<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272310">
    <dcterms:title><![CDATA[Chaucer, Wyclif and the Court of Apollo]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the extract/summary of the &quot;Plowman&#039;s Tale&quot; in Henry Vaughn&#039;s &quot;The Golden Fleece&quot; (1626, under the pseudonym &quot;Orpheus Junior&quot;) and explores his claim that Chaucer influenced Wycliff through this spurious tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272309">
    <dcterms:title><![CDATA[The Phillipps Manuscript of Chaucer&#039;s &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Corrects R. K. Root&#039;s listing of a TC manuscript: should be Phillips 8252 (now Huntington Library HM 114), rather than 8250.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272308">
    <dcterms:title><![CDATA[Undoing Substantial Connection: The Late Medieval Attack on Analogical Thought]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the roots of analogical thinking and late-medieval critiques of its methods and assumptions, exploring the background to understanding &quot;Chaucer&#039;s curious neglect of the allegorical mode.&quot; As with nominalists, Chaucer is consistently concerned with the &quot;ambivalence of human will.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272307">
    <dcterms:title><![CDATA[Henryson&#039;s &#039;Testament of Cresseid, 188]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that Mars&#039;s rusty sword in Henryson&#039;s &quot;Testament&quot; recalls Chaucer&#039;s Reeve (GP 1.618).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272306">
    <dcterms:title><![CDATA[The Lark in Chaucer and Some Later Poets]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses various topoi of the lark (including its etymology in Latin) to explore and explain details in a variety of medieval and Renaissance poems, including KnT where the lark is &quot;bisy&quot; and a welcomer of dawn (1.1491-92).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272305">
    <dcterms:title><![CDATA[The Imposition of Order: A Measure of Art in the Man of Law&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the artistic development of the Constance story from its roots in the accused queen legend through Trevet&#039;s adaptation, Gower&#039;s version, and MLT, arguing that only in Chaucer does the narrative achieve &quot;comprehensive artistic unity&quot; of characterization, various motifs, verse form, and allegory.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272304">
    <dcterms:title><![CDATA[The Genesis of &#039;The Plowman&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Revises and adds to Henry Bradshaw&#039;s discussion of the origins of the &quot;Plowman&#039;s Tale,&quot; examining chronological and regional features of vocabulary, allusions to contemporary fashion and events, and Lollard ideology to argue that the poem was written no later than 1450, with several later revisions and interpolations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272303">
    <dcterms:title><![CDATA[The Anatomy of Compassion: Chaucer&#039;s &#039;Book of the Duchess&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Charts the development of the dreamer in BD from concern with abstract grief to concern with real grief and from selfishness to concern for others; this progress effects &quot;a detailed anatomy of compassion&quot; that encourages compassion in Chaucer&#039;s readers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272302">
    <dcterms:title><![CDATA[Chaucer and &#039;Sir Thopas&#039;: Irony and Concupiscence]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the characterization of Chaucer&#039;s pilgrim-narrator in CT, focusing on the scene in ThP where the Host requests a tale from this narrator and exploring the ironies of the Host&#039;s expectations, the readers&#039; knowledge of earlier Chaucerian personae, echoes of Dante&#039;s &quot;Purgatorio&quot; and &quot;Inferno,&quot; sexual imagery in the tale of Thopas, and the shift to the tale of Melibee. The Th-Mel sequence satirizes the Host&#039;s expectations and those of the reader.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272301">
    <dcterms:title><![CDATA[Chaucer&#039;s Pilgrims and Cather&#039;s Priests]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the characterizations in Willa Cather&#039;s &quot;Death Comes for the Archbishop&quot; were influenced by Chaucer&#039;s GP descriptions, particularly those of his ecclesiastical characters. The two authors also share a tendency to avoid rigid schemata of vice and virtue.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272300">
    <dcterms:title><![CDATA[Chaucerian Final -&#039;e&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that pronounced Chaucerian final -&#039;e&#039; is generally conservative and grammatical (rather than rhetorical or colloquial), identifying parallels in Old English usage and Middle English scribal practice, and commenting on the loss of final -&#039;e&#039; among Chaucer&#039;s later followers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272299">
    <dcterms:title><![CDATA[Avoiding Women in Times of Affliction: An Analogue for the &#039;Miller&#039;s Tale&#039;,]]></dcterms:title>
    <dcterms:description><![CDATA[Connects John&#039;s separation from Alison in the tubs of the MilT with enjoinders to remain sexually separate in the Noah mystery plays and Mirk&#039;s &quot;Festial.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272298">
    <dcterms:title><![CDATA[Chaucer, Grandson and the &#039;Turtil Trewe&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies connections between words and details of PF and Oton de Grandson&#039;s &quot;Le Songe St. Valentin&#039;.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272297">
