<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272973">
    <dcterms:title><![CDATA[By Mouth of Innocentz: The Prioress Vindicated]]></dcterms:title>
    <dcterms:description><![CDATA[Reads the tone and details of PrT as consistent with the characterization of the Prioress established in GP. A &quot;ful&quot; large woman fixated on immaturity and smallness, the Prioress admires motherhood and empathizes with the innocence of the clergeon, effectively using strong emotional appeals to evoke empathy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272972">
    <dcterms:title><![CDATA[Truth and Illusion in &#039;The Franklin&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that tensions within FranT indicate that Chaucer was subtly reinforcing the notion that male sovereignty in marriage is, realistically, advisable when combined with mutual trust and cooperation between the partners.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272971">
    <dcterms:title><![CDATA[Chaucer&#039;s Major Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Comprises seven essays (three by Stevens; four by Hoy) that discuss eight portions of CT (GP, KnT, PrT and ClT, CYPT, FranT, PardPT, NPT), with brief notes, bibliography, and an index. Recurrent concern with unity, narrative skill, aesthetic order and disorder, medieval rhetoric, idealization, courtly love, sources, free will and determinism, religious satire, the nature of evil, social inequality, and Chaucer&#039;s learning.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272970">
    <dcterms:title><![CDATA[General Prologue [to] the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Textbook edition of GP with end-of-text notes, glossary, and dictionary of proper names, accompanied by an Introduction that addresses the role of GP in CT, as well as its art and &quot;Inheritance.&quot; Also includes several appendixes: &quot;The Poet and His Works&quot;; &quot;Chaucer&#039;s English&quot;; &quot;Versification&quot;; and &quot;Man, Astronomy, Astrology, and Medicine.&quot; The illustrations derive from the Ellesmere manuscript.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272969">
    <dcterms:title><![CDATA[Style as Meaning in the &#039;Book of the Duchess&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how and in what ways the &quot;psychological realism&quot; of BD is established and reinforced by the verbal and structural repetitions of the poem. Considers the nature of the dream, the view of love, and the interaction of the narrator and the Knight, showing how varieties of rhetorical repetition underscore a concern with how poetry works, condemning mere ornamentation and affirming real commitment.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272968">
    <dcterms:title><![CDATA[A Sourcebook in the History of English]]></dcterms:title>
    <dcterms:description><![CDATA[Designed as a textbook for study of the history of the English language; includes 24 samples of English prose and poetry, with facing-page translations and brief intoductions.  Two selections from Chaucer&#039;s works:  ABC (pp. 63-75) and Bo 1.prose 6 (pp. 77-81).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272967">
    <dcterms:title><![CDATA[Chaucer and the &#039;Franklin&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the features of FranT that affiliate it with the genre of the Breton lay (Breton lai) and those that make Chaucer&#039;s work unique. Considers the sources of FranT, and explore its aesthetic success as an &quot;imitation&quot; of the genre, including comments on its themes and rhetoric.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272966">
    <dcterms:title><![CDATA[Imagery in the &#039;Knight&#039;s Tale&#039; and the &#039;Miller&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes various problems in dealing with Chaucer&#039;s imagery, and examines the imagery in KnT and MilT. In both tales, images tend to &quot;appear in clusters&quot; and they are oftentimes linked in &quot;iterative&quot; patterns to reinforce theme. Considers animal imagery, color imagery, and imagery associated with love, noting how and where specific images of the two tales vary generally in accord with tone---grand versus common.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272965">
    <dcterms:title><![CDATA[The Major Poets: English and American. 2nd edition]]></dcterms:title>
    <dcterms:description><![CDATA[Begins with a selection from Chaucer (pp. [i], 1-23) which includes Truth, Gent, GP 1-34 and 1.118-62 (Prioress), and NPT, accompanied by notes and glosses, and preceded by advice on Chaucer&#039;s English. Originally edited by Coffin in 1954.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272964">
    <dcterms:title><![CDATA[Sovereignty and Old Wife]]></dcterms:title>
    <dcterms:description><![CDATA[Compares WBT with its analogues to show that Chaucer&#039;s alterations of the plot &quot;redefine such central concepts as &#039;honor&#039; and &#039;sovereignty&#039; in feminine terms,&quot; consistent with the gender of its teller. By emphasizing moral precept instead of pleasure, the poet reasserts the traditional function of the Irish story more than do analogous English versions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272963">
    <dcterms:title><![CDATA[The Works, 1532: With Supplementary Material from the Editions of 1542, 1561, 1598, and 1602]]></dcterms:title>
    <dcterms:description><![CDATA[Facsimile edition of William Thynne&#039;s 1532 edition of Chaucer&#039;s &quot;Works,&quot; accompanied by selected additional facsimile materials from the editions that followed (by John Stow and Thomas Speght), including apocryphal materials, hard-word lists, title-pages, dedications, accounts of Chaucer&#039;s life, etc. The Introduction by Brewer describes the editions and their roles in the development of Chaucer&#039;s print history.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272962">
    <dcterms:title><![CDATA[Chaucer&#039;s Contemporary]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the affinities and &quot;common sympathies&quot; between William Langland and Chaucer, including their &quot;Englishness,&quot; their views of religion and virtue, their shared sense of human variety, and the possibility that Chaucer may have read &quot;Piers Plowman.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272961">
