<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277085">
    <dcterms:title><![CDATA[Chaucer and the Fantasy of Retroactive Consent.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores aspects of sexual consent and non-consent in RvT--particularly Malyne&#039;s romanticizing of Aleyn&#039;s assault--linking them with Augustine&#039;s comments on Lucretia in &quot;De civitate Dei,&quot; modern notions of &quot;retroactive consent,&quot; and the Chaucer life records that pertain to Cecily Chaumpaigne. For response, see Lynn Shutters&quot;Response to Leah Schwebel and Jennifer Alberghini.&quot; SAC 44 (2022): 359-60.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277084">
    <dcterms:title><![CDATA[Tolkien and Rape: Sexual Terror, Sexual Violence, and the Woman&#039;s Body in Middle-Earth.]]></dcterms:title>
    <dcterms:description><![CDATA[Connects the &quot;gendered terror&quot; of female sexuality and the &quot;evasiveness&quot; of J. R. R. Tolkien&#039;s treatment of sexual violence against women in his Middle-Earth narratives, and assesses suppression of rape in Tolkien&#039;s 1939 bowdlerized version of RvT in light of this evasiveness.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277083">
    <dcterms:title><![CDATA[Speaking Survival: Chaucer Studies and the Discourses of Sexual Assault.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on RvT and argues that newly discovered documents allow scholars to move beyond Chaucer&#039;s individual blame and address structural issues and concerns with language describing and depicting sexual assault in late medieval texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277082">
    <dcterms:title><![CDATA[Emotions and War in Chaucer&#039;s &quot;Knight&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates the restless &quot;emotional movement&quot; of &quot;roaming&quot; in KnT, as expression of both confined frustration and openness to new adventures enacted by Palamon, Emelye, and Arcite. Compares Chaucer&#039;s depictions of these movements and emotions with those found in Boccaccio&#039;s &quot;Teseida,&quot; and compares Emelye&#039;s roaming with Dorigen&#039;s in FranT, Constance&#039;s in MLT, and Hypsipyle&#039;s in LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277081">
    <dcterms:title><![CDATA[From Imprisonment to Liberation: Chaucer&#039;s &quot;Knight&#039;s Tale&quot; as a Multilayered Exploration of a Paradigm for Prison Life.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the &quot;unique aspect&quot; of the depiction of imprisonment in KnT is that the &quot;only liberation that can happen is apparently at the end of this life, which is seen as a prison,&quot; hence &quot;hardly a liberation at all.&quot; Comments on Chaucer&#039;s likely knowledge of material prisons and on how the tale exerts pressure to read imprisonment allegorically.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277080">
    <dcterms:title><![CDATA[Violent Compassion in Late Medieval Writing.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the theme of knightly and royal pity (and related concepts, such as mercy, compassion, and resulting actions) in literary representations of war in a range of late medieval English texts, with particular attention to the Alliterative &quot;Morte Arthure,&quot; Malory&#039;s adaptation of it, and KnT, addressing Theseus&#039;s &quot;compassionate pity&quot; in the latter, along with its ironies and the physiology of pity as liquid.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277079">
    <dcterms:title><![CDATA[Infinite Sorrows: Catastrophic Forms in Chaucer&#039;s &quot;Knight&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Uses trauma theory to read KnT as a &quot;meditation on catastrophe and survival.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277078">
    <dcterms:title><![CDATA[Playing an Epic Game: Games and Genre in Boccaccio&#039;s &quot;Teseida delle nozze d&#039;Emilia.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Attends to the source relations between KnT and Boccaccio&#039;s &quot;Teseida&quot; to examine the latter in light of game theory.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277077">
    <dcterms:title><![CDATA[The Knight&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records indicate this is an adaptation of KnT for early readers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277076">
    <dcterms:title><![CDATA[Intervals of Grace: Shakespeare and Chaucer&#039;s Existential Romances and the Repair of the Past.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that &#039;Augustine&#039;s theology allows us to see providence in romance as a doubled perspective that recognizes the existential smallness of individuals and their collective participatory power in a plural world,&quot; addressing KnT, ClT, and Shakespeare&#039;s &quot;Cymbeline&quot; and &quot;The Winter&#039;s Tale.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277075">
    <dcterms:title><![CDATA[The Medieval Borderline Identities: The Guildsmen in History and in Geoffrey Chaucer&#039;s &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Uses Homi Bhabha&#039;s concepts of borderline community and mimicry (&quot;The Location of Culture&quot; [1994]) to investigate the descriptions of the guildsmen in GP, 361-78, as they relate to shifts and tensions in Chaucer&#039;s contemporary society, focusing on &quot;othering&quot; within traditional hierarchy and on sartorial mimicry. Includes historical and literary information about guildsmen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277074">
    <dcterms:title><![CDATA[Canterbury Masalları: Prolog / The Canterbury Tales: The Prologue.]]></dcterms:title>
    <dcterms:description><![CDATA[Facing-page Middle English and lineated Turkish translation of GP, with introductions to Chaucer&#039;s life, his works, and this translation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277073">
    <dcterms:title><![CDATA[Studying Chaucer through Physiognomy: A Study of Chaucer&#039;s Characters Can Lead Students to a Better Understanding of Themselves.]]></dcterms:title>
    <dcterms:description><![CDATA[Lesson plan for teaching GP in high school classes (senior level), introducing the four humors and using a personality test for students.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277072">
    <dcterms:title><![CDATA[Chaucer&#039;s General Prologue to the Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Facing-page translation of GP into modern English iambic decasyllables; features illustrations of the pilgrims--reproductions of Caxton&#039;s woodcuts paired with original woodcut portraits--and an extensive glossary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277071">
