<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273624">
    <dcterms:title><![CDATA[The Chaucerian Text of Jerome &quot;Adversus Jovinianum&quot;: An Edition Based on Pembrock College, Cambridge, MS 234.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the influence of Jerome&#039;s &quot;Adversus Jovinianum&quot; on Chaucer, especially in FranT and WBP, and explains why the Pembrock MS 234, edited here, is &quot;closer to Chaucer&#039;s source manuscript than any of the other&quot; forty-two manuscripts considered for this study.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273623">
    <dcterms:title><![CDATA[Chaucer&#039;s Bilingual Idiom.]]></dcterms:title>
    <dcterms:description><![CDATA[Exemplifies Chaucer&#039;s &quot;homely vocabulary&quot; and &quot;naturalistic choice of words,&quot; identifying roots in both French and native English, and commenting on instances of idiomatic phrases, rogues&#039; speech, &quot;zesty vocabulary,&quot; &quot;oaths and imprecations,&quot; sexual language, etc.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273622">
    <dcterms:title><![CDATA[&quot;He clothed him and fedde him evell&quot;: Narrative and Thematic &quot;Vulnerability&quot; in &quot;Gamelyn.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Connects the &quot;Tale of Gamelyn&quot; to Chaucer with respect to concerns of class, legal, and cultural issues, and focuses on the theme of vulnerability as an important conceit of the poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273621">
    <dcterms:title><![CDATA[&quot;The Tale of Beryn&quot;: An Appreciation.]]></dcterms:title>
    <dcterms:description><![CDATA[One scribe included the &quot;Tale of Beryn&quot; in his copy of CT. The Prologue presents Chaucer&#039;s pilgrims after they arrive at Canterbury, and the tale is appropriate to its teller, a merchant. Argues that the &quot;Beryn&quot; author was &quot;an intelligent and attentive reader of Chaucer.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273620">
    <dcterms:title><![CDATA[Proverbe of Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Given his &quot;frequent equivocalness&quot; on matters of high seriousness, there is good reason to believe that Prov, a &quot;riddling poem&quot; (NIMEV 3914), is Chaucer&#039;s work, philologists&#039; objections on the basis of its inaccurate &quot;compace&quot;/&quot;embrace&quot; rhyme notwithstanding.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273619">
    <dcterms:title><![CDATA[Choreographing  &quot;Fin&#039;amor&quot;: Dance and the Game of Love in Geoffrey Chaucer&#039;s &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the use of &quot;daunce&quot; in TC in order to explore the way dancing is linked to rhetoric in the interactions between the main characters.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273618">
    <dcterms:title><![CDATA[Maximo Manso: Love&#039;s Fool.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Perez Galdos&#039;s &quot;El amigo Manso&quot; (1882) echoes TC in its concern with philosophical consolation, the theme of kinds of knowledge, and the narrator protagonist&#039;s mocking of his mourners in the afterlife. Like Troilus, Manso is an idealistic lover whose beloved does not match his ideal.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273617">
    <dcterms:title><![CDATA[Attention and Distraction in Middle English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers medieval understandings of the relationship between attention and distraction or diversion, using several texts, ranging from Augustine to Walter Hilton, Julian of Norwich, and TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273616">
    <dcterms:title><![CDATA[The Structure of Chaucer&#039;s Ambiguity.]]></dcterms:title>
    <dcterms:description><![CDATA[Based on Nakao&#039;s earlier book, &quot;The Structure of Chaucer&#039;s Ambiguity&quot; (2004; in Japanese), this republished English version analyzes the &quot;parole aspect of language&quot; within an expanded study of ambiguity in TC. Proposes an original theoretical framework, &quot;double prism structure,&quot; which brings together elements of cognitive linguistics, semantics, and pragmatics.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273615">
    <dcterms:title><![CDATA[Praying with Boethius in &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer&#039;s interpretation of Boethius, as shown in two key passages in TC, his translation of Bo, and a significant Bo manuscript, &quot;enables him to present Troilus as a genuinely Boethian hero who channels philosophical insight into religious devotion.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273614">
    <dcterms:title><![CDATA[Emotional Ethics in Middle English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the connection between ethics and emotional response in several Middle English texts, including TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273613">
    <dcterms:title><![CDATA[The Pace of Praise: Might Theology Walk Together with Literature?]]></dcterms:title>
    <dcterms:description><![CDATA[Focusing on TC, argues that Chaucer relied heavily on previous works, primarily Dante&#039;s &quot;Divina commedia,&quot; for theological and linguistic direction. Contends that Chaucer, like Dante, does not merely regurgitate biblical narratives, but expands on them, and states that Chaucer&#039;s works display a sincere devotion to the Virgin, the Crucifixion, and the Resurrection, identified &quot;as characteristically Dantean.&quot; Also discusses ABC and briefly mentions SNT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273612">
