<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275135">
    <dcterms:title><![CDATA[Chivalry and the Wise Watchman: A Study of Patience, Penance, and the Homeward Journey in Chaucer&#039;s &quot;Canterbury Tales&quot; and &quot;Troilus and Criseyde.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes imagery of worthiness in TC and CT, compared with John Gower&#039;s &quot;Mirour de l&#039;omme,&quot; &quot;Piers Plowman,&quot; and Geffroi de Charny&#039;s &quot;Book of Chivalry.&quot; Focuses on patience, penance, pilgrimage, and the &quot;timing for one&#039;s acts,&quot; exploring uses of Dante&#039;s &quot;Paradiso&quot; in TC, and analyzing Harry Bailly as time-keeper in CT (especially MLP), a role in which the Parson eventually replaces him (in ParsP), signaled by references to the biblically auspicious tenth hour. Rejects editorial emendation of &quot;Ten&quot; to &quot;Foure&quot; at ParsP 10.5.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266031">
    <dcterms:title><![CDATA[Chivalry under Siege in Ricardian Romance]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys how chivalry is promoted or assumed in various medieval romances and argues that it is critiqued in TC, KnT, and &quot;Sir Gawain and the Green Knight.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[  TC shows the &quot;chivalric ideal suspended in a state of blind and seemingly helpless complicity in its own betrayal&quot;; in KnT, the temple of Mars reveals the realities of late-medieval warfare to be in tension with courtly ideals.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267112">
    <dcterms:title><![CDATA[Chivalry, Knighthood, and War in the Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Eleven papers by various authors on the literature and history of knighthood, with topics ranging from ascetic knighthood to knighthood as a trope. For two essays that pertain to Chaucer, search for Chivalry, Knighthood, and War in the Middle Ages under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267242">
    <dcterms:title><![CDATA[Chivalry, Power, and Justice in Three Medieval Romances]]></dcterms:title>
    <dcterms:description><![CDATA[Like Gower in &quot;Confessio Amantis,&quot; Chaucer in TC adapts two strategies from Benot de Sainte-Maure&#039;s &quot;Roman de Troie&quot; to criticize chivalry: indicating how chivalry oppresses women and revealing the incompatibility of knightly conduct and good government.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262800">
    <dcterms:title><![CDATA[Choice and Circumstance in Chaucer and Malory]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Malory&#039;s &quot;Le Morte d&#039;Arthur&quot; and Chaucer&#039;s TC as &quot;paradigms for the discovery of tragedy in the Middle Ages.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273480">
    <dcterms:title><![CDATA[Choice and Psychology of Negation in Chaucer&#039;s Language: Syntactic, Lexical, Semantic Negative Choice with Evidence from the Hengwrt and Ellesmere MSS and the Two Editions of the &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Compares frequencies of different negative forms as well as syntactic, lexical, and semantic negative patterns in the Hengwrt and Ellesmere manuscripts and two critical editions by Blake and Benson, respectively. Tabulates the result as statistical data and discusses the tendency and factor in the choice of negative forms or patterns.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277461">
    <dcterms:title><![CDATA[Choice of Chaucers: Teaching Kate Heartfield&#039;s Interactive Novel &quot;The Road to Canterbury.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the pedagogical possibilities of using Kate Heartfield&#039;s &quot;The Road to Canterbury&quot; (2018)--a &quot;contemporary gamified adaptation&quot; of Chaucer&#039;s life, world, and CT. Comments generally on using &quot;interactive fiction&quot; in the classroom, describes Heartfield&#039;s work, and offers suggestions for classroom use, based on personal experience.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273043">
    <dcterms:title><![CDATA[Choosing Poetic Fathers: The English Problem]]></dcterms:title>
    <dcterms:description><![CDATA[Addresses the &quot;literal paternity&quot; of Chaucer as the &quot;father of English poetry&quot; for fifteenth- and sixteenth-century writers, including Shakespeare and Jonson. Discusses how Chaucer established himself as a &quot;poet within the classical poetic line.&quot;  Also, emphasizes how James Joyce&#039;s &quot;Ulysses&quot; deftly combines classical and medieval traditions, thereby connecting with Chaucer&#039;s &quot;literary genes.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270797">
    <dcterms:title><![CDATA[Choosing Thou or You to Reveal Ideal Relationships in The Knight&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Reiff examines uses of second-person singular pronouns &quot;thou&quot; and &quot;you&quot; to indicate relationships among characters in KnT, particularly idealized chivalric relationships, Theseus&#039;s changing attitude toward the knights, the unfaltering brotherhood between Palamon and Arcite, the courtly interactions of the gods, and the nobility&#039;s status before the gods.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273619">
    <dcterms:title><![CDATA[Choreographing  &quot;Fin&#039;amor&quot;: Dance and the Game of Love in Geoffrey Chaucer&#039;s &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the use of &quot;daunce&quot; in TC in order to explore the way dancing is linked to rhetoric in the interactions between the main characters.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276458">
    <dcterms:title><![CDATA[Chorography and Topography: Italian Models and Chaucerian Strategies.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents examples from the &quot;classical genres of chorography and topography&quot; in analysis of ClT. Argues that Chaucer&#039;s &quot;untypical use of chorography . . . draws attention to Italy&#039;s international trade routes&quot; and reinforces the economic transactional state of Walter and Griselda&#039;s marriage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271268">