    <dcterms:title><![CDATA[CantApp: The General Prologue. An Edition in an App.]]></dcterms:title>
    <dcterms:description><![CDATA[Electronic edition of GP, designed for download and web access on mobile devices, based on the Hengwrt manuscript (fully reproduced in color), with hyperlinked transcription, translation, glosses and notes, and an audio performance by Lina Gibbings in Middle English. Sidebar apparatus includes a life of Chaucer; a description of GP in relation to CT; and discussions of the date of GP, the Hengwrt MS, the text of this edition, and background to the performance of GP. Contributors include Claire Pascolini-Campbell, James Robinson, Vicky Symons, and Mari Volkosh.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277070">
    <dcterms:title><![CDATA[The Logic of Love in &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Presents a &quot;new way to conjoin Chaucer&#039;s sophisticated engagement with philosophical thought and his obvious focus on amatory concerns&quot; in CT, arguing that the narrative &quot;authoritatively abandons authority&quot;--a paradox that recalls logical &quot;insolubilia,&quot; connects with the &quot;philosophical antinomy of realism and nominalism,&quot; and engages the Christian incarnational fusion of creator and created. Neither ironic nor inconsistent, the rigorously logical CT--insoluble rather than enigmatic or analogical--asserts the paradox of love, depicts efforts to accept or resolve paradox in each of the tales, and enjoins readers to accept paradox without judgment or resolution, leaving Chaucer&#039;s &quot;ultimate intention undecidable.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277069">
    <dcterms:title><![CDATA[Kunst und Religion zwischen Mittelalter und Barock: Von Dante bis Bach. Vol. 1, Spätmittelalter und Renaissance.]]></dcterms:title>
    <dcterms:description><![CDATA[Chapter 7, &quot;Chaucer: Die &#039;Canterbury Tales,&#039; &quot; summarizes the individual tales of CT, following the Chaucer Society order, and provides brief explanations of religious backgrounds and details.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277068">
    <dcterms:title><![CDATA[Cadre et encadrement. Pour une approche politique du récit enchâssé: Des recueils de contes médiévaux au cinéma contemporain (le &quot;Pañcatantra,&quot; Somadeva, Boccaccio, Chaucer, Pasolini, Gomes).]]></dcterms:title>
    <dcterms:description><![CDATA[Theorizes &quot;the consequences of political discourse on bodies&quot; in literary and cinematic frame-narratives, including discussion of CT, along with the &quot;Pañcatantra,&quot; the &quot;Vetala&quot; of Somadeva, Boccaccio&#039;s &quot;Decameron,&quot; Pier Paolo Pasolini&#039;s &quot;Trilogy of Life,: and Miguel Gomes&#039;&#039;s &quot;Arabian Nights.&quot; Includes an abstract in English and in French]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277067">
    <dcterms:title><![CDATA[&quot;Lat Us Laughe and Pleye&quot;: Humor Structures in &quot;The Canterbury Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;[A]pproaches the Canterbury Tales through the lens of humor theory, responding to a much-noted gap in existing scholarship by focusing primarily on the structures and mechanisms of humor in the text.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277066">
    <dcterms:title><![CDATA[Liturgical Time in Chaucer&#039;s &quot;Canterbury Tales&quot;: Meditated, Measured and<br />
Manipulated.]]></dcterms:title>
    <dcterms:description><![CDATA[Tabulates liturgical references within CT and argues that the poem depicts the secularization of liturgy and its appropriation for social control, while also presenting a carnivalesque celebration of the reversal of social hierarchy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277065">
    <dcterms:title><![CDATA[Bodiam Castle and &quot;The Canterbury Tales&quot;: Some Intersections.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that CT (specifically GP, KnT, MilT, and RvT) and Bodiam Castle &quot;converge as ideological constructions,&quot; comparing the lives of Chaucer and Sir Edward Dallingridge (builder of Bodiam)--both witnessed at the Scrope vs. Grosvenor trial--and connecting &quot;the anxieties, tensions, gaps, silences and contradictions that lie below the surface of the formal, normative values&quot; of their works. Posits that Dallingridge may underlie aspects of the characterization of Chaucer&#039;s Knight.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277064">
    <dcterms:title><![CDATA[Medieval Feasts.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the social implications of food and dining practices in late medieval cookbooks, social records, and aesthetic literature, commenting on the culinary concerns associated with the Franklin, Prioress, Squire, and Cook in GP and similar material in CkP, PardT, and Ros, along with other works in Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277063">
    <dcterms:title><![CDATA[Sound in the Landscape, a Study of the Historical Literature. Part 2: The Medieval Period--the Eleventh to Fifteenth Century (and Beyond).]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys literary representations of sounds in various landscapes found in late medieval literature, including mention of the tournament in KnT and description of the tale-telling, singing, and music-making among the Canterbury pilgrims.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277062">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Canterbury Tales&quot; as a Postpandemic Text.]]></dcterms:title>
    <dcterms:description><![CDATA[Interprets CT as a &quot;compelling psychogram of a diverse community processing massive demographic shifts in the wake of recurrent epidemic waves.&quot; Explores disruptions of social and linguistic categories, PardT as an allegory of plague death, various &quot;satirical plague archetypes&quot; among the pilgrims, and tensions between &quot;egocentric coping mechanisms&quot; and &quot;visions of collaborative inclusivity.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277061">
    <dcterms:title><![CDATA[Chaucer&#039;s Vision of the British Past: Literary Inheritance and Historical Memory in &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer favors the popular idea that Brittonic literature and history are primarily oral. By doing so, Chaucer distances his contemporary England, with its reliance on Latin textual and cultural authority, from the political reality of Welsh colonization and resistance, thus imposing a distance between English national history and the past of the Britons.]]></dcterms:description>
</rdf:Description></rdf:RDF>