<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269385">
    <dcterms:title><![CDATA[Chaucer for a New Millennium : The BBC Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Compares the six tales of The BBC Canterbury Tales (MilT, WBP, KnT, ShT, PardT, and MLT) with their Chaucerian originals. Emphasizes plot parallels, modern themes, and the lack of interconnection among the &quot;six stand-alone telefilms.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269532">
    <dcterms:title><![CDATA[Chaucer for Fun and Profit]]></dcterms:title>
    <dcterms:description><![CDATA[Uses theoretical perspectives from Raymond Williams, Emmanuel Kant, and Hans-Georg Gadamer to explain and justify a pedagogical approach to CT based on student pursuit of individual &quot;keywords&quot; in the text and students&#039; selection of a single pilgrim from whose perspective they will judge the Canterbury contest.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265733">
    <dcterms:title><![CDATA[Chaucer from Manuscript to Print: The Social Text and the Critical Text]]></dcterms:title>
    <dcterms:description><![CDATA[Edwards surveys pre-twentieth-century editions of Chaucer to see how their editorial goals anticipate and differ from those of the &quot;modern critical edition.&quot; Print technology enforced a &quot;single monolithic conception of text&quot; that differs from the variations among manuscripts; however, modern technology can encompass the variant forms of manuscripts.  Scholars need to assess relations between textual and contextual approaches to medieval literature.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269997">
    <dcterms:title><![CDATA[Chaucer from Prentice to Poet: The Metaphor of Love in Dream Visions and &quot;Troilus and Criseyde&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Condren explores similarities of theme and  technique in BD, PF, HF and TC, focusing on numerical composition and Chaucer&#039;s &quot;self-dialogue&quot; on poetry and love. Biographical reading of BD reveals that the man in black is not Gaunt but the dreamer&#039;s own mourning self; the poem was originally written to commemorate Queen Philippa and  adjusted later to Blanche. The &quot;hidden code&quot; of PF affirms the theme of harmony as a form of Neoplatonic love. HF is a contemplation of what  constitutes &quot;poetic truth&quot; and was written as a &quot;formal prologue&quot; to TC, the  man of &quot;auctorite&quot; being Chaucer himself. TC is a &quot;metaliterary construct&quot; in which the characters serve as aspects of the composition process. Pandarus speaks Troilus&#039;s thoughts, and close reading discloses sexual innuendoes in speeches of the two lovers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268458">
    <dcterms:title><![CDATA[Chaucer Gentrified: The Nexus of Art and Politics in the Ellesmere Miniatures]]></dcterms:title>
    <dcterms:description><![CDATA[The artists of the Ellesmere manuscript carefully deviated from Chaucer&#039;s descriptions of the pilgrims to deflect the satire from the upper and upper-middle classes to the lower orders. When Chaucer&#039;s own descriptions were ambiguous, the artists removed from the illustrations those things that might make them seem so.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272662">
    <dcterms:title><![CDATA[Chaucer Goes to Expo &#039;70, II: A Narrative Poem in Middle English]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; the WorldCat record indicates that this is an offprint, pp. 65-109, of an unidentified publication. See also Bill Wolak&#039;s interview with Koriyama in the online journal &quot;Prime Number: A Journal of Distinctive Poetry and Prose,&quot; issue 7, April-June, 2011, which mentions the poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268246">
    <dcterms:title><![CDATA[Chaucer Illustrated: Five Hundred Years of the Canterbury Tales in Pictures]]></dcterms:title>
    <dcterms:description><![CDATA[Includes an introduction by the editors and ten essays and three appendices by various authors, who describe and discuss visual depictions of the Canterbury pilgrims and their tales in books and paintings, from the Ellesmere manuscript into the twentieth century. Appendix 1 reprints the Chaucer portion of A Descriptive Catalogue of Pictures, Poetical and Historical Inventions, Painted by William Blake . . . (1809). The volume includes an index. For individual essays, search for Chaucer Illustrated under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268579">
    <dcterms:title><![CDATA[Chaucer Imagines England (in English)]]></dcterms:title>
