<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274318">
    <dcterms:title><![CDATA[The Road to Canterbury: A Game of Pilgrims, Pardoners and the Seven Deadly Sins.]]></dcterms:title>
    <dcterms:description><![CDATA[Inspired by CT and designed for 2-3 players, aged 10 and above. Players are &quot;medieval pardoners who travel the Road to Canterbury tempting Pilgrims with the Seven Deadly Sins--and then pardon these sins for a fee,&quot; with the goal of winning the most money. Details of illustration and design derive from the Ellesmere manuscript and Hieronymus Bosch&#039;s &quot;The Seven Deadly Sins and the Four Last Things.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274317">
    <dcterms:title><![CDATA[Love&#039;s Crack-up: &quot;The House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the theme of distorted love in HF, where &quot;love of self&quot; is depicted as replacing the ideal of &quot;&#039;commune profit,&#039; that is love for others and for the larger order of the universe&quot; held together by the &quot;great chain.&quot; Argues that courtly love must be &quot;reinstated as a way of getting back to the holier kind of love&quot; that is spiritual.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274316">
    <dcterms:title><![CDATA[12 Poets: Alternate Edition.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a brief introduction to Chaucer and his works, with a selection from GP and PrT, NPT, and PardT (without their prologues), accompanied by marginal glosses and bottom-of-the-page notes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274315">
    <dcterms:title><![CDATA[Pronouns of Address and the Status of Pilgrims in the &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Tabulates the uses of second-person singular pronouns (&quot;ye&quot; and &quot;thou&quot;) in speeches between pilgrims in CT, and focuses on instances in which the Host uses these pronouns to address his fellow pilgrims, observing a concern with rank.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274314">
    <dcterms:title><![CDATA[The Sounds of Chaucer&#039;s English.]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces Chaucer&#039;s language and its place in English language history, describing his vocabulary (including a list of misleading cognates and obsolete or difficult forms), morphology, grammar, and phonology--all exemplified in the booklet and in the recordings, and demonstrated through audio selections from Chaucer&#039;s poetry: BD, PF, TC, GP, KnT, RvT, WBT, PardT, and NPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274313">
    <dcterms:title><![CDATA[Myth as Paradigm in &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the Helen-Deiphebus sub-plot in TC for the ways that it reinforces the poem&#039;s theme of inconstancy and anticipates Criseyde&#039;s relationship with Diomedes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274312">
    <dcterms:title><![CDATA[Chautecleer and the Monk, Two False Knights.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chauntecleer&#039;s character in NPT &quot;reflects not only the victims in the Monk&#039;s tragedies but the Monk himself,&quot; focusing on &quot;echoes and parallels&quot; between NPT and MkT, their concern with fortune, and the Nun&#039;s Priest&#039;s warning to the Monk.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274311">
    <dcterms:title><![CDATA[Rhetoric and Meaning in Chaucer&#039;s &quot;Knight&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores rhetorical devices in KnT, and suggests that &quot;analysis of its rhetoric&quot; reveals that the poem is &quot;organized&quot; as a &quot;demande d&#039;amour,&quot; identifying how Chaucer adjusted the rhetoric of his source, Boccaccio&#039;s &quot;Teseida.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274310">
    <dcterms:title><![CDATA[The Case Against the &quot;Bradshaw Shift&quot;; or, the Mystery of the Manuscript in the Trunk.]]></dcterms:title>
    <dcterms:description><![CDATA[Justifies following the Ellesmere order of the CT on thematic grounds, arguing that the arrangement is &quot;probably Chaucer&#039;s,&quot; taking note of probable stages in Chaucer&#039;s process of composition, and observing a &quot;general coherence&quot; of concerns with order, sensuality, marriage, wealth and status, and renunciation of the world.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274309">
    <dcterms:title><![CDATA[Chaucer the Theater-goer.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the imagery of court revels influenced Chaucer&#039;s works: &quot;revels imagery ornaments&quot; MerT, &quot;structures the opening&quot; of SqT, and &quot;motivates choices&quot; in FranT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274308">
    <dcterms:title><![CDATA[The Wound and the Comforter: the Consolations of Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the pervasiveness of the influence of Boethius&#039;s &quot;Consolation of Philosophy&quot; on Chaucer&#039;s works, noting its role as the source of Bo, summarizing its well-recognized impact on Chaucer&#039;s &quot;discourses on providence, &#039;gentilesse,&#039; and truth&quot; in KnT, and TC, and arguing that it also influenced wound imagery in ABC, BD, TC, and MerT]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274307">
    <dcterms:title><![CDATA[The Poetry of Geoffrey Chaucer: The Parliament of Fowls and Six Lyric Poems.]]></dcterms:title>
    <dcterms:description><![CDATA[A reading in Middle English of PF, MerB, Ros, Sted, Purse, Adam, and Scogan, accompanied by a companion booklet that comprises the text, notes, and glosses based on E. T Donaldson&#039;s &quot;Chaucer&#039;s Poetry&quot; (1958).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274306">
    <dcterms:title><![CDATA[Chaucer&#039;s Canterbury Tales: The Miller&#039;s Tale and The Reeve&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[A reading in Middle English of MilPT and RvPT, accompanied by a companion booklet that comprises the text, notes, and glosses based on E. T. Donaldson&#039;s &quot;Chaucer&#039;s Poetry&quot; (1958).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274305">
