<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265708">
    <dcterms:title><![CDATA[Chaucer, Freud, and the Political Economy of Wit: Tendentious Jokes in the &#039;Nun&#039;s Priest&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Offers a Freudian analysis of the antifeminist and political jokes in NPT.  The opening frame concerning the widow and the allusion to the rebellion of 1381 suggest that the &quot;repression of the class interests of the exploited&quot; is &quot;a symptom of the political unconscious of the text.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266710">
    <dcterms:title><![CDATA[Chaucer, Galilei, Brecht: Sprache und Diskurs im Leben des Galilei]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Brecht&#039;s portrayal of Galileo Galilei, comparing it with Chaucer&#039;s attitudes to scholastic science and scientific language in SqT and Astr, Lydgate&#039;s assessment of Chaucer&#039;s scientific writing, Petrarch&#039;s view of scholastic philosophy and science, and Galileo&#039;s antischolastic aesthetics.  Brecht&#039;s portrait is more democratizing than the historical Galileo or his predecessors.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268743">
    <dcterms:title><![CDATA[Chaucer, Gamelyn and the Cook&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the inclusion of Gamelyn in early manuscripts of CT and the relative confidence with which scribes placed the tale. Given the possibility that some manuscripts predate Chaucer&#039;s death, he may have experimented with including the tale, even if he did not compose it.]]></dcterms:description>
    <dcterms:date><![CDATA[2004]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266481">
    <dcterms:title><![CDATA[Chaucer, General Education, and &#039;Lasting&#039; Popular Culture]]></dcterms:title>
    <dcterms:description><![CDATA[Advocates fusion of high art and popular culture in general-education curricula, commenting on the use of principles of group dynamics to analyze CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264671">
    <dcterms:title><![CDATA[Chaucer, Geoffrey]]></dcterms:title>
    <dcterms:description><![CDATA[Emphasis on Chaucer&#039;s sources and narrative patterns in the light of fairy tales and the oral tradition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266129">
    <dcterms:title><![CDATA[Chaucer, Geoffrey]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the humor and structural comedy of Chaucer&#039;s works, especially CT, examining individual tales and commenting on BD, HF, and PF.  Chaucer achieves comic effects through narrative resolution and by manipulating time, place, and circumstances.  The article includes a bibliography of critical commentary on Chaucer&#039;s comedy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270590">
    <dcterms:title><![CDATA[Chaucer, Geoffrey]]></dcterms:title>
    <dcterms:description><![CDATA[Describes Chaucer&#039;s life and works in chronological sequence, commenting in detail on events and on literary concerns of all of his major works, exploring most extensively characterization in TC and variety of genre in CT. Includes a bibliography.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271340">
    <dcterms:title><![CDATA[Chaucer, Geoffrey]]></dcterms:title>
    <dcterms:description><![CDATA[Encyclopedia entry that surveys Chaucer&#039;s life, language, and works chronologically.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269839">
    <dcterms:title><![CDATA[Chaucer, Geoffrey (134?-1400)]]></dcterms:title>
    <dcterms:description><![CDATA[Boyd summarizes the tension in medieval tradition between the promotion of homosocial bonding and the proscription of sodomy. He characterizes Chaucer&#039;s treatment of male homosexuality in CT as typically homophobic.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270558">
    <dcterms:title><![CDATA[Chaucer, Geoffrey (1344?-1400)]]></dcterms:title>
    <dcterms:description><![CDATA[Summary of Chaucer&#039;s life and poetic career, emphasizing his familiarity with a &quot;world of noble and festive pageantry&quot; and the &quot;traditional customs&quot; alluded to in his poetry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276029">
    <dcterms:title><![CDATA[Chaucer, Geoffrey (c. 1340–1400), Poet.]]></dcterms:title>
    <dcterms:description><![CDATA[Synopsizes critical opinion about Chaucer&#039;s influence on Shakespeare, especially the impact of TC, KnT, and MerT, with attention to other works. Comments on the knowledge and status of Chaucer in Shakespeare&#039;s age and includes a bibliography updated from the first edition published in 2001 by Athlone Press.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267786">
    <dcterms:title><![CDATA[Chaucer, Geoffrey (c.1340-1400)]]></dcterms:title>
    <dcterms:description><![CDATA[Brief description of Chaucer&#039;s travels and of pilgrimage as a frame in CT. Like the pilgrimage report of Felix Fabri (1441/2-1502), CT is important as a historical record.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273922">
    <dcterms:title><![CDATA[Chaucer, Geoffrey.]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes Chaucer&#039;s life and career, and comments on TC and CT (especially the Pardoner and Wife of Bath) as demonstrations of Chaucer&#039;s &quot;commitment to the religious view of life,&quot; his &quot;humanist sympathy&quot; with living in a fallen world, and his commitment to &quot;Christian optimism.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275429">
    <dcterms:title><![CDATA[Chaucer, Geoffrey.]]></dcterms:title>
    <dcterms:description><![CDATA[Encyclopedia entry that summarizes Chaucer&#039;s debt to classical tradition as source material for his plots, imaginings of the classical past, and &quot;voicings&quot; of classical speakers throughout his corpus. Comments on Chaucer&#039;s awareness of mediation and the necessary of &quot;betraying&quot; classical material.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276648">
    <dcterms:title><![CDATA[Chaucer, Geoffrey.]]></dcterms:title>