    <dcterms:description><![CDATA[Knapp historicizes several terms (&quot;ymaginacioun,&quot; &quot;fantasye,&quot; &quot;resoun,&quot; &quot;imaginatyf,&quot; &quot;engyn&quot;) representing the role of language in national fantasy, exploring how Chaucer uses them throughout his poetry to construct ways of imagining. In CT, PrT demonstrates Chaucer&#039;s commitment to the expressive potential of English, and the understanding of time by several of the pilgrim-citizens (Knight, Monk, Miller, and Pardoner) affects their unhistoricized storytelling.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270381">
    <dcterms:title><![CDATA[Chaucer in Augustan England]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses how John Gay&#039;s play, &quot;The Wife of Bath,&quot; sheds light on &quot;what Gay and his contemportaries, most especially [Alexander] Pope, knew and thought about Chaucer,&quot; exploring Pope&#039;s influence on Gay&#039;s interest in Chaucer and the nature of Gay&#039;s adaptation of his Wife of Bath.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276101">
    <dcterms:title><![CDATA[Chaucer in China: A History of Reception and Translation.]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the readership of Chaucer in China, offering analyses of texts and translations available and frequency of Chaucer&#039;s verse in university curricula. Ties this readership to various factors, including interest, social context, and history.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274058">
    <dcterms:title><![CDATA[Chaucer in Contemporary Mystery Novels: A Case Study in Genre Fiction, Low-Cultural Allusions, and the Pleasure of Derivative Forms.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the status and functions of mystery novels as a form of popular culture, employing distinctions posed by Pierre Bourdieu and exploring the use of allusion in the genre. Then investigates three mystery novels by Philippa Morgan that feature Chaucer as a detective employed by John of Gaunt.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271810">
    <dcterms:title><![CDATA[Chaucer in Context: A Golden Age of English Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[Collection of essays addressing various Chaucerian topics, including &quot;textual authority, poetic design, political affiliations and sympathies, and religious convictions.&quot; For individual essays that pertain to Chaucer, search for Chaucer in Context: A Golden Age of English Poetry under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266163">
    <dcterms:title><![CDATA[Chaucer in Context: Society, Allegory, and Gender]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the polarities in critical assessments of CT, focusing on four oppositions: realism vs. stereotypicality, monologic vs. dialogic approaches, allegorical vs. humanist (ironic) approaches, and misogyny vs. feminism.  Assesses the opposed critical views in light of the social, political, and literary conventions of Chaucer&#039;s day, using a &quot;contextual approach&quot; to conclude that Chaucer&#039;s works do not reflect modern views or modern literary goals.]]></dcterms:description>
    <dcterms:description><![CDATA[Instead, Chaucer&#039;s works remind us that his society confronted social and aesthetic issues differently than ours does and that current views--like those of Chaucer&#039;s day--are a product of history.  Rigby emphasizes GP, KnT, NPT, WBPT, Mel, and ParsT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268277">
    <dcterms:title><![CDATA[Chaucer in Cyberspace]]></dcterms:title>
    <dcterms:description><![CDATA[Brawer compares infatuation with &quot;dot.com startups&quot; with aspects of CYPT, arguing caution in such ventures given the number of repeated failures.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267884">
    <dcterms:title><![CDATA[Chaucer in Cyberspace : Medieval Technologies of Memory and The House of Fame]]></dcterms:title>
    <dcterms:description><![CDATA[HF provokes reflection on the &quot;historical processes of memorialization.&quot; Such concepts as the brass tablet, apostrophe to Thought, inscribed ice block, and House of Rumor are analogous to conceptualizations of personal and cultural memory (history) by Bernard of Clairvaux (stained parchment), Freud (&quot;Mystic Pad&quot;), and Derrida (the &quot;archive&quot;). Concern with gender, subjectivity, authority, and absence indicates the modernity of Chaucer&#039;s depictions of memory and encourages recognition of the paradoxical and constitutive relationships between past and present.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272992">
    <dcterms:title><![CDATA[Chaucer in Denmark: A Study of the Translation and Reception History, 1782-2012]]></dcterms:title>