    <dcterms:title><![CDATA[An Annotated Chaucer Bibliography, 2012]]></dcterms:title>
    <dcterms:description><![CDATA[Continuation of SAC annual annotated bibliography (since 1975); based on contributions from an international bibliographic team, independent research, and MLA Bibliography listings. 229 items, plus listing of reviews for 43 books. Includes an author index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272960">
    <dcterms:title><![CDATA[Chaucer&#039;s Gentils in their Age, [Parts1-3]]]></dcterms:title>
    <dcterms:description><![CDATA[Part 1 describes the Canterbury pilgrims that qualify as &quot;gentils&quot; by birth, education, or accomplishment (Knight, Prioress, Monk, Squire, Franklin, Merchant, Guildsmen, Sergeant of Law, Physician, Parson, and Nun&#039;s Priest), explaining details of their GP descriptions and commenting on their moral status. Part 2 summarizes changes in late-medieval English society that influenced the rising status of &quot;new men&quot; who augmented the traditional aristocracy in political affairs. Part 3 explores Chaucer&#039;s lack (relative to Gower and Froissart) of overt criticism of &quot;gentil&quot; pilgrims in light of contemporary events, Chaucer&#039;s life, and his social position.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272959">
    <dcterms:title><![CDATA[Chaucer&#039;s Meagre Reference to the Variable World, Parts I-IV]]></dcterms:title>
    <dcterms:description><![CDATA[Commentary on social, political, ecclesiastical, and religious aspects of CT, with attention to particular pilgrims. Limited availability at http://hdl.handle.net/10069/9502; http://hdl.handle.net/10069/9506; http://hdl/handle.net/10069/9570; http://hdl.handle.net/10069/9636.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272958">
    <dcterms:title><![CDATA[Chaucer&#039;s Failure with Women: The Inadequacy of Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Describes Chaucer&#039;s depictions of Criseyde and the Wife of Bath as &quot;marred&quot; by unconscious &quot;psychic blinders&quot; of his male-dominated age, each lacking a &quot;life all her own.&quot; Alison is one of Chaucer&#039;s &quot;great comic actors,&quot; but not psychically a woman, lacking a &quot;feminine point of view.&quot; Similarly &quot;fabricated from a male point of view,&quot; Criseyde lacks a feminine &quot;psychic superstructure,&quot; her infidelity left unexplained; she suffers in comparison with Shakespeare&#039;s more dramatic and more fully realized Cressida.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272957">
    <dcterms:title><![CDATA[Geoffrey Chaucer&#039;s English (I)]]></dcterms:title>
    <dcterms:description><![CDATA[Grammatical description of Chaucer&#039;s nouns, with examples. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272956">
    <dcterms:title><![CDATA[Geoffrey Chaucer&#039;s English (II)]]></dcterms:title>
    <dcterms:description><![CDATA[Grammatical description of Chaucer&#039;s pronouns, with examples. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272955">
    <dcterms:title><![CDATA[Geoffrey Chaucer&#039;s English (III)]]></dcterms:title>
    <dcterms:description><![CDATA[Grammatical description of Chaucer&#039;s articles, adjectives, and numerals, with examples. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272954">
    <dcterms:title><![CDATA[Geoffrey Chaucer&#039;s English (IV)]]></dcterms:title>
    <dcterms:description><![CDATA[Grammatical description of Chaucer&#039;s infinitives and participles, with examples. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272953">
    <dcterms:title><![CDATA[[The Episode of Dante&#039;s Count Ugolino in Chaucer]]]></dcterms:title>
    <dcterms:description><![CDATA[In Japanese; accessible online at CiNii Articles [http://ci.nii.ac.jp/].  Abstract in Italian included in the back matter of the volume (p. 1), under the title &quot;L&#039;Episodio Dantesco di Conte Ugolion in Chaucer.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272952">
    <dcterms:title><![CDATA[[The Meeting of Chaucer and Italian Literature]]]></dcterms:title>
    <dcterms:description><![CDATA[In Japanese; accessible online at CiNii Articles [http://ci.nii.ac.jp/].  Abstract in Italian included in the back matter of the volume (pp. 3-4), under the title &quot;L&#039;Incontro del Chaucer e la Letteratura Italiana.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272951">
    <dcterms:title><![CDATA[&#039;To Doon Yow Ese&#039;: A Study of the Host in the &#039;General Prologue&#039; of the Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the diction and details of the description of the Host, Harry Bailly, in GP, especially as they are developed in the dramatic action of GP in anticipation of the Host&#039;s comic slips later in CT. Discusses his merriness; his concern with sentence and solace, money, and literary quality; and his deference to the Knight. Also discusses the pilgrims&#039; reactions to his suggestions and the narrator&#039;s tacit views.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272950">
    <dcterms:title><![CDATA[The Structure of &#039;The Book of the Duchess&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Observes evidence of &quot;ring composition&quot; in BD, especially in parallels among the Dreamer, Alcyone, and the Black Knight, and a centralizing focus on the &quot;conflict between Fortune and Nature.&quot; Also considers love, the he(a)rt-hunting motif, and the impact of the poem on the audience as a form of consolation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272949">
    <dcterms:title><![CDATA[Chaucer&#039;s &#039;Sweete Preest&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies physiognomic details in NPP and NPE that characterize the Nun&#039;s Priest as a &quot;healthy and handsome young cleric, of temperate disposition.&quot; He &quot;has the virtues of the widow&quot; of NPT- (good health and moral rectitude) which counterpoint the flaws of Chauntecleer. Furthermore, he is sensitive to human limitations and the demands of the tale-telling contest. Sanguine, he advocates patience over action.]]></dcterms:description>
</rdf:Description></rdf:RDF>