<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274568">
    <dcterms:title><![CDATA[Time, Place, Language, and Translation: Ciaran Carson&#039;s &quot;The Inferno&quot; and &quot;The Tain.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Uses Chaucer and the &quot;Pearl&quot;-poet as metonyms for the tasks of translating and updating medieval works for later readers. Evokes both works in these translations, if at times obliquely.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274567">
    <dcterms:title><![CDATA[Digital &quot;Mouvance&quot;: Once and Future Medieval Poetry Remediated in the Modern World.]]></dcterms:title>
    <dcterms:description><![CDATA[Attends to histories of reinterpretation and translation of medieval poetry of Chaucer and of &quot;Sir Gawain and the Green Knight.&quot; Focuses on the return to medievalism<br />
by British poets of the twenty-first century, including Seamus Heaney. Also notes &quot;Sir Gawain and the Green Knight&quot; on Twitter.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274566">
    <dcterms:title><![CDATA[The Middle Ages in the Modern World: Twenty-First Century Perspectives]]></dcterms:title>
    <dcterms:description><![CDATA[Collection of essays that address medieval and medievalism themes and how they continue to impact contemporary perspectives. The introduction includes a history of medievalism from the fourteenth to the twenty-first centuries, and remarks how Chaucer&#039;s works satirize heroic romance. For four essays pertaining to Chaucer, search for The Middle Ages in the Modern World: Twenty-First Century Perspectives under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274565">
    <dcterms:title><![CDATA[Forging &quot;Medieval&quot; Identities: Fortini&#039;s &quot;Calendimaggio&quot; and Pasolini&#039;s &quot;Trilogy of Life.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Briefly invokes Chaucer, noting Pasolini&#039;s 1971 film, &quot;The Canterbury Tales,&quot; and its adaptation of Chaucer&#039;s work to highlight increasing cultural degradation as works are transmitted.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274564">
    <dcterms:title><![CDATA[World of Chaucer: Adaptation, Pedagogy, and Interdisciplinarity.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the goals and accomplishments of an interdisciplinary (English studies and communication) pedagogical experiment in adapting portions of CT to the online game &quot;World of Warcraft,&quot; commenting on the processes of animation, mediation, and machinimation involved in students learning to &quot;retell stories through a digital medium not initially designed for that purpose.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274563">
    <dcterms:title><![CDATA[The Black Death: The World&#039;s Most Devastating Plague, 19: Literary Responses to the Black Death.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes commentary on &quot;Piers Plowman&quot;; Boccaccio&#039;s &quot;Decameron&quot;; and the impact of the plague on Chaucer&#039;s life, CT (especially PardT), and BD, claiming that Chaucer &quot;could not have been Chaucer&quot; if not for the plague.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274562">
    <dcterms:title><![CDATA[Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive bibliography of Chaucer studies for 2015, divided into five subcategories: general, CT, TC, other works, and reputation and reception.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274561">
    <dcterms:title><![CDATA[Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive bibliography of Chaucer studies for 2013, divided into five subcategories: general, CT, TC, other works, and reputation and reception.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274560">
    <dcterms:title><![CDATA[Later Medieval: Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive bibliography of Chaucer studies for 2012, divided into five subcategories: general, CT, TC, other works, and reputation and reception.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274559">
    <dcterms:title><![CDATA[Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive bibliography of Chaucer studies for 2014, divided into five subcategories: general, CT, TC, other works, and reputation and reception]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274558">
    <dcterms:title><![CDATA[Later Medieval: Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive bibliography of Chaucer studies for 2011, divided into four subcategories: general, CT, TC, and other works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274557">
    <dcterms:title><![CDATA[An Annotated Chaucer Bibliography, 2015.]]></dcterms:title>
    <dcterms:description><![CDATA[Continuation of SAC annual annotated bibliography since 1975); based on contributions from an international bibliographic team, independent research, and MLA Bibliography listings. 237 items, plus listing of reviews for 33 books. Includes an author index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274556">
    <dcterms:title><![CDATA[Elizabethan Taste.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes principles of aesthetic appreciation evident in Elizabethan architecture, painting, sculpture, music, and literature, including a section entitled &quot;The Elizabethan Appreciation of Chaucer&quot; (pp. 223-30) which emphasizes admiration of Chaucer for &quot;keeping decorum&quot; and for observing human character accurately, especially in TC. Discusses separately Edmund Spenser&#039;s uses of Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274555">
    <dcterms:title><![CDATA[Chaucerian.]]></dcterms:title>
    <dcterms:description><![CDATA[Brief short story in which the narrator&#039;s desire to hear an authentic story--&quot;to get to the Canterbury Tales outside the covers of a book&quot;--leads to a change in his life.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274554">
    <dcterms:title><![CDATA[James Joyce and Chaucer&#039;s Prioress.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies several similarities and complementarities between Joyce&#039;s &quot;Araby&quot; and PrT, focusing primarily on the protagonists of the two narratives.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274553">
