<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277289">
    <dcterms:title><![CDATA[The Unity of Chaucer&#039;s Manciple Fragment.]]></dcterms:title>
    <dcterms:description><![CDATA[Defends the thematic and dramatic unity of ManP and ManT, identifying similarities with other examples of such unity in the CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277288">
    <dcterms:title><![CDATA[Teaching Method, 1391: Notes on Chaucer&#039;s &quot;Astrolabe.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys Astr to identify Chaucer&#039;s &quot;teaching method,&quot; finding evidence of his attention to teaching &quot;technically-minded small boys&quot; that clashes at times with concern for a wider audience. Considers Astr to be &quot;a dull, intentionally prolix but straightforward treatise.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277287">
    <dcterms:title><![CDATA[The Magic of &quot;In Principio.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Connects the use of &quot;In principio&quot; in the GP description of the Friar (1.254) with WBP 3.857-81, citing evidence from a wide array of material to show that the phrase, derived from the Gospel of John, evokes a &quot;well-known apotropaic formula&quot; associated with exorcism and divination.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277285">
    <dcterms:title><![CDATA[The Dreamer Again in &quot;The Book of the Duchess.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores and explains rhetorical emphases in the narrator&#039;s growth in understanding of the Black Knight&#039;s loss in BD, arguing that full realization comes (in ll. 1309-10) only after it &quot;had been subordinated first by confusion and then by admiration.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277284">
    <dcterms:title><![CDATA[Symptom and Surface: Disruptive Deafness and Medieval Medical Authority.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how deafness is represented in some medieval medical treatises as a social phenomenon, &quot;not an ill in itself&quot;; in Teresa de Cartagena&#039;s autobiography as a &quot;deaf gain&quot; rather than &quot;hearing loss&quot;; and in Chaucer&#039;s Wife of Bath as a mark of her &quot;disruption&quot; of patriarchal &quot;modes of textual authority.&quot; Together these medieval outlooks reflect the constructedness of ideas of disability and the need for modern diagnostic reform.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277283">
    <dcterms:title><![CDATA[Verhalen voor Canterbury.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records indicate this is a Dutch adaptation of selections from CT in graphic form.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277282">
    <dcterms:title><![CDATA[&quot;The Nun&#039;s Priest&#039;s Tale&quot; as an Interrogative Text: Chaucer&#039;s Invitation to Examine Patriarchal Christianity.]]></dcterms:title>
    <dcterms:description><![CDATA[Asserts that the Nun&#039;s Priest &quot;necessarily represents and embodies patriarchal Christianity&quot; and, using Catherine Belsey&#039;s notion of an &quot;interrogative text&quot; (1980), argues that narrative and formal &quot;inconsistencies&quot; and &quot;contradiction&quot; in NPT cause &quot;us to question both Christian doctrine and the Priest&#039;s patriarchal authority.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277281">
    <dcterms:title><![CDATA[The Knight&#039;s Riddle: What Women Want Most.]]></dcterms:title>
    <dcterms:description><![CDATA[A detective mystery set in the court of King Arthur, featuring Gildas of Cornwall and Merlin as a team of sleuths. The second volume in the Merlin Mystery series; loosely, the plot adapts WBT, with touches from its analogues.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277280">
    <dcterms:title><![CDATA[The Crusading Imaginary of Late Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that a variety of &quot;fourteenth- and fifteenth-century recovery romances create a convergent set of fantasies that reflect desires both for the reclamation of the Holy Land and for the protection and ascendance of Christianity.&quot; Chapter four &quot;considers the roles of Mongols and Saracens in &#039;The Travels of Sir John Mandeville,&#039; the romance &#039;The King of Tars,&#039; and several of Chaucer&#039;s &#039;Canterbury Tales&#039;,&quot; arguing that &quot;cultural Others complicate the binaries of crusade and recovery romances, transforming confrontation into contact and exchange.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277279">
    <dcterms:title><![CDATA[Small World: An Academic Romance.]]></dcterms:title>