    <dcterms:title><![CDATA[An Aspect of Chaucer&#039;s &quot;Death&quot; in &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Compares TC with Boccaccio&#039;s &quot;Il filostrato&quot; and points out there are two kinds of death for Troilus in TC, as well as salvations in the Chaucer and Boccaccio texts. Traces the continuity of the theme of death from TC to CT. In Japanese, with English abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273611">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Troilus and Criseyde&quot; and the Danger of Masculine Interiority.]]></dcterms:title>
    <dcterms:description><![CDATA[Contends that masculine obsession with interiority, especially that marked by courtly love, enables &quot;powerful men to ignore the destructive public consequences of their political&quot; actions. Yet, TC reveals &quot;that such separation between the public and private is illusory.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273610">
    <dcterms:title><![CDATA[&quot;Ane doolie sessoun&quot; and &quot;ane cairfull dyte&quot;: Cresseid and the Narrator in Henryson&#039;s &quot;Testament of Cresseid.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the parallels between Cresseid and the narrator showing Cresseid&#039;s eventual transformation while the narrator fails to understand the moral point. Includes comments on Chaucer&#039;s narrator in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273609">
    <dcterms:title><![CDATA[Stretching the &quot;Sooth&quot;: Use, Overuse, and the Consolation of &quot;Sooth&quot; in Chaucer&#039;s &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines how uses of &quot;sooth&quot; characterize the three main actors in TC. Claims that Chaucer&#039;s use &quot;of sooth&quot; also &quot;produces tension&quot; in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273608">
    <dcterms:title><![CDATA[Thomas Spencer, Southwark Scrivener (d. 1449): Owner of a Copy of Chaucer&#039;s &quot;Troilus&quot; in 1394?&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Thomas Spencer, a scrivener, purportedly owned a copy of TC in 1394. Presents the historical record regarding Spencer&#039;s life, since if this claim is true, it represents the only recorded instance of one of Chaucer&#039;s works circulating during his lifetime.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273607">
    <dcterms:title><![CDATA[Biblical &quot;Figura&quot; in Chaucer&#039;s &quot;Troilus and Criseyde,&quot; ll. 1380–86: &quot;As don thise rokkes or thise milnestones.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Notes that the visual imagery of falling rocks and millstones Pandarus uses to convince Troilus of his future success is associated with death and destruction in the Bible, which actually undermines Pandarus&#039;s argument in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273606">
    <dcterms:title><![CDATA[Re-contextualising the &quot;Romaunt of the Rose&quot;: Glasgow, University Library MS Hunter 409 and the &quot;Roman de la Rose.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Rom should be recontexualized, viewing the work not as a Chaucerian fragment, which perpetuates a fragmentary approach to the work, but as part of a tradition of translation. Analysis of decorated initials and borders in Hunter 409 rearticulates the work and reveals its conformity with &quot;wider &#039;Rose&#039;-transmission patterns.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273605">
    <dcterms:title><![CDATA[Knowing and Willing in Chaucer&#039;s &quot;Parliament of Fowls.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Contends that PF challenges the medieval idea of judgment, based in reason, by also taking into account affective forces.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273604">
    <dcterms:title><![CDATA[Censorship and Intolerance in Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[As part of a consideration of censorship, subjects several works, including PF, to a hypothetical &quot;model of intolerance&quot; based on Abelard, Ockham, and John of Salisbury.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273603">
    <dcterms:title><![CDATA[Pity and Poetics in Chaucer&#039;s &quot;Legend of Good Women.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses &quot;the narrator&#039;s rhetoric of pity,&quot; alluding to Augustine, Aristotle, Cicero, and others, while arguing that both pity and poetry involve &quot;a kind of authentic inauthenticity&quot; that is unstable, paradoxical, and contingent in LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273602">
    <dcterms:title><![CDATA[&quot;Sely Dido&quot;: A Study of Dido in the Legend of Dido.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on the legend of Dido in LGW and compares its representation of Dido in Virgil&#039;s &quot;Aeneid,&quot; Ovid&#039;s &quot;Heroides,&quot; and HF. Argues that Dido in LGW desires Aeneas more actively than in other versions and that LGW presents her positively as conforming to nature as opposed to social norms. In Japanese, with English abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273601">
    <dcterms:title><![CDATA[Science and Nature in the Medieval Ecological Imagination.]]></dcterms:title>
    <dcterms:description><![CDATA[Uses HF, among other texts, to demonstrate a versatile permeability between &quot;science and the humanities&quot; in the medieval period, in contrast to current more isolated approaches to these disciplines.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273600">
    <dcterms:title><![CDATA[Scales of Reading.]]></dcterms:title>
    <dcterms:description><![CDATA[Reads HF as an example of how a literary work constructs &quot;discursive scale,&quot; making us self-conscious about how we read and interpret, when we read closely, and when we distance ourselves and see the text in relation to genres and systems, history, literary tradition. The poem&#039;s &quot;vertiginous changes of scale&quot; confront us with the &quot;epistemological<br />
and ethical consequences&quot; of the level at which we read.]]></dcterms:description>
</rdf:Description></rdf:RDF>