<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274578">
    <dcterms:title><![CDATA[Chaucer&#039;s International Presence.]]></dcterms:title>
    <dcterms:description><![CDATA[Contends that Chaucer&#039;s &quot;international presence,&quot; due to his European travels connected to his position and service within the court, &quot;instilled in him a European sensibility distinctly at odds with his modern image as the avatar of Englishness.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274577">
    <dcterms:title><![CDATA[Biography of Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes Chaucer&#039;s life, including his service and work within royal courts, his family, and a history of his writings.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274576">
    <dcterms:title><![CDATA[Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Collection of essays that explores various literary aspects of Chaucer&#039;s oeuvre, with particular focus on the &quot;international motif&quot; and &quot;transnational&quot; themes found in many works. Essays address critical contexts and readings to help understand Chaucer and medieval literature. Includes bibliography and a chronology of Chaucer&#039;s life and writings. For fifteen essays that pertain to Chaucer, search for Geoffrey Chaucer: Critical Insight Series under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274575">
    <dcterms:title><![CDATA[The Age of Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A short introduction to Chaucer&#039;s England, his contemporaries, his life, and his literary career. In Japanese with English abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274574">
    <dcterms:title><![CDATA[Dramatized Classics for Radio-Style Reading: A Collection of Short Plays Adapted from Great Literature for Royalty-Free Performance or Classroom Reading. Volume I.]]></dcterms:title>
    <dcterms:description><![CDATA[Twelve short dramas for oral reading, including a Modern English prose adaptation of CT (pp. 161-83) that retells portions of GP, KnT, WBT, NPT, and PardT, with narrative transitions between them. Designed for juvenile audience; reading time approximately one-half hour.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274573">
    <dcterms:title><![CDATA[A Taste of Chaucer: Selections from &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Modern English verse translations of portions of CT, designed for a juvenile audience, comprising abridged versions of GP, MkT (Samson, Nebuchadnezzer, and Croesus), NPT, ClT, ManT, FranT, Th, MLT, CYT, and PardT, each introduced with brief comments and a sample of Chaucer&#039;s verse. Also includes a biography of Chaucer, brief glossary and notes, and b&amp;w illustrations by Enrico Arno in the style of woodcuts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274572">
    <dcterms:title><![CDATA[Authorizing Trojan England: Mythological Transgression and Hybridity in Chaucer&#039;s &quot;House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Interprets Geffrey&#039;s encounters with the story of Troy in HF as analogous to Chaucer&#039;s own struggle with poetic authority, contrasting the account with that of Guido delle Colonne in his &quot;Historia Destructionis Troiae,&quot; and linking it with Chaucer&#039;s TC. Chaucer&#039;s &quot;hybridizing&quot; of Virgilian and Ovidian narratives in HF (in both Gefffrey&#039;s dream and Fame&#039;s house) reflects the combinings intrinsic to all myth-making, underlying narratives of selfhood and nationhood.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274571">
    <dcterms:title><![CDATA[Jonathan Myerson&#039;s &quot;The Canterbury Tales&quot;: The Screenwriting Sovereignty of Animation.]]></dcterms:title>
    <dcterms:description><![CDATA[Uses the concepts and terminology of animation studies (e.g., &quot;metamorphosis, condensation, anthropomorphism, choreography, fabrication, performance, sound, etc.&quot;) to gauge how and to what extent Jonathan Myerson in his &quot;The Canterbury Tales&quot; (1998) is able to &quot;reveal and exemplify&quot; the &quot;wit, themes and outlook&quot; of Chaucer&#039;s CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274569">
    <dcterms:title><![CDATA[Chaucer&#039;s and Wordsworth&#039;s Vivid Daisies.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s impact on medievalisms of early and later Romantic English poets. Portrays Chaucer&#039;s influence on Wordsworth, not only in deliberately medievalist work, but throughout his corpus, focusing on daisies and their presentations in text as the means to make the connections.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274568">
    <dcterms:title><![CDATA[Time, Place, Language, and Translation: Ciaran Carson&#039;s &quot;The Inferno&quot; and &quot;The Tain.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Uses Chaucer and the &quot;Pearl&quot;-poet as metonyms for the tasks of translating and updating medieval works for later readers. Evokes both works in these translations, if at times obliquely.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274567">
    <dcterms:title><![CDATA[Digital &quot;Mouvance&quot;: Once and Future Medieval Poetry Remediated in the Modern World.]]></dcterms:title>
    <dcterms:description><![CDATA[Attends to histories of reinterpretation and translation of medieval poetry of Chaucer and of &quot;Sir Gawain and the Green Knight.&quot; Focuses on the return to medievalism<br />
by British poets of the twenty-first century, including Seamus Heaney. Also notes &quot;Sir Gawain and the Green Knight&quot; on Twitter.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274566">
