<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277418">
    <dcterms:title><![CDATA[Narrative on the Margins: Tales and Fabliaux.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers a history of the fable in Middle English poetry, with examples from several poems, including discussing four extant fables. Concludes by showing the importance of the fable to the idea of the CT as a whole.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277417">
    <dcterms:title><![CDATA[Reception of the Middle English Poetic Tradition.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the legacy and survival of fourteenth-century poetry and poetic innovations in the fifteenth century, emphasizing the influence of Chaucer and Gower, especially with regard to their shaping of the role of the poet.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277416">
    <dcterms:title><![CDATA[The Guise of Translation: The Case for Chaucer&#039;s &quot;Oeuvre.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that &quot;contemporary critical translation theories shed light on&quot; Chaucer&#039;s &quot;translational environment&quot; and identifies &quot;a cluster of five translational actions&quot;--&quot;communication, transformation, transportation, hermeneutics, and liminality&quot;--that leave traces in Chaucer&#039;s works. Then addresses SqT as it takes on &quot;the guise of a translation, one that stretches&quot; widely &quot;beyond the British Isles.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277415">
    <dcterms:title><![CDATA[The Global Pilgrimage of Geoffrey Chaucer&#039;s &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the &quot;global reach&quot; of the literatures and languages that underlie the sources and settings of CT (with particular attention to SqT), and describes the multilingual, international range of translations, modernizations, adaptations, and other &quot;creative re-writings&quot; of Chaucer&#039;s work. Suggests that because CT &quot;began by reconfiguring relationships among the world&#039;s people and languages, they now can be remade to similar ends, thereby allowing us to understand Chaucer as England&#039;s first global poet.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277414">
    <dcterms:title><![CDATA[News from the East.]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates late fifteenth-century English representations of Ottoman Turks and Rhodes, assessing Caxton&#039;s first-printed indulgence (and related ones), John Kay&#039;s &quot;Siege of Rhodes,&quot; a Paston letter, and &quot;The Turke and Sir Gawaine&quot; for the ways they imagine &quot;the Turk&quot; and relations between Latin Christendom (especially the Hospitallers) and the growing Ottoman empire. Notes Chaucer&#039;s depictions of related concerns, identifies early uses of &quot;poet laureate&quot; and &quot;renegade,&quot; and assesses &quot;news reporting&quot; and &quot;contemporaneity&quot;  in late medieval media productions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277413">
    <dcterms:title><![CDATA[Trees of Thought: Arboreal Matter and Metaphor in Late Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores &quot;how late medieval English poets used the properties of trees, from their branching forms to their growth cycles, to negotiate literary influence and construct poetic meaning.&quot; Includes a chapter on  HF as well as one each on &quot;Piers Plowman,&quot; &quot;The Floure and the Leaf,&quot; and &quot;Laureation and Vegetal Poetics&quot; in works by John Lydgate and John Skelton.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277412">
    <dcterms:title><![CDATA[The Notebook: A History of Thinking on Paper.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the history and utilities of various forms of notebook, emphasizing their commercial roots and widespread uses, claiming in a brief section that Chaucer, on his 1372/73 trip to Florence, &quot;must have seen&quot; there &quot;how plentiful, and cheap, personal notebooks were,&quot; especially varieties of &quot;zibaldoni, ricordanzi, and libri di famiglia&quot; (all introduced and defined in a preceding section). Further claims that Chaucer&#039;s &quot;book&quot; in HF, 657, is his own notebook, that Jankyn&#039;s &quot;book of wikked wyves&quot; (WBP, 685) is a &quot;zabaldone,&quot; and that Chaucer&#039;s personal use of notebooks must have influenced his writing.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277411">
    <dcterms:title><![CDATA[Alle Thyng Hath Tyme: Time and Medieval Life.]]></dcterms:title>
    <dcterms:description><![CDATA[Reconstructs &quot;medieval people&#039;s experience of time as continuous, discontinuous, linear, and cyclical--from creation through judgment and into eternity,&quot; clarifying concepts of aging, eternity, planetary motion, time-keeping, apocalypse, etc., evinced in material objects, philosophy, art, and literature. Includes recurrent mention of Chaucer&#039;s works, commenting on varieties of time-reckoning in CT and assessing time as a theme and narrative device in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277410">
