<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274326">
    <dcterms:title><![CDATA[Chaucer the Man.]]></dcterms:title>
    <dcterms:description><![CDATA[Traces Chaucer&#039;s attention to his own authorial fame, putting it in the context of medieval anonymity, book production, and the &quot;idea of authorship.&quot; Compares and contrasts the narrators and attendant &quot;fictive illusion&quot; in his works, especially HF. TC, and CT, and observes growth in the development of an &quot;implied relationship&quot; between Chaucer and his audience that was like the one he shared with his contemporaries. Concludes that &quot;the style is the man himself&quot;--i.e., &quot;the most relevant [biographical] information we can have comes from the style of his works.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274325">
    <dcterms:title><![CDATA[The Progress of Poetry: A Collection of Poetry from Chaucer to the Present Day.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; no further information available.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274324">
    <dcterms:title><![CDATA[Chaucer: The Nun&#039;s Priest&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[A reading of NPT in Middle English by John Burrow, Nevill Coghill, Lena Davis, and Norman Davis, recorded in association with The British Council. The insert comprises the text, with notes and glosses.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274323">
    <dcterms:title><![CDATA[Selections from The Tales of Canterbury and Short Poems.]]></dcterms:title>
    <dcterms:description><![CDATA[Edits CT (excluding Mel, MkT, SNT, CYT, and Pars), along with Ros, Form Age, Adam, Buk, Purse, and Truth, following the Robinson&#039;s edition of 1957, with modification from Manly and Rickert&#039;s collations. Marginal glosses and bottom-of-page notes accompany the text, followed by an end-of-text &quot;Basic Glossary&quot; (pp. 397-401). The Introduction (pp. vii-xxxvii) surveys Chaucer&#039;s life, works, techniques of characterization and verisimilitude in CT, and uses of source material, followed by commentary on order of the tales, Chaucer&#039;s language, and how to read Chaucer, as well as a brief critical bibliography.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274322">
    <dcterms:title><![CDATA[Tales of Magic and Enchantment.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes (pp. 256-76) KnT in a modern prose version from Eleanor Farjeon&#039;s &quot;Tales of Chaucer&quot; (1930), here &quot;slightly cut&quot; and titled &quot;Palamon and Arcite.&quot; Includes a b&amp;w illus. of Emelye walking below the prison tower.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274321">
    <dcterms:title><![CDATA[John Milton&#039;s Samson Agonistes: The Poem and Materials for Analysis.]]></dcterms:title>
    <dcterms:description><![CDATA[A textbook edition of &quot;Samson Agonistes&quot; that includes among the poem&#039;s &quot;Antecedents&quot; the Samson section of MkT (CT 7. 3205-3284) from Skeat&#039;s 1894 edition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274320">
    <dcterms:title><![CDATA[The Story of English: How an Obscure Dialect Became the World&#039;s Most-Spoken Language.]]></dcterms:title>
    <dcterms:description><![CDATA[A history of the English language that emphasizes sidelights (alphabets, reform movements, etc.) as well as major developments (Old English through Post-Modern English), with a select bibliography, an index, and recurrent attention to literature, including Chaucer&#039;s CT (pp. 68-74), here characterized as having a small &quot;initial impact&quot; on the English language although its continued popularity exerted an influence through time.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274319">
    <dcterms:title><![CDATA[The Western Lit Survival Kit: An Irreverent Guide to the Classics, from Homer to Faulkner.]]></dcterms:title>
    <dcterms:description><![CDATA[Romps through the western literary canon, including commentary on CT and scoring it a 10 in Importance, 6 in Accessibility, and 9 in Fun; TC rates 4, 3, and 4, respectively. Distinguishes CT from the novel tradition, and summarizes, irreverently, several of the Tales.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274318">
    <dcterms:title><![CDATA[The Road to Canterbury: A Game of Pilgrims, Pardoners and the Seven Deadly Sins.]]></dcterms:title>
    <dcterms:description><![CDATA[Inspired by CT and designed for 2-3 players, aged 10 and above. Players are &quot;medieval pardoners who travel the Road to Canterbury tempting Pilgrims with the Seven Deadly Sins--and then pardon these sins for a fee,&quot; with the goal of winning the most money. Details of illustration and design derive from the Ellesmere manuscript and Hieronymus Bosch&#039;s &quot;The Seven Deadly Sins and the Four Last Things.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274317">
    <dcterms:title><![CDATA[Love&#039;s Crack-up: &quot;The House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the theme of distorted love in HF, where &quot;love of self&quot; is depicted as replacing the ideal of &quot;&#039;commune profit,&#039; that is love for others and for the larger order of the universe&quot; held together by the &quot;great chain.&quot; Argues that courtly love must be &quot;reinstated as a way of getting back to the holier kind of love&quot; that is spiritual.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274316">
    <dcterms:title><![CDATA[12 Poets: Alternate Edition.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a brief introduction to Chaucer and his works, with a selection from GP and PrT, NPT, and PardT (without their prologues), accompanied by marginal glosses and bottom-of-the-page notes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274315">
    <dcterms:title><![CDATA[Pronouns of Address and the Status of Pilgrims in the &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Tabulates the uses of second-person singular pronouns (&quot;ye&quot; and &quot;thou&quot;) in speeches between pilgrims in CT, and focuses on instances in which the Host uses these pronouns to address his fellow pilgrims, observing a concern with rank.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274314">
