<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274251">
    <dcterms:title><![CDATA[&quot;Buried in an herte&quot;: French Poetics and the Ends of Genre in Chaucer&#039;s &quot;Complaint unto Pity.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Pity is both a &quot;clever critique&quot; of the French lyric genre of complaint and &quot;loving homage&quot; to it, assessing aspects of exaggeration, repetition, structure, conventional theme and diction, wordplay, etc. as evidence that the poem evokes delight in the genre by means of appreciative parody.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274250">
    <dcterms:title><![CDATA[Secular Consolation in Chaucer&#039;s &quot;Complaint of Mars.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Describes Chaucer&#039;s self-conscious exploration of time in Mars, arguing that in form and content the poem presents an ambivalent, &quot;permeable, and even unstable&quot; view of secularity but also implies the &quot;palpably absent&quot; other of transcendence. More like BD than TC, Mars conveys Boethian consolation that can be characterized as &quot;secular&quot; only if it is realized how secularity entails temporality in medieval understanding.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274249">
    <dcterms:title><![CDATA[Loci of Solitude: The Idea of &quot;Pryvetee&quot; in Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the &quot;the practice of privacy in reclusive spaces&quot; in TC and MilT, focusing on the physical surroundings, behaviors, and interactions with other characters of Criseyde and Nicholas, and identifying aspects of &quot;personal privacy&quot; within the dominant &quot;collective privacy&quot; of the household in the late medieval world. Includes an abstract in English and in Chinese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274248">
    <dcterms:title><![CDATA[&quot;And sodeynly he wax therwith astoned&quot;: Virgilian Emotion and Images of Troy in Chaucer&#039;s &quot;Troilus.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers Chaucer&#039;s attention to the city of Troy in TC, focusing on the Palladium festival in Book 1 and Troilus&#039;s ride through the city in Book 5, arguing that the scenes reflect the influence of Virgil&#039;s &quot;Aeneid&quot; and associate the fall of Troy with Troilus&#039;s initial viewing of Criseyde and the inevitable demise of their relationship.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274247">
    <dcterms:title><![CDATA[Odd Bits of &quot;Troilus and Criseyde&quot; and the Rights of Chaucer&#039;s Early Readers.]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates TC fragments as a window into how Chaucer&#039;s first readers experienced and interpreted his works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274246">
    <dcterms:title><![CDATA[Pluck Off Her Bells and Let Her Fly: Falconry as Medieval Reading Practice.]]></dcterms:title>
    <dcterms:description><![CDATA[Links the rise of falconry in the Middle Ages to the use of falconers&#039; discourses as lenses for understanding texts. Discusses falconry metaphors in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274245">
    <dcterms:title><![CDATA[Desire and Narrative: The Case of Chaucer&#039;s &quot;Troilus and Criseyde.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Points out Troilus&#039;s desire as an important element of TC, and argues that TC engages with the issue of Fortune in relation to human nature. In Japanese, with English abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274244">
    <dcterms:title><![CDATA[Troilus and Cressida in the Light of Day: Shakespeare Reading Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Claims that in reworking TC, Shakespeare &quot;turns it inside out&quot;: the work of creating Criseyde&#039;s double image shifts from the narrator to Troilus, who also embodies the narrator&#039;s &quot;longing and dread of the erotic,&quot; and eye-witness testimony fills the role of Chaucer&#039;s &quot;olde bokes.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274243">
    <dcterms:title><![CDATA[What Spenser Took from Chaucer: Worldly Vanity in the &quot;The Ruines of Time&quot; and &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes Edmund Spenser&#039;s &quot;The Ruines of Time&quot; as a response to TC, arguing that Spenser emulates aspects of TC as a mediation of &quot;the humanist imitation of classical texts&quot; and concludes that the Renaissance &quot;rediscovery of classical texts was inextricably intertwined with Chaucer&#039;s legacy.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274242">
    <dcterms:title><![CDATA[Humour in Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on Chaucer&#039;s humor and irony in the love consummation scene in TC, and how he frames terminology as courtly love, while undermining the concept.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274241">
    <dcterms:title><![CDATA[Chaucer, His Boethius, and the Narrator of His Troilus.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the narrator of TC as a &quot;translator-commentator&quot; of his story, analogous to Chaucer&#039;s relation to Boethius&#039;s material when producing his Bo. This dynamic enables the narrator to stand apart from the temporality of his plot while simultaneously participating in it--a dual perspective that is like that of Boethius&#039;s own narrator and aligned with his themes of the relationships between eternality and temporality and Providence and free will.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274240">
    <dcterms:title><![CDATA[&quot;His helm tohewen was in twenty places&quot;: Reconstructing Troilus.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the &quot;gestalt of identity&quot; that armor represents in TC, assessing the private and public aspects of references to arms and armor in the poem, focusing on Troilus and Diomedes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274239">
    <dcterms:title><![CDATA[Reading Chaucer&#039;s Calkas: Prophecy and Authority in &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s original characterization of Calkas through the ways it diverges from the representation of this character in earlier versions. Chaucer presents him as a human individual whose words are not necessarily to be trusted, introducing skepticism into multiple levels of the poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274238">