    <dcterms:title><![CDATA[Chaucer and the Ethics of Time.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how Chaucer uses the &quot;temporality of poetic form to explore the ethics of time&quot; in CT, BD, and TC. Connects Chaucer&#039;s poetic techniques to broader philosophical and ethical discourses of Augustine and Boethius.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277409">
    <dcterms:title><![CDATA[Linguistic Change and Metre: A Reply.]]></dcterms:title>
    <dcterms:description><![CDATA[Responds to Ad Putter, &quot;Linguistic Change and Metre: The Demise of Adjectival Inflections and the Scansion of &#039;High&#039; and &#039;Sly&#039; in Chaucer, Gower and Hoccleve&quot; (2022). Claims that the dropping of inflectional   &quot;-e&quot; in &quot;high&quot; and &quot;sly&quot; in poetry by Chaucer, Gower, and Hoccleve should not be understood as a linguistic shift, for it follows the &quot;metrical subrule,&quot; whereby the inflectional &quot;-e&quot; is dropped when a weak adjective precedes a word with &quot;aft stress.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277407">
    <dcterms:title><![CDATA[A Note on the Use of &quot;Wring One&#039;s Hands&quot; in Middle English Literature with a Focus on Middle English Romances and Chaucer&#039;s Works.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the expression &quot;wring one&#039;s hands&quot; in TC, HF, MLT, and ClT, and other Middle English romances. Focuses on frequency, associated gestures, and the gender of the person performing the action. Finds that the expression often accompanies other gestures to convey deep grief, is used more to depict women&#039;s sorrow, and plays a crucial role in advancing the narrative in scenes of grief. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277406">
    <dcterms:title><![CDATA[Chaucer&#039;s Wenches.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys and critiques &quot;wench&quot; as a term and a concept in medieval English texts and explores how &quot;Chaucer&#039;s wenches [in CT] embody the term&#039;s developing signification of intersectional disadvantage connected to age, gender, labor, reproductive capacity, and socioeconomic status.&quot; Links this signification with discourse about Black women in the American South and with the US Supreme Court&#039;s anti-abortion decision, &quot;Dobbs v. Jackson Women&#039;s Health Organization&quot; (June 2022).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277405">
    <dcterms:title><![CDATA[&quot;Out, Harrow&quot; and &quot;Alas!&quot;: Chaucer, Shouts and Narrative.]]></dcterms:title>
    <dcterms:description><![CDATA[Addresses shouting in Chaucer&#039;s narratives, focusing on &quot;the hue and cry,&quot; which, &quot;strikingly frequent,&quot; engages &quot;with questions about the reliability of narratives, and also with problems of rape and sexual consent, misogynistic narratives and fictions of social class.&quot; Surveys cries of alarm and exclamations of misdeeds in Chaucer&#039;s works, with particular attention to NPT, MilT, RvT, and PrT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277404">
    <dcterms:title><![CDATA[Narratorial Involvement in Hagiography: Chaucer, the Scottish &quot;Legendary&quot; and Lydgate&#039;s &quot;Albon and Amphibalus.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Uses the term &quot;narrator&quot; as a technical term to refer to &quot;the contours of the narratorial functions and the textual voice as these are inscribed,&quot; focusing on &quot;expansion of narratorial functions&quot; in fifteenth-century English hagiography. Includes discussion of the increasing role of the &quot;prologue or proëmium,&quot; with attention to the limits of narratorial &quot;voice&quot; in PrP and SNP and to Chaucer&#039;s stylistic influence on Lydgate.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277403">
    <dcterms:title><![CDATA[The Phenomenology of &quot;-e.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers various conditions of and approaches to pronouncing--or not pronouncing--final &quot;-e&quot; in Chaucer&#039;s verse, arguing that &quot;Chaucer&#039;s final &quot;-es&quot; are a subjective quality of his verse, a series of phonological events structured not by metrical or grammatical rule but by the feelings they produce&quot;--a phenomenology of desire. Examines a range of examples with particular attention to &quot;speche&quot; in HF, 766.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277402">
    <dcterms:title><![CDATA[The Canterbury Nightmares.]]></dcterms:title>
    <dcterms:description><![CDATA[Eleven tales of macabre fiction by various authors, loosely modeled on CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277401">