    <dcterms:description><![CDATA[Provides comprehensive study of reception and translation of Chaucer&#039;s works in Denmark from the late eighteenth century to 2012. Study reveals cultural changes and links between Denmark and England, and provides analysis of current Chaucerian scholarship and teaching in Denmark.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273737">
    <dcterms:title><![CDATA[Chaucer in Dryden&#039;s &quot;Fables.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses &quot;Dryden&#039;s conception of Chaucer,&quot; his poems, and the &quot;purpose guiding&quot; the changes he made while modernizing WBT, KnT, NPT, and the apocryphal &quot;Flower and the Leaf.&quot; Also discusses Dryden&#039;s &quot;Character of the Good Parson&quot; and &quot;Hind and the Panther&quot; and gauges the &quot;unexpected&quot; degree of change he made to Chaucer&#039;s works in light of eighteenth-century attitudes and reception of Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264231">
    <dcterms:title><![CDATA[Chaucer in Early English Dictionaries: The Old-World Tradition in English Lexicography Down to 1721 and Speght&#039;s Chaucer Glossaries]]></dcterms:title>
    <dcterms:description><![CDATA[A study of Middle English, specifically Chaucer&#039;s English; lexicography; and obsolete words.  Includes bibliography and indexes, as well as an appendix, &quot;Chaucer, &#039;The Plowman&#039;s Tale&#039;, and Henry VIII.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261330">
    <dcterms:title><![CDATA[Chaucer in France]]></dcterms:title>
    <dcterms:description><![CDATA[Recounts difficulties of teaching Chaucer in France and other countries, especially in Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272056">
    <dcterms:title><![CDATA[Chaucer in His Time]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that in late medieval English poetry (including Chaucer&#039;s) tone is &quot;more likely to be found in the disposition&quot; of rhetorical units larger than individual words and phrases. Draws illustrative examples from CT, TC, and &quot;Sir Gawain and the Green Knight,&quot; focusing on the importance of juxtaposition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274963">
    <dcterms:title><![CDATA[Chaucer in His Time.]]></dcterms:title>
    <dcterms:description><![CDATA[Evokes the social and cultural conditions of England during Chaucer&#039;s lifetime by describing historical events, political circumstances, court life, domestic conditions for all classes, child-rearing, education and literacy, the influence of religious ideals and reforms, and more. Illustrates this discussion with wide-ranging details and examples from works by Chaucer and his contemporaries (especially Langland and Froissart), augmented by details and reproductions from medieval manuscripts, effigies, and architecture.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275961">
    <dcterms:title><![CDATA[Chaucer in Ireland: Archaism, Etymology and the Idea of Development.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that an &quot;ambivalent enterprise of simultaneous innovation and retrospection . . . structures Spenser&#039;s approach to the reform of Ireland&quot; as well as his &quot;engagement with Chaucer in his poetry.&quot; Analyzes Spenser&#039;s use and explanation of two examples of Chaucerian diction in &quot;A View of the Present State of Ireland&quot;--&quot;Checklaton&quot; and &quot;borough,&quot; both derived from  Th--drawing parallels between the uses of the past in Chaucerian etymologies and in recommendations for Irish reform.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263084">
    <dcterms:title><![CDATA[Chaucer in Japan]]></dcterms:title>
    <dcterms:description><![CDATA[The study of Chaucer in Japanese universities has increased dramatically during the past quarter century.  The paper lists relevant professional organizations and research trends.]]></dcterms:description>
    <dcterms:description><![CDATA[Abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272915">
    <dcterms:title><![CDATA[Chaucer in Minsheu&#039;s &#039;Guide into the Tongues&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Demonstrates that Chaucer&#039;s works are a significant source of John Minsheu&#039;s multilingual dictionary, &quot;Guide into the Tongues&quot; [&quot;Ductor in Linquas&quot;] (1617).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273439">
    <dcterms:title><![CDATA[Chaucer in Nineteenth-Century France.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the reception of Chaucer&#039;s poetry by nineteenth-century French critics who focused on CT, read Chaucer as a &quot;European&quot; rather than an English writer, discussed the accessibility of his language, and examined Chaucer&#039;s national literary and cultural affinities.]]></dcterms:description>
</rdf:Description></rdf:RDF>