<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272649">
    <dcterms:title><![CDATA[&#039;Hali Meidenhad&#039; and Other Virginity Treatises]]></dcterms:title>
    <dcterms:description><![CDATA[Includes discussion (pp. 206-27) of the ways in which WBPT are antithetical in tone and detail to various treatises that treat virginity as a standard of perfection: &quot;Hali Meidenhad,&quot; Innocent III&#039;s &quot;De Miseria Humane Conditionis,&quot; and Jerome&#039;s &quot;Epistola adversus Jovinianum.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272648">
    <dcterms:title><![CDATA[Beyond Canterbury: A Meta-Humanistic Study of Chaucer&#039;s Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[Defines meta-humanistic criticism, offers an extended critique of &quot;basic fallacies&quot; in Chaucer criticism, and assesses KnT, particularly its major characters. Dissertation completed in 1971.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272647">
    <dcterms:title><![CDATA[The Structure of Chaucer&#039;s &#039;House of Fame&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that HF &quot;shows a firm and symmetrical pattern&quot; in its thematic and stylistic balancing of Book 1 and the house of Fame, on the one hand, and Book 2 and the house of Rumor on the other.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272646">
    <dcterms:title><![CDATA[Canterburyjske Zgodbe [Canterbury Tales]]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. The WorldCat record indicates that this is [selections from] CT, translated into Slovenian.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272645">
    <dcterms:title><![CDATA[Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. The WorldCat record indicates that this reading of TC in Middle English features Derek Brewer, Richard Marquand, Peter Orr, Prunella Scales, and Gary Watson.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272644">
    <dcterms:title><![CDATA[The Nun&#039;s Priest&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Item not see. The WorldCat record indicates that this is a study guide to NPT, designed for high school students, [with text?].]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272643">
    <dcterms:title><![CDATA[Seven Sound and Motion Stories: and, The Tale of Oniroku]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. The WorldCat record indicates that this includes a version of NPT for a juvenile audience.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272642">
    <dcterms:title><![CDATA[The Prologue and Three Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. The WorldCat record indicates that this is an edition, with notes and commentary, of GP, PardPT, PrT, and NPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272641">
    <dcterms:title><![CDATA[The Canterbury Tales a Solo Dramatization in the Coolidge Auditorium, April 5, 1971]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272640">
    <dcterms:title><![CDATA[Thomas Tyrwhitt (1730-1786) As Annotator and Glossarist of Fragment A of &#039;The Canterbury Tales,&#039; and His Editorial Relations]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the methods and results of Thomas Tyrwhitt&#039;s editing of Part 1 of CT, focusing on his notes and glossary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272639">
    <dcterms:title><![CDATA[Canterbury-Erzählungen]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat record indicates this is a translation of CT into German, with illustrations by Otto Kaul adapted from early models.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272638">
    <dcterms:title><![CDATA[Chaucer and the Just Society: Conceptions of Natural Law and the Nobility in the &#039;Parliament of Fowls&#039;, the &#039;Knight&#039;s Tale,&#039; and the Portraits of the Miller and Reeve]]></dcterms:title>
    <dcterms:description><![CDATA[Reads PF in light of its sources as an allegory of aristocratic responsibility for maintaining natural law and a just society; KnT as an exploration of lawlessness set against the background of Status&#039;s &quot;Thebaid,&quot; focusing on the tournament; and the GP descriptions of the Miller and Reeve as satiric &quot;caricatures of erring nobility.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272637">
    <dcterms:title><![CDATA[Wheel of the World: An Entertainment Based on Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. The WorldCat record states that this opera/pantomime was scored by Crosse, with &quot;text (based on Chaucer&#039;s Canterbury Tales) by David Cowan.&quot; The Guelph Spring Festival Archives indicate a performance in 1993.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272636">
    <dcterms:title><![CDATA[Canterbury Tales: A Participation Play for Children 9 and Up]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. The WorldCat record states that this drama for children was &quot;Created through improvisation by the Looking Glass Theatre, Providence, R.I.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272635">
    <dcterms:title><![CDATA[The Penguin Book of the Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. The WorldCat record states that this is a &quot;Shortened edition of The Horizon book of the Middle Ages, published in 1968 by American Heritage, New York,&quot; with a section on Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272634">
