<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274050">
    <dcterms:title><![CDATA[Johnson&#039;s Chaucer: Searching for the Medieval in &quot;A Dictionary of the English Language.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Demonstrates that Chaucer &quot;occupies a more prominent place&quot; in Samuel Johnson&#039;s &quot;Dictionary&quot; than has been acknowledged. Corrects some misconceptions of previous scholars and adds new data about attention to Chaucer in the &quot;Dictionary&quot;--quotations of his works, citations, mentions of Chaucer, and quotations from Dryden&#039;s modernizations of Chaucer--showing that the &quot;Dictionary&quot; belies Johnson&#039;s stated preference of Gower to Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274049">
    <dcterms:title><![CDATA[Telling New Tales: Modernizations of Chaucer in the Eighteenth Century..]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates eighteenth-century modernizations of Chaucer&#039;s work (especially CT), with an eye toward the period&#039;s political issues and a consideration of those modernizers&#039; contributions to later scholarly apparatus.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274048">
    <dcterms:title><![CDATA[Reading Chaucer in New College, Oxford, in the 1630s: The Commendatory Verses to Francis Kynaston&#039;s &quot;morum Troili et Creseidae.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes that prefatory verses published in Kynaston&#039;s Latin translation of TC demonstrate a high degree of academic interest in Chaucer in seventeenth-century Oxford. Several verses praise Kynaston by criticizing Chaucer&#039;s &quot;rudeness,&quot; but others echo or imitate Chaucer&#039;s texts, including PF. One verse echoes Chaucer&#039;s ribaldry though complex puns. Poet Francis James, apparently influenced by Spenser, wrote at least two poems that praise Kynaston and imitate Chaucer&#039;s Middle English. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274047">
    <dcterms:title><![CDATA[[&quot;Chaucer the Father&quot;: Rhetoric of the Nation.] ]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that a &quot;pre-modern nationalist discourse&quot; inspired Chaucer to &quot;spawn his own &#039;nationalist discourse,&#039;&quot; and that Chaucer&#039;s reception as the &quot;father&quot; of English poetry &quot;mediates thirteenth century post-colonialism and nineteenth-century colonialism.&quot; In Korean, with English abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274046">
    <dcterms:title><![CDATA[Foreword: Medieval Science and Fiction.]]></dcterms:title>
    <dcterms:description><![CDATA[Defines medieval science fiction and provides a survey of types of science appearing in medieval literature, including natural philosophy (in NPT and PF), alchemy (in CYT), herb lore (in GP), and astronomy. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274045">
    <dcterms:title><![CDATA[Medieval Science Fiction: An Impossible Fantasy.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues for a consideration of texts as &quot;science fiction,&quot; even if they were produced before the Enlightenment, and further defines the genre to include any text that combines interests in science and fiction. Includes comparison of CYT to Shelley&#039;s &quot;Frankenstein,&quot; exploring shared concerns with alchemy&#039;s effects upon the body.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274044">
    <dcterms:title><![CDATA[Catapunk: Toward a Medieval Aesthetic of Science Fiction.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the different attitudes toward the Middle Ages presented in science fiction and fantasy literature, while also arguing for a new subgenre called &quot;catapunk&quot; that depicts the Middle Ages in fuller ways. Mentions the false alchemy in CYT, compares Ray Bradbury&#039;s short story &quot;The Dragon&quot; (1955) to SqT, and refers to Raymond F. Jones&#039;s story &quot;Canterbury April&quot; (1952).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274043">
    <dcterms:title><![CDATA[Medieval Science Fiction.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes essays that seek to redefine science fiction as literature that combines interests in both science and literature. Also examines the use of the medieval in modern fantasy texts. For three essays that pertain to Chaucer, search for Medieval Science Fiction under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274042">
    <dcterms:title><![CDATA[Time Mechanics: The Modern Geoffrey Chaucer and the Medieval Jack Spicer.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes and assesses the influence of Chaucer&#039;s works on twentieth-century writer Jack Spicer, discussing Spicer&#039;s life, his poetics, and his uses of source materials, exemplified in his adaption of TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274041">
    <dcterms:title><![CDATA[Elf Queens and Holy Friars: Fairy Beliefs and the Medieval Church.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents (in a postscript) how Chaucer&#039;s attitudes and &quot;amused skepticism&quot; toward fairies influenced later writers, including Spenser and Shakespeare. Analyzes connections between historiography of early modern witch-hunts and popular superstitions of fairy beliefs.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274040">
    <dcterms:title><![CDATA[Unknowne, unkow, Vncovthe, uncouth: From Chaucer and Gower to Spenser and Milton.]]></dcterms:title>
    <dcterms:description><![CDATA[Poses questions about the &quot;realities and complexities of authorship and literary tradition&quot; in Gower, the &quot;pseudo-Chaucerian&quot; &quot;Plowman&#039;s Tale,&quot; Spenser&#039;s &quot;Shepheardes Calender,: and Milton&#039;s poetry. Addresses Chaucer&#039;s reception in the sixteenth century.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274039">
    <dcterms:title><![CDATA[Medieval into Renaissance: Essays for Helen Cooper.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents a collection of essays that respond to and commemorate Helen Cooper&#039;s &quot;contribution to the study of medieval and Renaissance literature, literary history and periodisation.&quot; For an essay that pertains to Chaucer, search for Medieval into Renaissance under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274038">
