<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274268">
    <dcterms:title><![CDATA[The Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. No information available.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274267">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;The Legend of Good Women,&quot; 2422.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that Chaucer&#039;s reference to &quot;Thorus&quot; as a sea-god derives from a misunderstanding of Statius&#039;s &quot;theori&quot; in the &quot;Achilleid&quot; and its medieval gloss.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274266">
    <dcterms:title><![CDATA[Chauntecleer and Deduit.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies in NPT echoes of the &quot;Roman de la Rose,&quot; particularly in the characterizations of Chaunticler and Pertelote.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274265">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Retraction&quot;: Who Retracted What?]]></dcterms:title>
    <dcterms:description><![CDATA[Accepts Ret as earnest but impersonated, surveying critical opinions, and suggesting that it is best read as an instance of Chaucer&#039;s &quot;contrast principle&quot; in operation, offering examples of his &quot;many pretended or real about-faces&quot; in CT. After ParsT, Ret &quot;switch[es] us back to Chaucer the pilgrim, who has listened with his usual enthusiasm and commitment, to the Parson&#039;s sermon on the rejection of worldliness and the necessity of repentance.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274264">
    <dcterms:title><![CDATA[&quot;Sir Thopas,&quot; 901-2.]]></dcterms:title>
    <dcterms:description><![CDATA[Shows that the humor of applying the phrase&quot; flower of chivalry&quot; to Sir Thopas (Tho 7.901-2) results from Chaucer&#039;s change of a &quot;traditionally metaphoric phrase into a literal one.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274263">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Impossibilia.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies several instances of Chaucer&#039;s uses of lists of impossibilities (rhetorical &quot;adynata&quot; or &quot;impossibilia&quot;) in &quot;personal laments and exclamations of fidelity and sincerity&quot; (TC, BD, Anel), giving classical precedents in Virgil&#039;s &quot;Eclogues&quot; and Ovid&#039;s &quot;Heroides.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274262">
    <dcterms:title><![CDATA[English Dramatic Form: A History of Its Development.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the history and development of English drama from the Renaissance to the modern period, emphasizing &quot;the nature and effects&quot; of plays and performance. Includes a chapter entitled &quot;The Dream Vision from Chaucer to Shakespeare&quot; (pp. 61-79), which discusses how Chaucer separated &quot;&#039;performance&#039; of poetry from ordinary living&quot; in BD, HF, PF and LGWP. Also includes a section (pp. 91-94) on parallels between TC and Shakespeare&#039;s &quot;Troilus and Cressida.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274261">
    <dcterms:title><![CDATA[Erroneous Punctuation in Chaucer, &quot;CT&quot; I (A) 4394-96.]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes punctuation for CkT 1.4394-96 that renders Perkyn&#039;s &quot;sober-living master&quot; as &quot;not altogether above reproach,&quot; offering the reading as &quot;yet another token of Chaucer&#039;s sophisticated art.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274260">
    <dcterms:title><![CDATA[Chaucer: The Squire&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents SqPT and the description of the Squire from the GP in Middle English (based on the Ellesmere manuscript), with bottom-of-page textual notes, end-of text notes and glossary, an Introduction (pp. vii-xxxv), and a description of Chaucer&#039;s language and versification (pp. 51-58). The Introduction describes medieval Western notions of the East and Cathay, source material for SqT, its place in CT, astronomy and astrology, and a brief account of Chaucer&#039;s life.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274259">
    <dcterms:title><![CDATA[The Subjects of Chaucer&#039;s Poetry.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes a series of recurrent concerns in Chaucer&#039;s poetry: pity (but not sentimentality), remarkable female characterizations, a complicated view of love, and the &quot;theme of death.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274258">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Manciple&#039;s Tale,&quot; Lines 311-13.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies several medieval analogues to the sentiment expressed in ManT 311-13, the earliest being the &quot;Carmen as Astralabium Filium,&quot; attributed to Peter Abelard.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274257">
    <dcterms:title><![CDATA[Franciplegius: Medieval and Linguistic Studies in Honor of Francis Peabody Magoun, Jr.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes 26 essays on Germanic, Old English, Middle English, and Renaissance literary and linguistic topics, along with a dedicatory poem, a brief Introduction, and a list of Magoun&#039;s publications between 1924 and 1964, including reviews. For two essays that pertain to Chaucer, search for Flanciplegius under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274256">
    <dcterms:title><![CDATA[Middle English: Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive review of Chaucerian scholarship and research published in 1963.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274255">