    <dcterms:title><![CDATA[Chōsā no futeishi tōgohō: Shoki 3 sakuhin o taishōni]]></dcterms:title>
    <dcterms:description><![CDATA[Item not located; reported in MLA International Bibliography, which indicates that the essay pertains to syntactical uses of the infinitive in BD, PF, and HF; also indicates that the essay is in Japanese, with an English summary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275174">
    <dcterms:title><![CDATA[Chōsā no gengo to ninchi:  topasu kyō no hanashi no gengo to sukīma no tajigen kōzō. [Chaucer&#039;s Language and Cognition: The Language of Sir Thopas and the Multidimensional Schematization of &quot;Diminution.&quot; ]]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the scheme of &quot;diminution&quot; penetrates every dimension of Th and discusses how the meanings are generated and complicated through combination of different dimensions. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271395">
    <dcterms:title><![CDATA[Chosa no kyakuingo saiko]]></dcterms:title>
    <dcterms:description><![CDATA[Two-part discussion of Chaucer&#039;s techniques of meter and rhyme in relation to meaning.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270791">
    <dcterms:title><![CDATA[Chōsā no shizen: Shigatsu no ame ga fureba [Chaucer&#039;s Nature: When It Rains in April]]]></dcterms:title>
    <dcterms:description><![CDATA[Considers Chaucer&#039;s idea of nature in CT, assessing its relationship to Renaissance humanism, to scholarship and various arts, and to conceptions of the celestial world and natural science. Also gauges the influence of Chaucer&#039;s view of nature on Shakespeare and Spenser.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271399">
    <dcterms:title><![CDATA[Chosa to &#039;teien&#039; no imeji [ Images of Gardens in Chaucer ]]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; cited in MLA International Bibliography, where it is described as concerned with the garden imagery and sources in Chaucer.  In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272311">
    <dcterms:title><![CDATA[Chosa-Kenkya [Studies in Chaucer]]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; reported in WorldCat.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274396">
    <dcterms:title><![CDATA[Chosa. [Chaucer.]]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. Information derived from a WorldCat record.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272325">
    <dcterms:title><![CDATA[Chōsaa no toroirasu ron [A Study of Chaucer&#039;s Troilus]]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; cited in WorldCat.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271372">
    <dcterms:title><![CDATA[Choser Srednevekovyĭ [Chaucer&#039;s Medieval]]]></dcterms:title>
    <dcterms:description><![CDATA[Critical discussion of Chaucer&#039;s life and each of his major works, including a section concerned with the resonances of his poetry in later literature, including Russian literature. Considers social and religious conditions of Chaucer&#039;s age, his narrative point of view, and his realism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277154">
    <dcterms:title><![CDATA[Chrematistische Poetik: Mentale Haushaltsführung in Geoffrey Chaucers &quot;Traumvisionen.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that HF depicts a journey through the mental operation of using traditional classical material to generate new literature (tidings) and, in doing so, reflects aspects of late medieval understanding of psychology and economics. Crucial to the latter is a shift from the model of household maintenance to that of chresmatistic mercantile expansion, which depends upon dislocation, multiplication, even unnatural usury--in various ways analogous to imagination rather than memory.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272456">
    <dcterms:title><![CDATA[Christening Women, Men and Monsters: Images of Baptism in Middle English Hagiography and Romance]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the use of baptism as a symbol and source of identity in CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268407">
    <dcterms:title><![CDATA[Christian Adornment in The Man of Law&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[The absence of details of physical dress or adornment applied to Custance in MLT coincides with the presentation of her as a virtuous, Christian heroine. Though descriptive details are conventional in romances, their relative absence here is consistent with exemplary religious narratives.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272938">
    <dcterms:title><![CDATA[Christian Affirmation in &#039;The Book of the Duchess&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Rejects exegetical readings of BD that construe the poem as a wholesale Christian allegory, but argues that Christian consolation is nevertheless conveyed through resurrection imagery (birds, horns, harts, etc.) and details of &quot;sleeping, dreaming, and awaking&quot; in the Ceyx and Alcyone episode as well as the major plot.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276732">
    <dcterms:title><![CDATA[Christian Implications of Knighthood and Courtly Love in Chaucer&#039;s &quot;Troilus.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses TC as a &quot;peculiar combination of church, chivalry, and courtly love,&quot; exploring the history of the amalgamation of the &quot;system of knighthood,&quot; the church&#039;s influence on the &quot;chivalric code,&quot; and the &quot;idealization of woman.&quot; Then examines &quot;ecclesiastical and Christian passages&quot; in TC, showing how they reflect Chaucer&#039;s &quot;spiritualizing of pagan love&quot; through uses of Boccaccio&#039;s &quot;Filostrato&quot; and adding &quot;ecclesiastical terms,&quot; references to Christian Diety, and Biblical references.]]></dcterms:description>
</rdf:Description></rdf:RDF>