    <dcterms:title><![CDATA[Over the Influence.]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews canon, allusion, and literary influence in English literature. Refers to Chaucer as the head of the English canon, discusses Matthew Arnold&#039;s thoughts on Chaucer, and reveals limited attention to Chaucer in the 1909 &quot;Harvard Classics&quot; publication. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274037">
    <dcterms:title><![CDATA[Forms of Mediation: Chaucer, Spenser and English Literary History.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers Spenser&#039;s perception of Chaucer as inspiration, influence, and creator whose creations have themselves been mediated by other writers and society.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274036">
    <dcterms:title><![CDATA[Literary Paternity and Narrative Revival: Chaucer&#039;s Soul(s) from Spenser to Dryden.]]></dcterms:title>
    <dcterms:description><![CDATA[Claims that Chaucer, Spenser, and Dryden may be understood as a collective devoted to the project of &quot;reviving or supplementing destroyed, deferred, and unfulfilled stories.&quot; Demonstrates the recursive, rather than linear, relations among these poets&#039; work in a comparison of the progress of souls after death in Anel, KnT, and SqT; in Spenser&#039;s &quot;Faerie Queene,&quot; Book 4; and in Dryden&#039;s &quot;Fables Ancient and Modern.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274035">
    <dcterms:title><![CDATA[&quot;Bede and Merlion and Arsaladone&quot;: The Persistence of Short Verse Prophecies in Late-Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the apocalyptic genre of English short-verse prophecies, which were attributed to authorities such as Merlin, Bede, and Chaucer, who existed safely in the past but often also on the margins of political and religious orthodoxy. Popular from the thirteenth to the sixteenth century, the circulation of these prophecies was linked to Welsh rebellions and Wycliffism in the early fifteenth century.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274034">
    <dcterms:title><![CDATA[Fabulous Women, Fables of Patronage: Metham&#039;s &quot;Amoryus and Cleopes&quot; and BL MS Additional 10304.]]></dcterms:title>
    <dcterms:description><![CDATA[Reads the figure of Alceste in LGW as a &quot;fable&quot; of female patronage, and argues that texts such as John Metham&#039;s &quot;Amoryus and Cleopes&quot; and an anonymous English translation of a portion of Boccaccio&#039;s &quot;De Mulieribus Claris&quot; do not follow Chaucer&#039;s (or Boccaccio&#039;s) lead in this respect. Chaucer &quot;jokingly&quot; poses &quot;fascinating questions&quot; about female patrons and audiences, but the later texts take them seriously.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274033">
    <dcterms:title><![CDATA[&quot;The Other Junius&quot; in Oxford, Bodleian Library MS Junius 74: Francis Junius and a Scots Glossary by Patrick Young]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews seventeenth-century lexicographical interest in Scots dialect, and includes information about the extent to which Junius used Gavin Douglas&#039;s &quot;Eneados&quot; to understand Chaucer&#039;s vocabulary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274032">
    <dcterms:title><![CDATA[The Wild Green Hills of Wyre and Other Notes.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the sources of several details and attitudes in poems by A. E. Housman, including discussion of the impact of KnT and TC on &quot;A Shropshire Lad,&quot; particularly their depictions of love sickness (&quot;amor heroes&quot;) and the ennobling effects of courtly love.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274031">
    <dcterms:title><![CDATA[Words, Words, Words: Essays and Memoirs.]]></dcterms:title>
    <dcterms:description><![CDATA[Alludes to Chaucer in the title of an essay about the poet Barrie Phillip Nichol, &quot;On First Opening Nichol&#039;s Chaucer,&quot; and briefly characterizes CT as &quot;a long poem that incorporates,&quot; playing on the meaning of &quot;corpus&quot; as &quot;body.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274030">
    <dcterms:title><![CDATA[&quot;An Old-Fashioned Form of the Zulu Tongue&quot;: A Nineteenth-Century Chaucer Allusion.]]></dcterms:title>
    <dcterms:description><![CDATA[Notes that H. Rider Haggard mentions Chaucer in &quot;King Solomon&#039;s Mines.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274029">
    <dcterms:title><![CDATA[The YouTube Prioress: Anti-Semitism and Twenty-First Century Participatory Culture.]]></dcterms:title>
    <dcterms:description><![CDATA[Asserts that PrT &quot;depends upon, and perpetrates, the worst stereotypes of Jews,&quot; and assesses thirty-two YouTube dramatizations and adaptations of the tale (posted 2006–11) as evidence of its contemporary reception among high school audiences, teachers and students alike. Focuses on the &quot;idioms of YouTube&quot; and the treatment of the anti-Semitism in the student videos, describing YouTube as the future &quot;de facto archive of our visual cultural heritage.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274028">
    <dcterms:title><![CDATA[Medieval Afterlives in Popular Culture.]]></dcterms:title>
    <dcterms:description><![CDATA[Collection of essays exploring how medievalisms and medieval elements are reclaimed and reconceptualized in contemporary print and digital texts, TV, and film. For an essay pertaining to Chaucer, search for Medieval Afterlives in Popular Culture under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274027">
    <dcterms:title><![CDATA[The Myth of &quot;Piers Plowman.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the &quot;Langland archive&quot; to address the history of the production and reception of &quot;Piers Plowman.&quot;The &quot;Conclusion&quot; (pp. 129-40) reveals early eighteenth-century textual scholarship that attributes &quot;Piers Plowman&quot; to Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274026">
    <dcterms:title><![CDATA[Tending to One&#039;s Garden: Deschamps&#039;s &#039;Ballade to Chaucer&#039; Reconsidered.]]></dcterms:title>
    <dcterms:description><![CDATA[Contends that Deschamps&#039;s &quot;Ballade to Chaucer&quot; alludes to a poetic debate between Philippe de Vitry and Jean de le Mote, to Ovidian exile, and to a poet&#039;s oeuvre as a garden. Claims that Deschamps&#039;s emphasis on translation and use of French and classical sources in &quot;Ballade to Chaucer&quot; &quot;does vital cross-cultural work,&quot; and has implications for the reading of BD and LGW.]]></dcterms:description>
</rdf:Description></rdf:RDF>