    <dcterms:title><![CDATA[Aspects of Patterning in the Vocabulary of Chaucer, with Particular Reference to His Courtly Terminology, Volume 1]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the semantics of approximately fifty words that signify &quot;benevolence and malevolence within courtly contexts in the works of Chaucer,&quot; exploring them diachronically and attending to &quot;extralinguistic&quot; factors in order to pursue a &quot;literary critical procedure&quot; that combines descriptive linguistics with literary and intellectual history. Thesis completed in 1971.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272633">
    <dcterms:title><![CDATA[Criseyde&#039;s Character in the Major Writers from Benoît through Dryden: The Changes and Their Significance]]></dcterms:title>
    <dcterms:description><![CDATA[Includes chapters on Benoît, Boccaccio, Chaucer, Henryson, Shakespeare, and Dryden, treating Chaucer&#039;s Criseyde as &quot;the most delightful of them all&quot;--a character of &quot;infinite complexity and infinite charm.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272632">
    <dcterms:title><![CDATA[An Analysis of the Medieval &#039;Artes Poetriae&#039; with a Discussion of Amplification of Character in Chaucer&#039;s &#039;Troilus&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the &quot;organization and assumptions&quot; of four medieval rhetorical handbooks, focusing on their &quot;methods of amplification,&quot; and assesses the influence of rhetorical tradition on the characterizations in TC, in comparison with those of Boccaccio in &quot;Il Filostrato.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272631">
    <dcterms:title><![CDATA[Chaucer and the Gods]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes traditions antecedent to Chaucer&#039;s uses of classical deities, and asserts that Chaucer&#039;s own uses rejuvenate the tradition, arguing that he is less conventional than usually assumed. Treats sources and analogues, BD, HF, PF, TC, LGWP, KnT, MerT, and several fifteenth-century followers of Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272630">
    <dcterms:title><![CDATA[Chaucer&#039;s Physician: Medicine and Literature in Fourteenth-Century England]]></dcterms:title>
    <dcterms:description><![CDATA[Describes fourteenth-century medical training and practice in England and documents physicians who were contemporary with Chaucer, suggesting that John de Middelton is the &quot;perhaps most probable&quot; candidate for a real-life model of Chaucer&#039;s Physician. Reads the GP description of the Physician as straightforward rather than ironic or satiric, and finds PhyT to be wholly appropriate to a man who is, in accord with medieval medical training, &quot;first a clerk and only secondly a physician,&quot; comparing and contrasting PhyT with other Tales (most extensively ManT) that invite &quot;moral reflection.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272629">
    <dcterms:title><![CDATA[The Significance of Jousting and Dancing as Attributes of Chaucer&#039;s Squire]]></dcterms:title>
    <dcterms:description><![CDATA[Considers Chaucer&#039;s alterations to the source passage in &quot;Roman de la Rose&quot; for the GP description of the Squire, apparently modified by a sequence of details found in Henry of Lancaster&#039;s &quot;Livre de Seyntz Medicines.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272628">
    <dcterms:title><![CDATA[Stylistic Ambivalence In Chaucer, Yeats and Lucretius--The Cresting Wave and Its Undertow]]></dcterms:title>
    <dcterms:description><![CDATA[Close reading of the opening of Lucretius&#039;s &quot;De Rerum Natura,&quot; TC 5.1765-1889, and W. B. Yeats&#039;s &quot;Sailing to Byzantium,&quot; emphasizing that, despite differences, all three manipulate rhythm and tone to convey the &quot;warring intensities&quot; of human emotion.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272627">
    <dcterms:title><![CDATA[The Hunt Motif in &#039;The Book of the Duchess&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that the Dreamer in BD is &quot;on a kind of hunt,&quot; knowing all along the cause of the Black Knight&#039;s grief but seeking to &quot;draw him out.&quot; His hunt joins with the &quot;forest chase,&quot; the love quest, and &quot;Fortune&#039;s stalking of Blanche,&quot; so that various aspects of the hunt motif combine suggestively.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272626">
    <dcterms:title><![CDATA[Chaucer&#039;s Windy Eagle]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the date and thematic unity of HF, suggesting that the eagle is crucial to perceiving both of them, with the astrological sign of the eagle (&quot;Aquila&quot;) indicating the date and the Eagle&#039;s discourse on sound central to the poem&#039;s concern with the arbitrariness and equivalence of fame and farts. Comments on the Eagle as a figure of Jupiter&#039;s messager, its associations with gospel lecterns, and its origins in Dante and Boethius. Includes four b&amp;w illustrations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272625">
    <dcterms:title><![CDATA[The Parody of Pentecost in Chaucer&#039;s &#039;Summoner&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Shows that Friar John of SumT is an &quot;exemplar&quot; of &quot;reversals of apostolic qualities,&quot; essential to the anti-fraternalism of the Tale, rooted in the &quot;Roman de la Rose.&quot; The description of the division of the fart that concludes the Tale adds to this anti-fraternalism by parodying the Pentecostal visit of the Holy Spirit to the Apostles. Includes seven b&amp;w illustrations of wheel-like depictions of the Pentecost.]]></dcterms:description>
</rdf:Description></rdf:RDF>