    <dcterms:title><![CDATA[The Middle Ages in the Modern World: Twenty-First Century Perspectives]]></dcterms:title>
    <dcterms:description><![CDATA[Collection of essays that address medieval and medievalism themes and how they continue to impact contemporary perspectives. The introduction includes a history of medievalism from the fourteenth to the twenty-first centuries, and remarks how Chaucer&#039;s works satirize heroic romance. For four essays pertaining to Chaucer, search for The Middle Ages in the Modern World: Twenty-First Century Perspectives under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274565">
    <dcterms:title><![CDATA[Forging &quot;Medieval&quot; Identities: Fortini&#039;s &quot;Calendimaggio&quot; and Pasolini&#039;s &quot;Trilogy of Life.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Briefly invokes Chaucer, noting Pasolini&#039;s 1971 film, &quot;The Canterbury Tales,&quot; and its adaptation of Chaucer&#039;s work to highlight increasing cultural degradation as works are transmitted.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274564">
    <dcterms:title><![CDATA[World of Chaucer: Adaptation, Pedagogy, and Interdisciplinarity.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the goals and accomplishments of an interdisciplinary (English studies and communication) pedagogical experiment in adapting portions of CT to the online game &quot;World of Warcraft,&quot; commenting on the processes of animation, mediation, and machinimation involved in students learning to &quot;retell stories through a digital medium not initially designed for that purpose.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274563">
    <dcterms:title><![CDATA[The Black Death: The World&#039;s Most Devastating Plague, 19: Literary Responses to the Black Death.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes commentary on &quot;Piers Plowman&quot;; Boccaccio&#039;s &quot;Decameron&quot;; and the impact of the plague on Chaucer&#039;s life, CT (especially PardT), and BD, claiming that Chaucer &quot;could not have been Chaucer&quot; if not for the plague.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274562">
    <dcterms:title><![CDATA[Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive bibliography of Chaucer studies for 2015, divided into five subcategories: general, CT, TC, other works, and reputation and reception.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274561">
    <dcterms:title><![CDATA[Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive bibliography of Chaucer studies for 2013, divided into five subcategories: general, CT, TC, other works, and reputation and reception.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274560">
    <dcterms:title><![CDATA[Later Medieval: Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive bibliography of Chaucer studies for 2012, divided into five subcategories: general, CT, TC, other works, and reputation and reception.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274559">
    <dcterms:title><![CDATA[Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive bibliography of Chaucer studies for 2014, divided into five subcategories: general, CT, TC, other works, and reputation and reception]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274558">
    <dcterms:title><![CDATA[Later Medieval: Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive bibliography of Chaucer studies for 2011, divided into four subcategories: general, CT, TC, and other works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274557">
    <dcterms:title><![CDATA[An Annotated Chaucer Bibliography, 2015.]]></dcterms:title>
    <dcterms:description><![CDATA[Continuation of SAC annual annotated bibliography since 1975); based on contributions from an international bibliographic team, independent research, and MLA Bibliography listings. 237 items, plus listing of reviews for 33 books. Includes an author index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274556">
    <dcterms:title><![CDATA[Elizabethan Taste.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes principles of aesthetic appreciation evident in Elizabethan architecture, painting, sculpture, music, and literature, including a section entitled &quot;The Elizabethan Appreciation of Chaucer&quot; (pp. 223-30) which emphasizes admiration of Chaucer for &quot;keeping decorum&quot; and for observing human character accurately, especially in TC. Discusses separately Edmund Spenser&#039;s uses of Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274555">
    <dcterms:title><![CDATA[Chaucerian.]]></dcterms:title>
    <dcterms:description><![CDATA[Brief short story in which the narrator&#039;s desire to hear an authentic story--&quot;to get to the Canterbury Tales outside the covers of a book&quot;--leads to a change in his life.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274554">
    <dcterms:title><![CDATA[James Joyce and Chaucer&#039;s Prioress.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies several similarities and complementarities between Joyce&#039;s &quot;Araby&quot; and PrT, focusing primarily on the protagonists of the two narratives.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274553">
    <dcterms:title><![CDATA[Die Himmelsreise: Chaucers &quot;House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer&#039;s depiction of fame in HF is skeptical, emphasizing its dependence upon fortune, and arguing that it is more similar to Montaigne&#039;s notion of glory than to those of Dante or Petrarch.]]></dcterms:description>
</rdf:Description></rdf:RDF>