    <dcterms:title><![CDATA[The Sounds of Chaucer&#039;s English.]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces Chaucer&#039;s language and its place in English language history, describing his vocabulary (including a list of misleading cognates and obsolete or difficult forms), morphology, grammar, and phonology--all exemplified in the booklet and in the recordings, and demonstrated through audio selections from Chaucer&#039;s poetry: BD, PF, TC, GP, KnT, RvT, WBT, PardT, and NPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274313">
    <dcterms:title><![CDATA[Myth as Paradigm in &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the Helen-Deiphebus sub-plot in TC for the ways that it reinforces the poem&#039;s theme of inconstancy and anticipates Criseyde&#039;s relationship with Diomedes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274312">
    <dcterms:title><![CDATA[Chautecleer and the Monk, Two False Knights.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chauntecleer&#039;s character in NPT &quot;reflects not only the victims in the Monk&#039;s tragedies but the Monk himself,&quot; focusing on &quot;echoes and parallels&quot; between NPT and MkT, their concern with fortune, and the Nun&#039;s Priest&#039;s warning to the Monk.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274311">
    <dcterms:title><![CDATA[Rhetoric and Meaning in Chaucer&#039;s &quot;Knight&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores rhetorical devices in KnT, and suggests that &quot;analysis of its rhetoric&quot; reveals that the poem is &quot;organized&quot; as a &quot;demande d&#039;amour,&quot; identifying how Chaucer adjusted the rhetoric of his source, Boccaccio&#039;s &quot;Teseida.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274310">
    <dcterms:title><![CDATA[The Case Against the &quot;Bradshaw Shift&quot;; or, the Mystery of the Manuscript in the Trunk.]]></dcterms:title>
    <dcterms:description><![CDATA[Justifies following the Ellesmere order of the CT on thematic grounds, arguing that the arrangement is &quot;probably Chaucer&#039;s,&quot; taking note of probable stages in Chaucer&#039;s process of composition, and observing a &quot;general coherence&quot; of concerns with order, sensuality, marriage, wealth and status, and renunciation of the world.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274309">
    <dcterms:title><![CDATA[Chaucer the Theater-goer.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the imagery of court revels influenced Chaucer&#039;s works: &quot;revels imagery ornaments&quot; MerT, &quot;structures the opening&quot; of SqT, and &quot;motivates choices&quot; in FranT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274308">
    <dcterms:title><![CDATA[The Wound and the Comforter: the Consolations of Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the pervasiveness of the influence of Boethius&#039;s &quot;Consolation of Philosophy&quot; on Chaucer&#039;s works, noting its role as the source of Bo, summarizing its well-recognized impact on Chaucer&#039;s &quot;discourses on providence, &#039;gentilesse,&#039; and truth&quot; in KnT, and TC, and arguing that it also influenced wound imagery in ABC, BD, TC, and MerT]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274307">
    <dcterms:title><![CDATA[The Poetry of Geoffrey Chaucer: The Parliament of Fowls and Six Lyric Poems.]]></dcterms:title>
    <dcterms:description><![CDATA[A reading in Middle English of PF, MerB, Ros, Sted, Purse, Adam, and Scogan, accompanied by a companion booklet that comprises the text, notes, and glosses based on E. T Donaldson&#039;s &quot;Chaucer&#039;s Poetry&quot; (1958).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274306">
    <dcterms:title><![CDATA[Chaucer&#039;s Canterbury Tales: The Miller&#039;s Tale and The Reeve&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[A reading in Middle English of MilPT and RvPT, accompanied by a companion booklet that comprises the text, notes, and glosses based on E. T. Donaldson&#039;s &quot;Chaucer&#039;s Poetry&quot; (1958).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274305">
    <dcterms:title><![CDATA[The Canterbury Pilgrims.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes selections from GP in translation by Nevill Coghill, set to music, and narrated by Martin Starkie: the opening of GP and the descriptions of the Knight, the &quot;Knight&#039;s Son,&quot;, the &quot;Nun,&quot; the &quot;Guild,&quot; the Monk, the Wife of Bath, the Shipman, the Miller, the Doctor of Physic, the Summoner and Pardoner, and the &quot;Scene at the Tabard Inn &amp; Finale.&quot; Composed and arranged by John Hawkins and Richard Hill; music performed by The Gabrieli Brass.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274304">
    <dcterms:title><![CDATA[Collection: Literature for the Seventies.]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes short stories, poetry, and drama, including Chaucer&#039;s Purse (p. 347) in the modernized version by E. T. Donaldson (1958).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274303">
    <dcterms:title><![CDATA[Geoffrey Chaucer: The Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Edits a selection from CT, with text based on Robinson&#039;s 1957 edition, modified in light of Manly and Rickert&#039;s collations. Includes complete versions of GP, KnT, MilT, RvT, WBT, FrT, SumT, ClT, MerT, FranT, PardT, PrT, NPT, and Ret, with summaries of the other Tales. The Introduction (pp. ix-xxx) comments on Chaucer&#039;s life and language, summarizes Chaucer&#039;s innovations and dependencies, and offers suggestions on pronunciation and critical bibliography.  Includes brief notes and occasional glosses at the bottom of the text, with an additional glossary at the end.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274302">
    <dcterms:title><![CDATA[Chaucer&#039;s Idea of What Is Noble.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the history of the idea of nobility or gentility in European tradition, tracing the etymology of &quot;gentilesse&quot; and Chaucer&#039;s importance in the development of the concept in English, especially in KnT, FranT, and WBT.  Links Chaucer&#039;s uses to related concepts in &quot;Aristotle, the New Testament, Boethius, Ramon Lull, Guillaume de Lorris and Dante.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>