    <dcterms:description><![CDATA[A comic novel that satirizes academic travel and conferencing, particularly in English studies. The &quot;Prologue&quot; opens with a quotation of GP 1-11 in modern translation, replacing pilgrimage with conference-going, followed by a quotation from TC 5.1815-16 in Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277278">
    <dcterms:title><![CDATA[Literary Misogyny and Praise of Women in the Middle Ages: Commented Readings of Medieval Texts.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.  The table of contents indcates that this volume includes WBP, with commentary (pp. 162ff.)]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277277">
    <dcterms:title><![CDATA[İlk İngiliz Mizah Yazarı Geoffrey Chaucer ve Tarihte Canterbury Masalları&#039;nın İlk Türkçe Çevirisi.<br />
[The First English Humorist Geoffrey Chaucer and the First Turkish Version of the Canterbury Tales]. ]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses A. Vahit Turhan&#039;s 1949 translation of CT into Turkish, using Skopos theory of translation to assess cultural differences in senses of humor that underlie Chaucer&#039;s text and the translation. In Turkish, with an abstract in English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277276">
    <dcterms:title><![CDATA[Walsingham&#039;s Chaucer: Erasmus&#039;s &quot;Peregrinatio Religionis Ergo.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the role of Erasmus&#039;s &quot;Peregrinatio Religionis Ergo&quot; in the demise of Marian culture in the English Reformation; includes brief comments on the comparable lack of the &quot;political&quot; influnce of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277275">
    <dcterms:title><![CDATA[Uncommon Readers?: The Paston Family and the Textual Cultures of Fifteenth-Century East Anglia.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes discussion of Alice Chaucer&#039;s literary interests and patronage, literary involvement of her father (Thomas Chaucer), various manuscripts affiliated through common works (Chaucerian and otherwise), John Paston II&#039;s compilation and curation of London, British Library, MS Lansdowne 285, and the scribal work of William Ebesham. Also considers the reading and reception by the Pastons of works by Geoffrey Chaucer (with apocrypha) and John Lydgate.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277274">
    <dcterms:title><![CDATA[Framing Value in Literature: Style and Ideology.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. From the abstract: &quot;this study presents the frame as a strategic locus of value in the literary text, arguing that the frame both constitutes and is constituted by an interplay between stylistic &#039;insides&#039; and ideological &#039;outsides&#039;. . . . Chapter Three . . . culminates in readings of framed works by Boccaccio, Gower, and Chaucer. . . . [and later chapters explore] links between text and economies of value in the novel and in film  . . . . [as well as] the ideological resonances of literary framing and frame-breaking in the explicitly political context of recent South African fiction.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277273">
    <dcterms:title><![CDATA[The Literature of the Bedchamber in Late Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;centrality of the bedchamber to the imaginative worlds&quot; of various texts:  TC, Chaucer&#039;s dream poems, &quot;Sir Gawain and the Green Knight, &quot;The Book of Margery Kempe,&quot; Christine de Pizan&#039;s &quot;The Book of the City of Ladies,&quot; and others. In TC, the differing &quot;generic concepts of privacy&quot; of Troilus and Criseyde are &quot;irreconcilable with each other.&quot; In the dream poems, Chaucer uses the bedchamber &quot;as a space for a secular version of meditative reading.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277272">
    <dcterms:title><![CDATA[Intuition and Authority: Literary Expression and Scientific Communication.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys &quot;sixteenth-century writers [sic] from Chaucer to Spenser and from Copernicus to Bacon, showing how they construct authority and attempt to rewrite intuitions about nature and her students. My subsequent chapters on physics, chemistry, and astronomy explore how conventions in poetry and fiction facilitate the communication of novel ideas.&quot; Includes comments on Astr, MilT, and CYPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277271">
    <dcterms:title><![CDATA[Cities Without Walls: The Politics of Melancholy from Machaut to Lydgate.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. From the abstract: &quot;argues that the pose of melancholy was a vital framing fiction in later medieval poetry . . . , investigate[s] the medical, philosophical and religious traditions of melancholy, and . . . trace[s] the political role of the melancholy narrator in vernacular poetry from Machaut to Lydgate.&quot; Includes comments on the &quot;political role&quot; of the Machaut-influenced melancholy narrator in BD and the influence of Mel and KnT on Lydgate&#039;s &quot;Siege of Thebes.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277270">
