<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273474">
    <dcterms:title><![CDATA[On Footprints and Poetic Feet.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the idea of &quot;poetic feet&quot; of versification in poetry, and examines how travel narratives are linked to poetic language. Compares CT (particularly ParsT, MkT, KnT, Tho, Mel, and TC, to Dante&#039;s &quot;Inferno&quot; and Mandeville&#039;s travel narrative.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273473">
    <dcterms:title><![CDATA[The Phraseology of the &quot;A and B&quot; Structure at the End of a Line in Chaucer&#039;s Verse.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on Chaucer&#039;s verse lines ending as &quot;A and B&quot; to find out frequent combinations of the words in A and B. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273472">
    <dcterms:title><![CDATA[The &quot;Canterbury Tales&quot; and Chaucer&#039;s Corrective Form.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that Chaucer deployed the tradition of grammatical &quot;correction&quot; as a metaphor for moral reform, finding examples in CT, TC, and Adam.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273471">
    <dcterms:title><![CDATA[The Proverb as Embedded Microgenre in Chaucer and &quot;The Dialogue of Solomon and Marcolf.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Uses examples from CT, TC, and the anonymous Middle English Dialogue of Solomon and Marcolf, read in a context created by Bakhtin&#039;s theory of &quot;speech genres,&quot; to demonstrate the power of proverbs to transform the situations in which they are embedded. These proverbs &quot;indicate courses of action, encapsulate worldviews, console and reconcile their recipients to the ways of this world, and mediate for fictional characters and for readers the overwhelming variety of lived experience.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273470">
    <dcterms:title><![CDATA[Multilingual Lists and Chaucer&#039;s &quot;The Former Age.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines relations between ekphrasis and inventory lists in Form Age. Reflects on &quot;relationship between material things and the categories that classify them in multilingual England.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273469">
    <dcterms:title><![CDATA[The Soul of Ekphrasis: Chaucer&#039;s &quot;Merchant&#039;s Tale&quot; and the Marriage of the Senses.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that ekphrasis in MerT is an &quot;engagement with the union of language and the inner senses.&quot; In particular, examines &quot;ekphrastic moments . . . between physical expression and the psyche&quot; in Chaucer&#039;s treatment of marriage in MerT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273468">
    <dcterms:title><![CDATA[The Art of Vision: Ekphrasis in Medieval Literature and Culture.]]></dcterms:title>
    <dcterms:description><![CDATA[Collection of essays on ekphrastic discourse from the eleventh to the seventeenth century in texts written in Middle English, but also Medieval Latin, Old French, Middle Scots, Middle High German, and Early Modern English. For four essays that pertain to Chaucer, search for Art of Vision: Ekphrasis in Medieval Literature and Culture under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273467">
    <dcterms:title><![CDATA[Faces in the Crowd: Faciality and Ekphrasis in Late Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;function of faciality&quot; in medieval poetry of Chaucer, Gower, and Hoccleve. Examines Chaucer&#039;s portraits of faces in GP, MLT, and TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273466">
    <dcterms:title><![CDATA[Speaking Images: Iconographic Criticism and Chaucerian Ekphrasis.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores Chaucer&#039;s uses of ekphrasis as &quot;expressions of an increasingly anxious desire to allow literary images to speak for themselves&quot; in KnT, BD, and HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273465">
    <dcterms:title><![CDATA[Stepping Out and Stepping Over: The Figure of Hyperbation.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the stylistic device of inverting or rearranging word order for poetic effect. Highlights the writing of William Dunbar, who acknowledged Chaucer to be included among the &quot;masters who by making were remade.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273464">
    <dcterms:title><![CDATA[&quot;Flying from the Depravities of Europe, to the American Strand&quot;: Chaucer and the Chaucer Tradition in Early America.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on how Chaucer influenced the writings of Cotton Mather, Anne Bradstreet, and Nathaniel Ward in seventeenth- and early eighteenth-century New England.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273463">
    <dcterms:title><![CDATA[&quot;The last syllable of modernity&quot;: Chaucer in the Caribbean.]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews references to how Chaucer is represented and appropriated in Anglophone Caribbean literature and critical essays. Includes example of &quot;fictional allusion&quot; to CT in Jean Rhys&#039;s &quot;Again the Antilles.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273462">
    <dcterms:title><![CDATA[Dickens and Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the influence of Chaucer on several Romantic thinkers and their subsequent influence on Dickens, as well as Dickens&#039;s own reference and allusions to CT. Focuses on how &quot;Our Mutual Friend&quot; reflects medievalism in such aspects as the pilgrimage with its vast array of characters, the device of framed narrative, and the characterization of Canterbury as the past. Allusions to Chaucer, especially in GP and PardT, are also abundant in &quot;Our Mutual Friend.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273461">
    <dcterms:title><![CDATA[&quot;Make Thereof a Game&quot;: The Interplay of Texts in the Findern Manuscript and Its Late Medieval Textual Community.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores a Middle English scrapbook from the fifteenth and early sixteenth centuries that includes some Chaucerian love literature, and considers the book&#039;s role in a performance of gentility, particularly on the part of its women readers. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273460">