    <dcterms:title><![CDATA[Guido Cavalcanti&#039;s Theory of Love and Chaucer&#039;s &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests how Chaucer may have become familiar with the work of Guido Cavalcanti, and argues that TC records philosophical and poetical perspectives and several poetic devices that are similar to those found in Cavalcanti&#039;s &quot;Donna me prega.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274237">
    <dcterms:title><![CDATA[Criseyde&#039;s Swoon and the Experience of Love in &quot;Trolius [sic] and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that moral and psychological interpretations of TC--readings that judge the characters and those that empathize with their experiences--are &quot;not as incompatible as their adherents would have us believe.&quot; Chaucer&#039;s rich depictions of his protagonists&#039; complex agencies compel us to recognize that the two interpretive perspectives are interdependent.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274236">
    <dcterms:title><![CDATA[&quot;God may well fordo destiny&quot;: Dealing with Fate, Destiny, and Fortune in Sir Thomas Malory&#039;s &quot;Le Morte Darthur&quot; and Other Late Medieval Writing.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses determinism in a variety of late medieval works, Malory&#039;s &quot;Darthur&quot; most extensively. Includes discussion of TC for its depiction of &quot;God&#039;s ability to overpower anything that had been ordained by some predetermining force,&quot; part of the &quot;late medieval engagement&quot; with determinism and its associations with paganism. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274235">
    <dcterms:title><![CDATA[Multi-Dimensional Reading in Two Manuscripts of &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads the manuscript glosses to TC in Cambridge, St. John&#039;s College, MS L.i and Cambridge, University Library, MS Gg.IV.27 as an &quot;experimental early step toward the more elaborate marginal apparatus&quot; in CT manuscripts. The TC glosses reflect a &quot;complex hermeneutic of interpretation,&quot; rich in ambiguities, that result from &quot;multi-dimensional intertextuality&quot; with Joseph of Exeter&#039;s &quot;Iliad,&quot; one of Chaucer&#039;s sources.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274234">
    <dcterms:title><![CDATA[Flowing Backward to the Source: Criseyde&#039;s Promises and the Ethics of Allusion.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on Criseyde&#039;s two oaths of fidelity in TC (3.1493-1502 and 4.1549-54) for the way that they allusively engage Ovidian narratives; counter the linear temporality of epic; affirm Criseyde&#039;s sincerity and &quot;bold idealism&quot;; and compel readers to resist reductive, deterministic reading. Also explores other devices in the poem (especially references to Oenone) that suspend temporality and foreground &quot;alternative narratives of past texts in order to examine the force of Criseyde&#039;s intent to be true.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274233">
    <dcterms:title><![CDATA[Seeing Time: Boethius and the Ethics of Perspective in Chaucer&#039;s Dream Visions and &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Boethius&#039;s &quot;Consolation of Philosophy&quot; provides Chaucer with a means of understanding time as a unified and simultaneous whole, and that he deploys this understanding in the dream visions, and especially TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274232">
    <dcterms:title><![CDATA[The Relationship between MS Hunter 409 and the 1532 Edition of Chaucer&#039;s Works by William Thynne.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents evidence that William Thynne used MS Hunter 409 as his source when preparing Rom for his 1532 edition of Chaucer&#039;s Workes,&quot; &quot;resorting to the French original when in doubt,&quot; and recurrently archaizing the text by adding the y-prefix to indicate the past participles.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274231">
    <dcterms:title><![CDATA[Thomas Hoccleve&#039;s Particular Appeal.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers a pedagogical plan for a lesson in the close reading of several late medieval English lyrics, including comparisons of poems by Thomas Hoccleve with Purse and Chaucer&#039;s roundel at the end of PF. Explores issues of &quot;accessibility&quot; to students, canonicity, and context.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274230">
    <dcterms:title><![CDATA[&quot;Kek, kek&quot;: Translating Birds in Chaucer&#039;s &quot;Parliament of Fowls.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the bird-talk and &quot;interspecies communication&quot; in PF as they dramatize the potentials and limitations of allegory, translation, &quot;biotranslation,&quot; the &quot;writeability&quot; of bird sounds, and the relations between human and nonhuman subjectivities. Includes comments on SqT and HF, with mention of ManT and NPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274229">
    <dcterms:title><![CDATA[A Moral Garden &quot;out of olde feldes&quot;: Deallegorized Virtue in Chaucer&#039;s &quot;Parliament of Fowls.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that when read in the light of the moralized garden in Alan of Lille&#039;s &quot;Plaint of Nature,&quot; the &quot;locus amoenus&quot; of PF is &quot;an ethically charged terrain,&quot; in which the narrator successively exemplifies and then deviates from the virtues of prudence, temperance, fortitude, and justice. Thus, PF presents a &quot;dynamic portrait of moral agency.&quot; ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274228">
    <dcterms:title><![CDATA[Art and Orientation.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how poets &quot;guide their readers through sequences of feelings, thoughts, and attitudes&quot; by means of verbal depictions of built spaces that orient readers&#039; attention to the use of spaces and spatial objects. Includes discussion of the gate in PF (lines 127-49) to demonstrate differences between &quot;propositional&quot; space and &quot;ductile&quot; space, presented by Chaucer with comic ambiguity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274227">
    <dcterms:title><![CDATA[Bright Wings: An Illustrated Anthology of Poems about Birds.]]></dcterms:title>
    <dcterms:description><![CDATA[Comprises an anthology of English-language poetry about birds and bird species, with accompanying color plates. In the section concerning hawks, includes a stanza from PF (lines 330-36).]]></dcterms:description>
</rdf:Description></rdf:RDF>