    <dcterms:title><![CDATA[The Pagan Setting of the &#039;Franklin&#039;s Tale&#039; and the Sources of Dorigen&#039;s Cosmology]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Dorigen&#039;s lament is &quot;not necessarily Christian,&quot; derived as it is from Boethius&#039;s &quot;Consolation of Philosophy&quot; and &quot;spiced with reminiscences&quot; of Ovid&#039;s &quot;Metamorphoses.&quot; Reads the lament as &quot;completely consonant with what Chaucer regarded as pagan philosophy.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272296">
    <dcterms:title><![CDATA[Hary&#039;s &#039;Wallace&#039; and Chaucer&#039;s &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Troilus&#039;s wooing and loss of Criseyde in TC influenced the depiction of Wallace&#039;s wooing and loss of the Bradefute maiden in Hary&#039;s &quot;Wallace.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272295">
    <dcterms:title><![CDATA[Two Notes on Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that the Monk&#039;s &quot;celle&quot; of GP 1.172 is a storeroom rather than a subordinate monastery, and hypothesizes that the storm that occasions Troilus&#039;s clandestine visit to Criseyde in TC is based upon the legend of St, Benedict and his sister Scholastica.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272294">
    <dcterms:title><![CDATA[Chaucer and Doctor John of Gaddesden]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes the life and medical expertise of John of Gaddesden, rejecting the notion that Chaucer caricatured Gaddesden in the GP description of the Physician, suggesting that it is instead an &quot;impersonal description.&quot; Also comments on Chaucer&#039;s depictions of surgeons and physicians in Mel, the positive response by the Host to PhyT, and Arcite&#039;s medical condition in KnT--all evidence that Chaucer was &quot;kindly disposed&quot; to doctors in his time. Includes 10 b&amp;w illus.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272293">
    <dcterms:title><![CDATA[An Analysis of the Framework Structure of Chaucer&#039;s &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates how the frame of the Canterbury pilgrimage is reflected in individual tales, gauging their degrees of authenticity, the quarrels among the pilgrims, the relations between social rank and taste, the interdependence of solace and sentence, and the characterizations of individual tellers. Then comments on the multi-layered roles and functions of the narrator as participant, author, and historical poet. Also argues that the above concerns render it unlikely that Chaucer was indebted to Boccaccio&#039;s &quot;Decameron.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272292">
    <dcterms:title><![CDATA[Chaucer und die Sprache der Wissenschaften]]></dcterms:title>
    <dcterms:description><![CDATA[Explores various linguistic difficulties in analyzing Chaucer&#039;s scientific language, and comments on his coinages, uses of English scientific vocabulary, and borrowings of French and Latin terms.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272291">
    <dcterms:title><![CDATA[Chaucer&#039;s &#039;Pardoner&#039;s Tale&#039;: More African Analogues]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies three African folklore analogues to PardT previously &quot;unnoticed&quot; in Chaucer studies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272290">
    <dcterms:title><![CDATA[Some Recent Opinions about the Possible Influence of Boccaccio&#039;s &#039;Decameron&#039; on Chaucer&#039;s &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys critical commentary on the possibility of Chaucer&#039;s debt to Boccaccio&#039;s &quot;Decameron&quot; in CT, arguing that the evidence for influence is unpersuasive, especially when other analogues are closer. Considers various critical discussions of the Canterbury &quot;framework,&quot; MilT, RvT, MLT, ClT, FranT, ShT, WBP, and MerT, addressing in greatest detail the commentary in Richard Guerin&#039;s 1966 dissertation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272289">
    <dcterms:title><![CDATA[&#039;Caimes Kynde&#039;: The Friars and the Exegetical Origins of Medieval Antifratrnalism]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the &quot;imaginative dimension&quot; of medieval anti-fraternalism in many manifestations, including SumT; in it, traditional anti-fraternalism is affiliated with Pentecost because the Franciscan General Chapter was held on this feast day.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272288">
    <dcterms:title><![CDATA[Noun+Noun Compounds in the Works of Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes a method for classifying noun-plus-noun compounds and compiles all such compounds in Chaucer&#039;s works, showing that, with one exception, modern types of compounds were already in use in Chaucer&#039;s Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272287">
    <dcterms:title><![CDATA[Prologue to a Criticism of Medieval Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes an &quot;integration of the &#039;historical&#039; and &#039;archetypal/esthetic&#039; schools&quot; of criticism of medieval literature, based on Ernst Cassirer&#039;s theories of symbol and the &quot;evolutionary scheme of human self-consciousness,&quot; exemplifying the critical technique through an examination of TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272286">
    <dcterms:title><![CDATA[Nat Every Vessel al of Gold: Studies in Chaucer&#039;s &#039;Legend of Good Women&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads LGW as a &quot;double palinode&quot; in which Chaucer explores the &quot;variety and complexity of the feminine psyche&quot; as expressed in his sources, Ovid and Boccaccio, and his own TC. Compares LGWP-F and LGWP-G to show that Chaucer increases the comedy and irony of the Prologue, and observes that in each of the legends he resists Cupid&#039;s &quot;penance&quot; by violating the rules imposed by the god and thereby subtly including Criseyde among his good women.]]></dcterms:description>
</rdf:Description></rdf:RDF>