<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274755">
    <dcterms:title><![CDATA[Chaucer&#039;s People: Everyday Lives in Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Frames and analyzes the pilgrims of CT in terms of the social contexts surrounding their professions in Chaucer&#039;s lifetime and the antecedent few decades, interestingly moving directly against perceived social ordering to do so. Begins with the rural pilgrims before moving to the more urban, then the religious, then the military. Pilgrims&#039; encapsulations of aspects of later medieval English life, both observed and contemporaneously figured, are used to reaffirm Chaucer&#039;s understanding of the breadth of the societies in which he lived.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274754">
    <dcterms:title><![CDATA[Voice in Later Medieval English Literature: Public Interiorities.]]></dcterms:title>
    <dcterms:description><![CDATA[Approaches late medieval vernacular culture in terms of &quot;voice,&quot; and suggests that &quot;voice&quot; is the subject of CT. Argues that Chaucer &quot;frames&quot; his work &quot;between the praise of voice and the censure of it prevalent in pastoral rhetoric and represented by the Parson.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274753">
    <dcterms:title><![CDATA[A Comparative Study of Chaucer&#039;s &quot;The Canterbury Tales&quot; &amp; Attar&#039;s &quot;The Conference of the Birds.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Compares CT with Farid al- Din Attar&#039;s &quot;The Conference of the Birds,&quot; observing similarities in the shared motif of spiritual journey and techniques of narration and characterization. Differences between the religious backgrounds of the two poets, however, are evident in their thematic emphases.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274752">
    <dcterms:title><![CDATA[The Literature Book.]]></dcterms:title>
    <dcterms:description><![CDATA[In a chapter called &quot;Renaissance to Enlightenment, 1300- 1800,&quot; includes a section (pp. 68–71) entitled &quot;Turn over the Leef and Chese Another Tale: The Canterbury Tales (c. 1387–1400), Geoffrey Chaucer&quot; that describes CT, its innovations, and social variety, with several side-bar topics and illustrations in color and b&amp;amp;w.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274751">
    <dcterms:title><![CDATA[Space, Economics, and the Poetic Imagination in England&#039;s Literary Landscapes, 1125-1590.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines a series of English literary texts in which &quot;the portrayal of landscape does both elegiac and political work.&quot; Includes CT, which &quot;represents a new sphere of civic and economic movement within established space.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274750">
    <dcterms:title><![CDATA[Opposing Forces: Understanding Gods in Medieval and Early Modern Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes a &quot;mnemonic device&quot; for six of the Roman classical gods (Apollo, Diana, Venus, Mars, Minerva, and Bacchus) &quot;that can be used to teach and understand&quot; them in CT and in Spenser&#039;s &quot;Faerie Queene.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274749">
    <dcterms:title><![CDATA[On Reading Jerry Ellis Travel Diaries: A Comparison of &quot;Walking the Trail&quot; and &quot;Walking to Canterbury.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Compares two travel diaries by Jerry Ellis (1974-). Includes a detailed description of &quot;Walking to Canterbury--A Modern Journey through Chaucer&#039;s Medieval England,&quot; which contains references to NPT, SumT, WBT, and ParsT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274748">
    <dcterms:title><![CDATA[Geoffrey Chaucer: A New Introduction.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on Chaucer&#039;s &quot;global renaissance&quot; and the importance of Chaucer&#039;s range of writing, which combines poetry, science, tragedy, and astrology to influence writers from Shakespeare to Sylvia Plath.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274747">
    <dcterms:title><![CDATA[Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys &quot;current critical trends&quot; in Chaucer studies, focusing on &quot;twenty-first-century interest in interconnectedness, intersubjectivity, and cultural networks.&quot; Then discusses &quot;Chaucer&#039;s own understanding of the construction of the self in relation to others and to the spaces in which he lived and worked,&quot; concluding with an &quot;analysis of the mental structures depicted&quot; in BD and HF as they reflect Chaucer&#039;s &quot;understanding that private spaces can be problematic for imaginative and personal development.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274746">