    <dcterms:title><![CDATA[Theatrical Spectatorship in Pepys&#039;s Diary.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a reference to Pepys&#039;s advice to John Dryden that he include Chaucer&#039;s Parson in His &quot;Fables.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273459">
    <dcterms:title><![CDATA[Caroline Bergvall Her &quot;Shorter Chaucer Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Caroline&#039;s Bergvall&#039;s five Chaucer poems in her &quot;Meddle English&quot; (2011), including discussion of their relations with Chaucer&#039;s originals. Focuses especially on Bergvall&#039;s &quot;Fried Tale.&quot; ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273458">
    <dcterms:title><![CDATA[Archaic Style in English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the use of &quot;archaic linguistic and poetic style&quot; in poetry and drama, 1590–1674, analyzing how combinations of anachronism and nostalgia help to influence the idea of English &quot;nationhood.&quot; Includes recurrent comments on lexical &quot;Chaucerisms&quot; and &quot;Chaucer&#039;s authority,&quot; and Chapter 4, &quot;Chaucer, Gower, and the Anxiety of &quot;Obsolescence&quot; (pp. 69–104), explores how four early modern works express or resist concern about obsolescence through use of Chaucer and Gower, considering Book IV of Spenser&#039;s &quot;The Faerie Queene,&quot; the anonymous play &quot;The Return from Parnassus,&quot; Shakespeare and Wilkins&#039;s &quot;Pericles,&quot; and William Cartwright&#039;s &quot;The Ordinary.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273457">
    <dcterms:title><![CDATA[&quot;The Tongue&quot;: Chaucer, Lydgate, Charles d&#039;Orleans, and the Making of a Late Medieval Lyric.]]></dcterms:title>
    <dcterms:description><![CDATA[The stanzas known as &quot;The Tongue&quot; in the Findern manuscript use source material from Lydgate&#039;s &quot;Fall of Princes&quot; and Chaucer&#039;s TC to create a coherent poem that is consistent with the manuscript&#039;s broader themes and is indebted to the literary legacy of Charles d&#039;Orleans.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273456">
    <dcterms:title><![CDATA[Deschamps&#039; Ballade Praising Chaucer and Its Impact.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines how Deschamps&#039;s balade 285 is a surprisingly generous recognition and glorification of Chaucer as a pioneering translator from Latin and French into English, and as an &quot;illuminator&quot; or enlightener of his native England. Reveals how this praise pleased Chaucer&#039;s followers, who reinforced the critical tradition of Chaucer as the first embellisher of the English language.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273455">
    <dcterms:title><![CDATA[Ben Jonson on Shakespeare&#039;s Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Spenserian and Shakespearean medievalism, seen by Ben Jonson as an irritating return to Chaucerian English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273454">
    <dcterms:title><![CDATA[The Invention of Fire.]]></dcterms:title>
    <dcterms:description><![CDATA[Historical novel set in London, Kent, Calais, and during a pilgrimage to Durham, 1386; the second in a series that features John Gower as first-person narrator investigating criminal and political events, in this case a mass murder that involves parliamentary machinations, Nicholas Brembre&#039;s mayoralty, and the development of handguns. Includes a range of characters both historical and fictional, with Chaucer in his role as &quot;shire justice in Kent&quot; and as Gower&#039;s shrewd friend and literary competitor.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273453">
    <dcterms:title><![CDATA[The &quot;Absent&quot; Pardon-Tearing of &quot;Piers Plowman&quot; C.]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes that when Langland revised B into C, the literary landscape was very different (from Edwardian to Ricardian poetry). Chaucerian dream vision, especially PF with its &quot;emphasis upon the poetic figure who seeks to understand the world through his books and to craft this search as imaginative fiction,&quot; may be responsible for the new explicitness and clarity of Piers Plowman C.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273452">
    <dcterms:title><![CDATA[Chaucer&#039;s Moose.]]></dcterms:title>
    <dcterms:description><![CDATA[Contends that the opening of Elizabeth Bishop&#039;s &quot;The Moose&quot; contains several echoes of GP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273451">
    <dcterms:title><![CDATA[El frau de l&#039;alquimista en l&#039;infern dantesc de Joan Pasqual i en la tradicio medieval.]]></dcterms:title>
    <dcterms:description><![CDATA[Taking as a starting-point the study of a chapter from the &quot;Tractat de les penes particulars d&#039;infern&quot; by Joan Pasqual (c. 1436), traces the dissemination (and the &quot;stemma narrationum&quot;) of two narrative motifs: the fake alchemist and the king (Thompson, K.111.4), and the account-book of mistakes or fools (Thompson, J.1371), and places CYT within this tradition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273450">
    <dcterms:title><![CDATA[Chaucer and Fame: Reputation and Reception.]]></dcterms:title>
    <dcterms:description><![CDATA[Eleven essays and an introduction (by Davis) deal with Chaucer&#039;s concern with poetic fame and/or with his poetic reputation among his contemporaries, down to the twenty-first century. The introduction (pp. 1–19) describes the essays and comments on poetic fame in HF and LGW as the topic relates to Chaucer&#039;s omissions and elisions, his uses of names and his (non-)naming of sources, and his relations with several works that influenced him, especially Boccaccio&#039;s &quot;e mulieribus claris.&quot; Includes a bibliography and index. For the eleven essays that pertain to Chaucer, search for Chaucer and Fame under Alternative Title.]]></dcterms:description>
</rdf:Description></rdf:RDF>