    <dcterms:title><![CDATA[Work, Sexuality and Urban Domestic Living: Masculinity and Literature, c 1360- c 1420. ]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. From the abstract: &quot;This thesis investigates a particular discourse which conflated ideas of male sexuality and work . . . in the particular social and economic climate of late fourteenth- and early fifteenth-century London.&quot; Discerns a &quot;strong difference&quot; between Chaucer&#039;s treatment of these concerns in CT generally and the more &quot;anxious&quot; treatments by Langland, Usk, Gower, and Hoccleve. However, &quot;the characters of Troilus and the Canon&#039;s Yeoman are portraits of interior anxiety which operate as a commentary on contemporary moral concerns about male responsibilities.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277269">
    <dcterms:title><![CDATA[The Representation of Gender in Chaucer&#039;s &quot;Legend of Good Women&quot; and Gower&#039;s &quot;Confessio Amantis&quot; and Its Relation to Cultural Anxieties in England at the End of the Fourteenth Century.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. From the abstract: Examines &quot;the treatment of five of the tales about classical women that appear&quot; in LGW and in Gower&#039;s &quot;Confessio Amantis.&quot; Considers gender, the &quot;socio-political environment of the time,&quot; and poetics in the prologues of the two works and in the tales of Philomela, Ariadne, Dido, Medea, and Lucrece.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277268">
    <dcterms:title><![CDATA[Contagious Texts Embodied: Melancholy Hermeneutics in Late Medieval and Early Modern Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates notions of contagion, melancholy, and reader response in BD, Gower&#039;s &quot;Confessio Amantis,&quot; Sidney&#039;s &quot;Old Arcadia,&quot; Shakespeare&#039;s &quot;As You Like It,&quot; and four early modern &quot;self-help&quot; texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277267">
    <dcterms:title><![CDATA[Translating Ovid&#039;s &quot;Heroides&quot;: Three Middle English Collections of Women. ]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates &quot;gendered metaphors of translation&quot; in three late-medieval compilations of adaptations from Ovid&#039;s &quot;Heroides&quot;--LGW, Gower&#039;s &quot;Confessio Amantis,&quot; and Bokenham&#039;s &quot;Legendys of Hooly Wummen&quot;--addressing them as &quot;the authors&#039; most overt representations of themselves as English translators.&quot; Assesses &quot;how the three authors appropriate Ovid&#039;s poetic exile, the poets&#039; gendered ventriloquism as a vernacular authorial position, and the texts&#039; engagements with the Catalog of Women genre and its emphasis on feminine reproduction.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277266">
    <dcterms:title><![CDATA[Diverse Folk Diversely They Seyde: A Study of the Figure of Medea in Medieval Literature. ]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. From the abstract: &quot;The focus of my discussion is on the presentation of Medea in late-fourteenth and early-fifteenth century English literature where her story is recounted by three historians of Troy . . . as well as by Chaucer, in the &#039;Legend of Good Women, and Gower, in the &#039;Confessio Amantis.&#039;&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277265">
    <dcterms:title><![CDATA[The Children of Anger and Revenge: Managing Emotion in Early English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Shows &quot;how the frequent conflation between anger and revenge has shaped the representations of what we might call anger management in early English literature,&quot; from representative Old English works to Shakespeare. Two chapters focusing on Mel, ClT, KnT, and the tale-telling contest &quot;explore how the discourses of patience and games are deployed to manage anger. Here, we can see how evaluation, as a principle of revenge, is strategically targeted by both discourses, each seeking to shift evaluatory frameworks.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277264">
    <dcterms:title><![CDATA[A Performer&#039;s Guide to Selected Tenor Songs of Ralph Vaughan Williams.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes &quot;the literary and musical tools used by Ralph Vaughan Williams to aid in an informed performance&quot; of songs composed by Vaughan to various texts; includes discussion of MercB, accompanied by musical score and commentary.]]></dcterms:description>
</rdf:Description></rdf:RDF>