    <dcterms:title><![CDATA[The Canterbury Pilgrims.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes selections from GP in translation by Nevill Coghill, set to music, and narrated by Martin Starkie: the opening of GP and the descriptions of the Knight, the &quot;Knight&#039;s Son,&quot;, the &quot;Nun,&quot; the &quot;Guild,&quot; the Monk, the Wife of Bath, the Shipman, the Miller, the Doctor of Physic, the Summoner and Pardoner, and the &quot;Scene at the Tabard Inn &amp; Finale.&quot; Composed and arranged by John Hawkins and Richard Hill; music performed by The Gabrieli Brass.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274304">
    <dcterms:title><![CDATA[Collection: Literature for the Seventies.]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes short stories, poetry, and drama, including Chaucer&#039;s Purse (p. 347) in the modernized version by E. T. Donaldson (1958).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274303">
    <dcterms:title><![CDATA[Geoffrey Chaucer: The Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Edits a selection from CT, with text based on Robinson&#039;s 1957 edition, modified in light of Manly and Rickert&#039;s collations. Includes complete versions of GP, KnT, MilT, RvT, WBT, FrT, SumT, ClT, MerT, FranT, PardT, PrT, NPT, and Ret, with summaries of the other Tales. The Introduction (pp. ix-xxx) comments on Chaucer&#039;s life and language, summarizes Chaucer&#039;s innovations and dependencies, and offers suggestions on pronunciation and critical bibliography.  Includes brief notes and occasional glosses at the bottom of the text, with an additional glossary at the end.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274302">
    <dcterms:title><![CDATA[Chaucer&#039;s Idea of What Is Noble.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the history of the idea of nobility or gentility in European tradition, tracing the etymology of &quot;gentilesse&quot; and Chaucer&#039;s importance in the development of the concept in English, especially in KnT, FranT, and WBT.  Links Chaucer&#039;s uses to related concepts in &quot;Aristotle, the New Testament, Boethius, Ramon Lull, Guillaume de Lorris and Dante.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274301">
    <dcterms:title><![CDATA[The Quest for Love.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers a psychotherapeutic approach to literature, including discussion of Chaucer&#039;s &quot;Marriage Group&quot; (pp. 91-120). Praises WBP for its feminine acceptance of the realities of love and the simultaneous pursuit of the desire to transcend them. The durability of love in FranT is sustained by generosity: while Dorigen &quot;sees reality as a threat&quot; to love, Aurelius accepts the &quot;adult reality&quot; of married love and releases her. MerT expresses the unreality of January&#039;s &quot;infantile egocentrality&quot; and through &quot;gruesome comedy&quot; asserts the &quot;vital morality&quot; of May and Damian&#039;s real sexuality. Together, the works epitomize Chaucer&#039;s &quot;great art,&quot; &quot;great social force,&quot; and &quot;great inward spiritual force for civilization.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274300">
    <dcterms:title><![CDATA[Ovid&#039;s Argus and Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer&#039;s allusions to Argus in WBP, MerT, and TC derive ultimately from Ovid&#039;s &quot;Ars Amatoria&quot; and &quot;Amores&quot; and capitalize on the &quot;conventional moral significations&quot; of the moralized commentary tradition, lending resonances to the allusions]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274299">
    <dcterms:title><![CDATA[Ovid and the Monk&#039;s Tale of Hercules.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that although Chaucer generally follows Boethius&#039;s &quot;Consolation of Philosophy&quot; in his account of the labors of Hercules, one discrepancy may have been influenced by a scholists&#039; gloss to Ovid&#039;s &quot;Ibis&quot; 401-2.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274298">
    <dcterms:title><![CDATA[Ovid and the &quot;Marital Dilemma&quot; in &quot;The Wife of Bath&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies Ovid&#039;s &quot;Amores&quot; 3.4.41-42 as a possible source for the &quot;incompatibility of beauty and marital fidelity&quot; that underlies the choice offered by the loathly lady to the knight in WBT 3.1219-27.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274297">
    <dcterms:title><![CDATA[Ovid and Chaucer&#039;s Myth of Theseus and Piritheüs.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies Ovid as the ultimate source of Chaucer&#039;s references to the friendship of Theseus and Piritheus in KnT, perhaps mediated by the &quot;Roman de la Rose 8148-54 or moralizations of Ovid&#039;s works. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274296">
    <dcterms:title><![CDATA[Mercury, Argus, and Chaucer&#039;s Arcite: &quot;Canterbury Tales&quot; I(A) 1384-90.]]></dcterms:title>
    <dcterms:description><![CDATA[Reinforces previous arguments that the immediate source of Chaucer&#039;s description of &quot;Mercury the slayer of Argus&quot; in KnT is Ovid&#039;s &quot;Metamorphoses&quot; 1.671-72, adding that, like Argus, Arcite finds death by listening to the &quot;persuasive and deceitful words of the god of eloquence.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274295">
    <dcterms:title><![CDATA[Chauntecleer and Taurus.]]></dcterms:title>
    <dcterms:description><![CDATA[Attributes the reference to Taurus in NPT 7.3194-95 to the medico-astrological tradition of associating Taurus with necks and throats, part of a pattern of imagery in the Tale that may reflect the influence of Bartholomeus Anglicanus&#039;s &quot;De Proprietatibus Rerum.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274294">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Miller&#039;s Tale,&quot; l. 3226.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the phrase &quot;been lyk a cokewold&quot; (MilT 1.3226) means that John fears he is a cuckold, not that he will be a cuckold, observing misconstruals in editions and translations of the Tale.]]></dcterms:description>
</rdf:Description></rdf:RDF>