<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265065">
    <dcterms:title><![CDATA[Chaucer&#039;s Numismatic Pardoner and the Personification of Avarice]]></dcterms:title>
    <dcterms:description><![CDATA[By studying fourteenth-century numismatics and representations of greed, one finds that the Pardoner&#039;s extreme avarice is reflected in his knowledge of coins, his identification with horses, and his sterility.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271730">
    <dcterms:title><![CDATA[Chaucer&#039;s Nun&#039;s Priest Tale, B2. 4552-63]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on the comic and aural effects of the allusions to Hasdrubales&#039;s wife and to Nero in NPT (7.3362-73), focusing on Pertelote and the other female chickens.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271763">
    <dcterms:title><![CDATA[Chaucer&#039;s Nun&#039;s Priest&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Reads the NPT as a reflection of its narrator&#039;s moral sentiment, suggesting that the Nun&#039;s Priest is an intellectual, neither a stern moralist nor a modern relativist; he is a man content with &quot;aesthetic contemplation&quot; of the &quot;world&#039;s failings.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271242">
    <dcterms:title><![CDATA[Chaucer&#039;s Nun&#039;s Priest&#039;s Tale for Solo Voices, Chorus, &amp; Chamber Orchestra]]></dcterms:title>
    <dcterms:description><![CDATA[Reproduction of holographic musical score, with lyrics and performance instructions, copyrighted in 1965 by Henmar Press. Headnote: &quot;Commissioned for the Hopkins Center &#039;Congregation of the Arts&#039; at Dartmouth College by Mario di Bonaventura, Musical Director.&quot;  Endnote: &quot;Ann Arbor, Mich[igan] March 21, 1965&quot;.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271726">
    <dcterms:title><![CDATA[Chaucer&#039;s Nun&#039;s Priest&#039;s Tale, VII. 3160-71]]></dcterms:title>
    <dcterms:description><![CDATA[Explains that Chauntecleer is motivated by lust when he flies down from the beam after his dream of danger.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274255">
    <dcterms:title><![CDATA[Chaucer&#039;s Old Man in the Americas.]]></dcterms:title>
    <dcterms:description><![CDATA[Reports two oral accounts of analogues of the Old Man in the PardT--one from the southwest U.S. and one from Guatemala.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271151">
    <dcterms:title><![CDATA[Chaucer&#039;s Old Men]]></dcterms:title>
    <dcterms:description><![CDATA[Gauges what &quot;old age&quot; may have meant to Chaucer and his contemporaries, especially as it relates to memory and the humours.  Then comments on several old men in Chaucer&#039;s works:  January in MerT, the Old Man of PardT, old men in Mel, and Egeus of TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269204">
    <dcterms:title><![CDATA[Chaucer&#039;s Oneiric Medicine: Dreams, Disease, Healing, and Literary Endeavor]]></dcterms:title>
    <dcterms:description><![CDATA[Lenz considers the collision/juxtaposition of dreams and medical knowledge in BD, HF, PF, TC and NPT. Argues that this confluence offers a previously neglected dimension of Chaucer&#039;s work.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272432">
    <dcterms:title><![CDATA[Chaucer&#039;s Onomatopoeias as Auditory Expressions]]></dcterms:title>
    <dcterms:description><![CDATA[Lists forty-eight onomatopoeic words used by Chaucer. Examines some of these words&#039; auditory, as well as visual, effects within their literary context. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266810">
    <dcterms:title><![CDATA[Chaucer&#039;s Open Books: Resistance to Closure in Medieval Discourse]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that all of Chaucer&#039;s major works &quot;play with medieval concepts of closure&quot; and that the inconclusiveness of these works self-consciously indicates that readers generate their own meanings. ]]></dcterms:description>
    <dcterms:description><![CDATA[Through play with (non)closure and (in)conclusiveness, Chaucer explores the goals of fiction and enables us to understand our limitations.]]></dcterms:description>
    <dcterms:description><![CDATA[Open literary forms, closure, and conclusiveness were topics of concern for medieval theorists as well as for more modern ones.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272848">
    <dcterms:title><![CDATA[Chaucer&#039;s Orchestration of the &#039;Troilus&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that R. K. Root&#039;s groupings of manuscript variants in TC (alpha, beta, and gamma) evince Chaucer&#039;s developments in his characterizations of Pandarus, Troilus, and, especially, Criseyde; the characterizations also help to balance tragedy and comedy in the poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275644">
    <dcterms:title><![CDATA[Chaucer&#039;s Osewold the Reeve and St Oswald the Bishop (from the &quot;South English Legendary&quot; and Other Sources).]]></dcterms:title>
    <dcterms:description><![CDATA[Contends that the beating in RvT alludes to an incident in the life of St. Oswald the Bishop, arguing that the allusion enhances the Reeve&#039;s attack on the Miller and creates a sense of irony, as the Reeve suffers in comparison with his priestly namesake.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275469">
    <dcterms:title><![CDATA[Chaucer&#039;s Other &quot;Wyf&quot;: Philippa Chaucer, the Critics, and the English Canon.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys critical and historical treatments of Philippa Chaucer, showing both the ahistorical nature of much of this work and the common, negative approach in her characterization. Emphasizes that gender plays a significant role in how these judgments produce community between the male critics and Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271089">