    <dcterms:description><![CDATA[Biography of Chaucer, with brief bibliography. Sub-sections include &quot;Early Life,&quot; &quot;Poetry: The Beginnings,&quot; &quot;Journeys on the King&#039;s Service--Italy,&quot; &quot;Chaucer at the Customs House and Aldgate,&quot; &quot;Works of the 1370s and early 1380s,&quot; &quot;Life in London, c.1380-c.1386,&quot; &quot;Retires from the Custom House and Moves to Kent, c.1386-c.1389,&quot; &quot;TC and LGW,&quot; Clerk of the King&#039;s Works, 1389-1391,&quot; &quot;CT and Other Late Works,&quot; and &quot;The Canon and Reception of Chaucer&#039;s Works.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275504">
    <dcterms:title><![CDATA[Chaucer, Gower and the Invention of History.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the &quot;creative potential of understanding invention at once as a textual and historical concept . . . receives its fullest treatment in the poetic exchanges of Chaucer and Gower,&quot; examining how in MLT and MkT Chaucer undercuts Gower&#039;s efforts to shape history and rejuvenate culture, &quot;destabilizing Gower&#039;s model without offering a suitable replacement.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268928">
    <dcterms:title><![CDATA[Chaucer, Gower and the Vox Populi : Interpretation and the Common Profit in The Canterbury Tales and Confessio Amantis]]></dcterms:title>
    <dcterms:description><![CDATA[CT--in part a reaction to Gower&#039;s conservative conception of vernacular literature in &quot;Confessio Amantis&quot;--is a text encouraging interpretive autonomy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274779">
    <dcterms:title><![CDATA[Chaucer, Gower, and Barbarian History: &quot;The Man of Law&#039;s Tale&quot; and the Prologue to Gower&#039;s &quot;Confessio Amantis.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the uses of late Antique historiography in MLT and in Gower&#039;s Prologue to his &quot;Confessio Amantis,&quot; comparing Gower&#039;s depiction of the late Roman empire and that of Otto of Freising&#039;s &quot;Chronica,&quot; and arguing that the ultimate source of MLT is Paul the Dean&#039;s &quot;Historia Langobardorum,&quot; particularly evident in Chaucer&#039;s feminizing of the name &quot;Hermengilde&quot; and in the &quot;twin-pronged conversion motif&quot; of Custance&#039;s failure to convert the sultan and success in converting Alla.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276067">
    <dcterms:title><![CDATA[Chaucer, Gower, and Fifteenth-Century Poetry in English.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines evidence for the modes of performance and reception of late medieval English poetry, focusing on Chaucer&#039;s dream visions, TC, and CT, but also commenting on works by John Gower, other English poets, and continental writers. Considers practices of orality, aurality, memorization, and literacy, along with public and private performance, dramatized in the poems and manifest in their narrators&#039; comments. Also assesses evidence found in manuscripts: glossing, bracketing, etc.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274122">
    <dcterms:title><![CDATA[Chaucer, Gower, and the Affect of Invention.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the process of medieval poetic invention expressed in the poetry of Chaucer and John Gower. Draws on contemporary affect theory to present ways that both poets present &quot;invention as an affective force&quot; in representations of emotional experiences. Studies PF, HF, and LGW. Also explores the affect of invention in PrT, MkT, and NPT. Conclusion reveals Chaucer&#039;s and Gower&#039;s influence on Shakespeare&#039;s conceptualization of affect and invention in his lyric poems.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266371">
    <dcterms:title><![CDATA[Chaucer, Gower, and the History of the Hendecasyllable]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the development and scholarship of hendecasyllabic meter, identifying the innovations whereby Chaucer produced the first English iambic pentamenter and Gower experimented with variable caesura in hendecasyllabic lines to produce Anglo-Norman iambic pentameter.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265936">
    <dcterms:title><![CDATA[Chaucer, Gower, and the Unknown Minstrel: The Literary Liberation of the Loathly Lady]]></dcterms:title>
    <dcterms:description><![CDATA[Compares WBT, Gower&#039;s &quot;Tale of Florent,&quot; and the &quot;Wedding of Sir Gawain and Dame Ragnell&quot; in light of Bakhtin&#039;s theory of carnival.]]></dcterms:description>
    <dcterms:description><![CDATA[  Both Gower (thoroughly) and Chaucer (ambiguously) assimilate the Lady into official culture, while the &quot;Wedding&quot; liberates both Lady and culture from that culture&#039;s repressive forces.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272507">
    <dcterms:title><![CDATA[Chaucer, Gower, and the Vernacular Rising: Poetry and the Problem of the Populace After 1381]]></dcterms:title>
    <dcterms:description><![CDATA[Explains how the &quot;vernacular rising&quot; expanded Chaucer&#039;s and Gower&#039;s readership to include &quot;lesser merchants and prosperous artisans&quot; (Introduction and Chapter 1). Chapters 4 and 5 emphasize LGW. In contrasting Gower and Chaucer, argues that in LGW, Chaucer &quot;disarticulat[es] gender as a site of analysis&quot; to &quot;declare equity and social justice outside the domain of poetics&quot; and &quot;partition literature from political discourse.&quot; Concludes that &quot;Chaucer helped found a bourgeois notion of the poet&quot; and that English literature &quot;represented a new means of constructing authority and imposing social control as a form of education.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272379">
    <dcterms:title><![CDATA[Chaucer, Gower, Hoccleve, and the Commercial Practices of Late Fourteenth-Century London]]></dcterms:title>
    <dcterms:description><![CDATA[Examines influence of commerce and trade in CT, Gower&#039;s &quot;Mirour de L&#039;Omme&quot; and &quot;Confessio Amantis,&quot; and Hoccleve&#039;s &quot;Male Regle&quot; and &quot;Regiment of Princes.&quot; Looks at social and cultural implications of how market economies affect literary narratives and the portrayal of Chaucer&#039;s pilgrims.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272298">
    <dcterms:title><![CDATA[Chaucer, Grandson and the &#039;Turtil Trewe&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies connections between words and details of PF and Oton de Grandson&#039;s &quot;Le Songe St. Valentin&#039;.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>