    <dcterms:title><![CDATA[Chaucer&#039;s Old Man in the Americas.]]></dcterms:title>
    <dcterms:description><![CDATA[Reports two oral accounts of analogues of the Old Man in the PardT--one from the southwest U.S. and one from Guatemala.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274254">
    <dcterms:title><![CDATA[&quot;That Fol of Whos Folie Men Ryme.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that in TC 1.531-32 Troilus is referring to Tristan as a much-rhymed-about fool in love, adducing evidence of general familiarity with Tristan&#039;s foolishness in John Gower, Robert Mannyng, and PF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274253">
    <dcterms:title><![CDATA[Great Poetry of the English Language: Geoffrey Chaucer to Emily Dickinson.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a modernization of GP (pp. 3-34) in regularized rhymed iambic pentameter.<br />
]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274252">
    <dcterms:title><![CDATA[&quot;Game&quot; in The &quot;Tale of Gamelyn.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores multiple meanings of &quot;game&quot;--as transgression, violent activity, pleasure, source of food--in &quot;Gamelyn &quot; (which takes the place of CkT in several texts of CT). Identifies idea of boundaries (legal and social) and punning on the name of Gamelyn&#039;s father, &quot;Boundys.&quot; Claims that Gamelyn pits &quot;game&quot; against&quot; &quot;guile,&quot; and not against &quot;ernest,&quot; as in CT. Argues that the sense of game as &quot;guile&quot; recalls Pandarus&#039;s &quot;Here bygynneth game&quot; in TC, Book I.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274251">
    <dcterms:title><![CDATA[&quot;Buried in an herte&quot;: French Poetics and the Ends of Genre in Chaucer&#039;s &quot;Complaint unto Pity.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Pity is both a &quot;clever critique&quot; of the French lyric genre of complaint and &quot;loving homage&quot; to it, assessing aspects of exaggeration, repetition, structure, conventional theme and diction, wordplay, etc. as evidence that the poem evokes delight in the genre by means of appreciative parody.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274250">
    <dcterms:title><![CDATA[Secular Consolation in Chaucer&#039;s &quot;Complaint of Mars.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Describes Chaucer&#039;s self-conscious exploration of time in Mars, arguing that in form and content the poem presents an ambivalent, &quot;permeable, and even unstable&quot; view of secularity but also implies the &quot;palpably absent&quot; other of transcendence. More like BD than TC, Mars conveys Boethian consolation that can be characterized as &quot;secular&quot; only if it is realized how secularity entails temporality in medieval understanding.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274249">
    <dcterms:title><![CDATA[Loci of Solitude: The Idea of &quot;Pryvetee&quot; in Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the &quot;the practice of privacy in reclusive spaces&quot; in TC and MilT, focusing on the physical surroundings, behaviors, and interactions with other characters of Criseyde and Nicholas, and identifying aspects of &quot;personal privacy&quot; within the dominant &quot;collective privacy&quot; of the household in the late medieval world. Includes an abstract in English and in Chinese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274248">
    <dcterms:title><![CDATA[&quot;And sodeynly he wax therwith astoned&quot;: Virgilian Emotion and Images of Troy in Chaucer&#039;s &quot;Troilus.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers Chaucer&#039;s attention to the city of Troy in TC, focusing on the Palladium festival in Book 1 and Troilus&#039;s ride through the city in Book 5, arguing that the scenes reflect the influence of Virgil&#039;s &quot;Aeneid&quot; and associate the fall of Troy with Troilus&#039;s initial viewing of Criseyde and the inevitable demise of their relationship.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274247">
    <dcterms:title><![CDATA[Odd Bits of &quot;Troilus and Criseyde&quot; and the Rights of Chaucer&#039;s Early Readers.]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates TC fragments as a window into how Chaucer&#039;s first readers experienced and interpreted his works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274246">
    <dcterms:title><![CDATA[Pluck Off Her Bells and Let Her Fly: Falconry as Medieval Reading Practice.]]></dcterms:title>
    <dcterms:description><![CDATA[Links the rise of falconry in the Middle Ages to the use of falconers&#039; discourses as lenses for understanding texts. Discusses falconry metaphors in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274245">
    <dcterms:title><![CDATA[Desire and Narrative: The Case of Chaucer&#039;s &quot;Troilus and Criseyde.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Points out Troilus&#039;s desire as an important element of TC, and argues that TC engages with the issue of Fortune in relation to human nature. In Japanese, with English abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274244">
    <dcterms:title><![CDATA[Troilus and Cressida in the Light of Day: Shakespeare Reading Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Claims that in reworking TC, Shakespeare &quot;turns it inside out&quot;: the work of creating Criseyde&#039;s double image shifts from the narrator to Troilus, who also embodies the narrator&#039;s &quot;longing and dread of the erotic,&quot; and eye-witness testimony fills the role of Chaucer&#039;s &quot;olde bokes.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>