    <dcterms:title><![CDATA[Chaucer&#039;s Other Works in Modern English Prose]]></dcterms:title>
    <dcterms:description><![CDATA[Translations into modern English prose of BD, HF, Anel, PF, Bo, TC, LGW, the &quot;Shorter Poems,&quot; and Rom.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265460">
    <dcterms:title><![CDATA[Chaucer&#039;s Ovidian Arts of Love]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s uses of Ovid, assessing the former&#039;s perception of the ancient poet, tracing Ovidian reception in the Middle Ages, and exploring Chaucer&#039;s reflection of Ovid&#039;s stuggles with life and art.]]></dcterms:description>
    <dcterms:description><![CDATA[TC and WBPT display Chaucer&#039;s &quot;evolving treatment&quot; of the Ovidian art of love--from the &quot;skepticism&quot; shown by Pandarus and Criseyde to the &quot;celebration&quot; shown by the Wife.  Chapter 5 considers the relation between Chaucer&#039;s &quot;Ovidianism&quot; and his conception of himself as a poet, especially as reflected in ParsT and Ret.  Unlike the permanently exiled Ovid, Chaucer found a spiritual escape from gaming.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265966">
    <dcterms:title><![CDATA[Chaucer&#039;s Palimpsest: Judas Iscariot and &#039;The Pardoner&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Certain details of PardT, a story of &quot;brotherhood and betrayal,&quot; suggest old stories of Judas Iscariot, the consummate betrayer.]]></dcterms:description>
    <dcterms:description><![CDATA[The theme of avarice, the inability to die, the oak tree, the treasure up the &quot;croked wey,&quot; and the &quot;last supper&quot; all have parallels in art, architecture, and apocryphal texts concerning Judas.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263604">
    <dcterms:title><![CDATA[Chaucer&#039;s Pandarus and Jean Brasdefer&#039;s &#039;Houdee&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[In Brasdefer&#039;s &quot;Pamphile et Galatee&quot; appears Houdee, a professional go-between.  Possibly Chaucer used Houdee as a basis for his Pandarus in TC, thus providing the earthy undercurrent beneath the Boccaccio source.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272750">
    <dcterms:title><![CDATA[Chaucer&#039;s Pandarus and the Medieval Ideal of Friendship]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys medieval ideals of friendship and their classical and biblical roots, arguing that Chaucer presents a double view in his presentation of Pandarus&#039;s friendship for Troilus: &quot;both the world&#039;s notion of what a friend is and the moralist&#039;s notion of what a friend is not.&quot; Discusses Chaucer&#039;s adjustments to Boccaccio&#039;s depiction of the friendship, and suggests that his double view results from the doubleness of Chaucer&#039;s narrative perspective.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267979">
    <dcterms:title><![CDATA[Chaucer&#039;s Pandarus and the Sententious Friar Lawrence]]></dcterms:title>
    <dcterms:description><![CDATA[Friar Lawrence of Shakespeare&#039;s Romeo and Juliet echoes Pandarus of TC. As rhetors, both are fond of apothegms; dramatically, each acts as a go-between; thematically, each reflects how truth escapes human efforts to capture it in fiction.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265132">
    <dcterms:title><![CDATA[Chaucer&#039;s Pandarus as an Earthly Maker]]></dcterms:title>
    <dcterms:description><![CDATA[Pandarus is a persuader, not a philosopher; so he sees before him not existential problems so much as materials to be shaped to a happy resolution.  An earthly maker, at points an imitation of the Divine Creator, he tries but fails to achieve a human pattern which can master time.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263307">
    <dcterms:title><![CDATA[Chaucer&#039;s Pandarus: &#039;Jolly Good Fellow&#039; or &#039;Reverend Vice&#039;?]]></dcterms:title>
    <dcterms:description><![CDATA[Deals with poetic structure and morality.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274456">
    <dcterms:title><![CDATA[Chaucer&#039;s Pandarus: Patterns of Persuasion.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the rhetoric of Pandarus&#039;s speeches in TC, exploring how they align with Chaucer&#039;s changes to Boccaccio&#039;s Pandaro and how they reflect the emphases and concerns of medieval rhetoricians. Explores the different techniques of persuasion Pandarus uses on Troilus and on Criseyde, and how Pandarus&#039;s defective rhetoric mirrors his defective philosophy, helping to unify the poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271939">
    <dcterms:title><![CDATA[Chaucer&#039;s Parabolic Narrative: The Prologue to the &#039;Tale of Melibee,&#039; Lines 953-58]]></dcterms:title>
    <dcterms:description><![CDATA[The semantic range of &quot;proverbs,&quot; and Chaucer&#039;s emphasis on the word, indicates that Mel is a series of parables, or allegorical narratives.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264032">
    <dcterms:title><![CDATA[Chaucer&#039;s Parallelism in &#039;The Parson&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Rhetorical style of ParsT emphasizes parallelisms, paired words, and tautologies for powerful effect.]]></dcterms:description>
    <dcterms:description><![CDATA[In English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276591">
    <dcterms:title><![CDATA[Chaucer&#039;s Paraprosdokian Rhetoric and the Reading of the &quot;Prioress&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads the GP description of the Prioress as an ironic frame for PrT, concluding that they combine as an &quot;exercise in depicting and ridiculing popular anti-Semitism rather than condoning it.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>