter 7, &quot;Geoffrey Chaucer is Appointed Comptroller of the Port of London: 8 June, 1374&quot; (pp. 46-51; 4 figs.), briefly describes aspects of Chaucer&#039;s biography and comments appreciatively on his works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274057">
    <dcterms:title><![CDATA[Chronicling the Fortunes of Kings: John Hardyng&#039;s Use of Walton&#039;s &quot;Boethius,&quot; Chaucer&#039;s &quot;Troilus and Criseyde,&quot; and Lydgate&#039;s &quot;King Henry VI&#039;s Triumphal Entry into London.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes how in the first version of his &quot;Chronicle&quot; John Hardyng was influenced by Lydgate in his descriptions of royal power and social harmony--moments of &quot;great joy and triumph&quot;--while depending upon Chaucer and Walton for his concern with &quot;great tragedy, loss, and change.&quot; He also followed others in using Chaucer&#039;s rhyme royal stanzas to write &quot;commemorative&quot; verse.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265692">
    <dcterms:title><![CDATA[Church Office, Routine, and Self-Exile in Chaucer&#039;s Pardoner]]></dcterms:title>
    <dcterms:description><![CDATA[Reads PardPT psychoanalytically and in light of Max Weber&#039;s theory of charisma, commenting on how words and details of the Pardoner&#039;s performance reflect his attraction to salvation and his fearful distortion of it.  Institutionalized and rhetorically routinized, the performance inverts the methods of genuine charismatic transformation, perverting rather than converting the Pardoner and threatening the other pilgrims, especially the Host, a figure of corporation and institutionalization.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263632">
    <dcterms:title><![CDATA[Chusei bungaku ni okeru yodi (Fairies in Medieval European Literature)]]></dcterms:title>
    <dcterms:description><![CDATA[Using &quot;elf, dwarf&quot; and &quot;fairy, fay&quot; as key words, analyzes the meaning of fairies in literature from Old English through the fifteenth century in England.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271394">
    <dcterms:title><![CDATA[Chusei Eigo, Eibungaku, aruiwa sono gendaisei]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; cited in MLA International Bibliography as a pedagogical discussion to Chaucer&#039;s self-representation in HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272051">
    <dcterms:title><![CDATA[Chusei kara Mita Renaissance no Gengko to Hyogen--Chaucer to Shakespeare]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; a note in MLA International Bibliography online indicates that it pertains to Chaucer as a predecessor to the Renaissance.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272049">
    <dcterms:title><![CDATA[Chusei kara Mita Renaissance to Hyohen--Chaucer no naka no Tenkaiteki na Mono]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; a note in MLA International Bibliography online indicates that it pertains to Chaucer as a predecessor to the Renaissance.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274635">
    <dcterms:title><![CDATA[Cicero Refused to Die: Ciceronian Influence through the Centuries.]]></dcterms:title>
    <dcterms:description><![CDATA[Ten essays by various authors and an introduction by the editor that consider the influence of Cicero on western language and literature from late Antiquity to the early modern era. For two essays that pertain to Chaucer, search for Cicero Refused to Die under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270606">
    <dcterms:title><![CDATA[Cinematic Illuminations: The Middle Ages on Film]]></dcterms:title>
    <dcterms:description><![CDATA[The authors survey a range of popular and artistic films, analyzing uses and presentations of the Middle Ages and assessing the interactions of the modern medium and the ancient material. The book includes commentary on Brian Helgeland&#039;s A Knight&#039;s Tale, its depiction of Chaucer, and the role of theatricality in the film and in Chaucer&#039;s society.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266067">
    <dcterms:title><![CDATA[Circling Back in Chaucer&#039;s &#039;Canterbury Tales&#039;: On Punctuation, Misreading, and Reader Response]]></dcterms:title>
    <dcterms:description><![CDATA[Shows how modern punctuation obscures subtleties of Chaucer&#039;s poetry, drawing examples from CT.  Unpunctuated, Chaucer&#039;s verse has a rich poetic syntax, especially in the ways it compels readers to posit one meaning, adjust that meaning to a second meaning, and come away with a double sense.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270053">
    <dcterms:title><![CDATA[Citation and Allusion in the Lays of Guillaume de Machaut]]></dcterms:title>
    <dcterms:description><![CDATA[Considers Machaut&#039;s allusions to earlier works in his lays (e.g., &quot;Roman de Fauvel&quot; and &quot;Remede de Fortune&quot;) and gauges Machaut&#039;s impact on English court poetry, using Chaucer and Froissart as examples.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277271">
    <dcterms:title><![CDATA[Cities Without Walls: The Politics of Melancholy from Machaut to Lydgate.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. From the abstract: &quot;argues that the pose of melancholy was a vital framing fiction in later medieval poetry . . . , investigate[s] the medical, philosophical and religious traditions of melancholy, and . . . trace[s] the political role of the melancholy narrator in vernacular poetry from Machaut to Lydgate.&quot; Includes comments on the &quot;political role&quot; of the Machaut-influenced melancholy narrator in BD and the influence of Mel and KnT on Lydgate&#039;s &quot;Siege of Thebes.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262673">
    <dcterms:title><![CDATA[City and Country in the Medieval Fabliaux]]></dcterms:title>
    <dcterms:description><![CDATA[Medieval comedy is class-based:  ridicule of the stupidity of country folk.  Modern comedy is psychological:  ridicule of the eccentricity of city dwellers.  Evolution from class-based to psychological comedy can be traced in the fabliaux and in Chaucer&#039;s RvT and MilT versus MerT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261449">
    <dcterms:title><![CDATA[City, Marriage, Tournament: Arts of Rule in Late Medieval Scotland]]></dcterms:title>
    <dcterms:description><![CDATA[Chapter 8 discusses differences between aristocratic and lower-class desire in PF, exploring how endless desire establishes sovereignty in the poem.  The essay also assesses the relations of the poem with Scots tradition, especially the version of the Selden Arch B.24 manuscript, which closes in unique fashion: A peacock recommends that the royal eagle win the formel eagle and that the other birds also choose permanent mates.]]></dcterms:description>
    <dcterms:description><![CDATA[  Nature concurs, the birds choose, and the poem returns to a &quot;still-reading dreamer.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274911">
    <dcterms:title><![CDATA[City.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers cities as a &quot;mode of thought&quot; for critical analysis, describing a walk-through pedestrian perspective and a from-on-high omniscient perspective in late-medieval English works that include &quot;The Stores of the Cities,&quot; &quot;St. Erkenwald,&quot; and HF, the latter paralleled with Michel de Certeau&#039;s theorization in &quot;Marches dans la ville.&quot; Also comments on the critical tradition of absent London in CT. Explores how these perspectives and others capitalize on the complexities of cities to suggest new &quot;critical modes and processes&quot; across and between literary, historical, and theoretical boundaries.]]></dcterms:description>
</rdf:Description></rdf:RDF>