    <dcterms:title><![CDATA[The Wife of Bath, Fanfiction Writer: Teaching &quot;The Seconde Tale of the Wyf of Bath.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the theory and practice of a course on &quot;Medieval Fanfiction,&quot; focusing on an adaptation of WBPT—&quot;The Seconde Tale of the Wyf of Bath&quot; by Beth H [sic]. Includes a sample syllabus and sample handouts. The course readings include Chaucer&#039;s original; &quot;Sir Gawain and the Green Knight&quot;; selections from adaptation theory; and various medieval and modern sources, analogues, and adaptations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277400">
    <dcterms:title><![CDATA[Rebellious Women: Aphra Behn&#039;s Widow Ranter and Geoffrey Chaucer&#039;s Wife of Bath.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the widow Ranter of Aphra Behn&#039;s &quot;The Widow Ranter; or, The History of Bacon in Virginia&quot; is &quot;a &#039;reincarnation&#039; of Chaucer&#039;s Wife of Bath in the New [W]orld.&quot; Behn&#039;s play &quot;translates the wife . . . to colonial Virginia to negotiate both gender and class dynamics in the construction of potentially rebellious colonial identities vis-à-vis England.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277399">
    <dcterms:title><![CDATA[ReMixing Chaucer in a 21st-Century Undergraduate Classroom.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers &quot;an imaginary conversation between myself and the texts that feature on a final-year Undergraduate Module that I teach in a UK university,&quot; a course called &quot;ReMix: Chaucer in the Then and Now.&quot; The course readings feature TC, CT, Lavinia Greenlaw&#039;s &quot;A Double Sorrow&quot; (2014), Patience Agbabi&#039;s &quot;Telling Tales&quot; (2014), and the first volume of &quot;Refugee Tales&quot; (2016), edited by David Herd and Anna Pincus.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277398">
    <dcterms:title><![CDATA[Lavinia Greenlaw&#039;s Response to Chaucer and the Poetics of Memory.]]></dcterms:title>
    <dcterms:description><![CDATA[Compares the models of memory presented by the narrators of Chaucer&#039;s TC and Lavinia Greenlaw&#039;s &quot;A Double Sorrow,&quot; her poetic adaptation of TC published in 2014. Argues that while Chaucer&#039;s narrator uses classical models of memory that involve the process of retrieving and presenting a sequence of images to tell his story, Greenlaw&#039;s text represents memory as more personal and autobiographical. Despite their different approaches to memory and history, Chaucer and Greenlaw share a focus on investigating the relationship between memory and emotion, particularly love.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277397">
    <dcterms:title><![CDATA[Legible Characters: Forgery, Authenticity, and the Making of the Canon.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how Alexander Pope&#039;s posing of his &quot;Women ben ful of Ragerie&quot; as a Chaucerian work reflects eighteenth-century concerns about literary history and authenticity and &quot;provides us with new ways of understanding how Chaucer was read, established, and understood in the eighteenth century and beyond.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277396">
    <dcterms:title><![CDATA[Travelling Texts--Texts Travelling: A &quot;Gedenkschrift&quot; in Memory of Hans Sauer.]]></dcterms:title>
    <dcterms:description><![CDATA[Collects twenty-three essays by various authors in linguistic, philological, and/or medieval studies. For two essays pertaining to Chaucer, search for Travelling Texts--Texts Travelling under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277395">
    <dcterms:title><![CDATA[The Persistence of Chaucer&#039;s Lexis in Late Modern English Dialects (Based on &quot;EDD Online&quot;).]]></dcterms:title>
    <dcterms:description><![CDATA[Draws on data derived from &quot;EDD Online&quot;--a digitization of Joseph Wright&#039;s &quot;English Dialect Dictionary&quot;--to investigate &quot;the role of Chaucer&#039;s language for 18th- and 19th-century dialects: of English, summarizing Chaucer&#039;s interests in dialects, describing his influence on lexicons across time and geography, and detailing commonalities between Chaucer&#039;s lexicon and that of County Wexford, Ireland. Clarifies the uses and utilities of &quot;EDD Online.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277394">
    <dcterms:title><![CDATA[Revisiting Chaucer: From &quot;The Canterbury Tales&quot; to &quot;Refugee Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the political and aesthetic motives that underlie the four volumes of David Herd and Anna Pincus&#039;s &quot;Refugee Tales&quot; (2016–21),   exploring their modeling on the variety, unity, and thematic concerns of Chaucer&#039;s panoramic short fiction in CT. Includes a tally of various kinds of intertextuality between the two collections.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277393">
    <dcterms:title><![CDATA[Succéder à Chaucer dans l&#039;Angleterre du XVe siècle.]]></dcterms:title>
    <dcterms:description><![CDATA[Affiliates the success, succession, and monumentalization of Chaucer in fifteenth-century literature with Lancastrian ascendancy and status, quoting and analyzing excerpts from Hoccleve, Lydgate, and Caxton.]]></dcterms:description>
</rdf:Description></rdf:RDF>