    <dcterms:title><![CDATA[Die Himmelsreise: Chaucers &quot;House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer&#039;s depiction of fame in HF is skeptical, emphasizing its dependence upon fortune, and arguing that it is more similar to Montaigne&#039;s notion of glory than to those of Dante or Petrarch.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274552">
    <dcterms:title><![CDATA[The &quot;Felaweshipe&quot; of Chaucer&#039;s &quot;Love&quot; and &quot;Lordshipe.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys arguments that seek to identify sources and analogues to the claim in KnT 1.1625-26 that neither love nor lordship &quot;likes competition with another of its kind,&quot; citing similarities with TC 2.755-56, FranT 5.764-67, and others, and arguing that the ultimate sources lie in Ovid&#039;s &quot;Metapmorphoses&quot; 2.846-47 and &quot;Ars Amatoria&quot; 3.564.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274551">
    <dcterms:title><![CDATA[Odin: Old Man of The Pardoner&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Cites the folk motif of &quot;burying Death&quot; under an oak tree and identifies &quot;numerous parallels&quot; between the Old Man of PardT and Odin from Norse mythology to argue that Odin is the &quot;prototype&quot; of the Old Man.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274550">
    <dcterms:title><![CDATA[Chanticleer: A Comic Opera in One Act, on a Tale by Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Musical score that adapts NPT, with lyrics in Modern English. Libretto by M. C. Richards. Composed, with additional lyrics and vocal score by Seymour Barab.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274549">
    <dcterms:title><![CDATA[The Fairy Way of Writing: Shakespeare to Tolkien.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores developments in the writing of fantasy literature, describing WBT along the way as an indication of an early stage in the diminishing status of romance, migrating from &quot;elite to popular culture.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274548">
    <dcterms:title><![CDATA[Speech Acts, Responsibility, and Commitment in Poetry.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores poetic speech acts (following the lead of J. L. Austin), treating Chaucer's dedication of his book in TC 5.1856-62 as an exemplary type of performative speech act--"the Chaucer-Type"--characterized by having three explicit constitutive features: "verbal form [grammatically first person singular present indicative active], self-guarantee, and self-reference." Analyzes uses of this type, by Chaucer and by later poets, to argue that speech act theory can be applied fruitfully to the study of poetry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274547">
    <dcterms:title><![CDATA[Chaucer&#039;s Early Poetry.<br />
Chaucer Frühe Dichtung.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines how Chaucer&#039;s early poems (i.e., those written before 1380) engage the conventional forms, techniques, and themes of French and Italian models, enriching them via &quot;humour and realism&quot; and applying them to &quot;new uses.&quot; His innovative &quot;juxtapositions and sequences&quot; reflect both his &quot;poetic temperament&quot; and a &quot;transitional period&quot; in literary history. In BD he makes the &quot;style and form of French poetry come alive within his English idiom,&quot; combining dream vision, elegy, and dramatic conversation in a &quot;novel&quot; combination of &quot;heterogeneous elements.&quot; The &quot;humour and irony&quot; of HF results from his experiments with an unexpected narrative persona, stylistic variety, wry uses of source material, and startling juxtapositions and reversals, remaking the traditional &quot;allegorical journey,&quot; PF is a &quot;conscious work of art&quot; that explores aspects of the allegorical mode (personification, allegoresis, beast fable, etc.) and submits its themes and techniques to genial satire. In various ways, ABC, Pity, Lady, Mars, and Anel also illustrate Chaucer&#039;s attraction--and resistance--to poetic traditions. Adapted and expanded from the author&#039;s 1938 &quot;Der Junge Chaucer,&quot; and published simultaneously in German and English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274546">
    <dcterms:title><![CDATA[Criticism and Medieval Poetry.]]></dcterms:title>
    <dcterms:description><![CDATA[Applies the techniques of &quot;close reading&quot; or &quot;practical criticism&quot; to works of medieval literature, adjusting the method to accord with medieval literary and linguistic conventions, especially oral recitation. Examines passages from &quot;Piers Plowman,&quot; &quot;Sir Gawain and the Green Knight,&quot; TC, and Robert Henryson&#039;s &quot;Testament of Cresseid,&quot; along with medieval literary theory found in the &quot;artes poeticae&quot; while referring to a wide range of works. The discussion of TC, &quot;Chaucer as Novelist&quot; (pp. 96-117), focuses on ways in which the poem is and is not &quot;novelistic,&quot; examining two passages closely (Criseyde&#039;s dream, 2.915ff., and the lovers&#039; parting, 4.1128ff), disclosing the ways that they, &quot;life-like&quot; and ambiguous, impose &quot;no one interpretation on us.&quot; Elsewhere explicates BD 387-442, comments on Chaucer&#039;s engagement with medieval rhetoricians, and investigates the &quot;complex relationship with Chaucer&quot; found in Henryson&#039;s &quot;Testament.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274545">
    <dcterms:title><![CDATA[Aspects of Chaucer&#039;s Use of Animals.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys Chaucer&#039;s various metaphoric uses of animals, from &quot;simple and conventional ideas about animals to throw light on man&quot; to more elaborated or developed characterizations through more detailed comparisons.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274544">
    <dcterms:title><![CDATA[Animal Imagery and the Pardoner&#039;s &quot;Abnormality.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Adduces &quot;popular lore&quot; to show that Chaucer&#039;s references to a hare and a goat in the GP description of the Pardoner (1.684 and 688)--corroborated by other details from the actions and descriptions of the Pardoner--characterize him as a &quot;testicular hermaphrodite of the feminine type.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>