    <dcterms:title><![CDATA[Virtues and Vices in the Arts: A Sourcebook.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys representations of the virtues and vices in western art and literature from Plato and Aristotle to C. S. Lewis and Paul Cadmus, offering excerpts and brief discussions of individual works. The section on medieval representations, &quot;The Medieval Apex,&quot; includes a selection from ParsT (10.846-955, &quot;Luxuria&quot;) in J. U. Nicolson&#039;s 1934 modern translation, and characterizes ParsT as an &quot;excellent example&quot; of a &quot;pastoral sermon,&quot; a genre that is &quot;meant to train people in the principles of penance, contrition, confession, and satisfaction or absolution.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274745">
    <dcterms:title><![CDATA[Chaucerovy Cechy. [Chaucer&#039;s Bohemia.].]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the erudition of Anne of Bohemia, reads CT &quot;alongside contemporaneous works in Czech, German, and Latin&quot; (languages familiar to Anne), and maintains that Anne was Chaucer&#039;s &quot;imagined reader&quot; who &quot;shaped the way he wrote and what he chose to write.&quot; In Czech, with an abstract in English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274744">
    <dcterms:title><![CDATA[A Little History of Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the history of literature &quot;from the Epic of Gilgamesh to Harry Potter,&quot; including a chapter called &quot;English Tales: Chaucer&quot; (pp. 26-32) that summarizes Chaucer&#039;s life, TC, and CT, characterizing both poems as &quot;supremely great&quot; and &quot;momentously innovative,&quot; and emphasizing Chaucer&#039;s use of English and his social variety.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274743">
    <dcterms:title><![CDATA[Answers to Prayer in Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines answers to prayer in BD, HF, KnT, FranT, &quot;hagiographic tales&quot; (SNT, PrT, MLT, and ClT), and TC, arguing that Chaucer engages significant &quot;theological and philosophical issues.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274742">
    <dcterms:title><![CDATA[Chaucer and Hagiographic Authority.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how Chaucer addresses the sacred authority of hagiography, posing it in tension with the poet&#039;s own authority in LGWP, and examining authority and authorization in the &quot;pseudo-hagiographies&quot; of CT (MLT, ClT, and PhyT) where Chaucer recontextualizes the conventions of saints&#039; lives in secular settings and experiments with several &quot;alternative methods of textual authorisation.&quot; Observes that &quot;confessional performances follow immediately upon tales that strive for hagiographic authority.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274741">
    <dcterms:title><![CDATA[Nature Speaks: Medieval Literature and Aristotelian Philosophy.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses how Aristotelian natural philosophy--physics--was debated in the Middle Ages, and its influence on the aesthetic practice of Latin and vernacular writers, including Chaucer, Jean de Meun, Guillaume de Deguileville, and John Lydgate. Argues that these debates focus on the authority of nature in the context of a Christian world, and that &quot;the controversial reception of this science fundamentally changed the kinds of poetic accounts of the world.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274740">
    <dcterms:title><![CDATA[La literatura inglesa medieval en Sudamerica: Jorge Elliott y &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the translation techniques used in the Spanish version of MilT and RvT made between 1949 and 1956 by Chilean scholar, theater director and translator Jorge Elliott Garcia. Claims that the purpose of this verse translation was to increase the readership of CT by offering a more poetic rendering, aiming at providing an effect equivalent to that of the original.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274739">
    <dcterms:title><![CDATA[Teaching Chaucer through Convergence Culture: The New Media Middle Ages as Cross-Cultural Encounter.]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on the advantages of using new media to help students gain appreciation and expertise in studying Chaucer; includes descriptions of undergraduate classroom activities that use cinema, Chaucer blogs, YouTube videos of rap versions of Chaucer&#039;s poetry, and performance adaptations of selections from LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274738">
    <dcterms:title><![CDATA[Shaping the Archive in Late Medieval England: History, Poetry and Performance]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how &quot;poetic form, staging logistics, and the status of performance&quot; contribute to our understanding of how medieval thinkers imagined the &quot;ethics and pleasures of the archive.&quot; Includes discussion of HF, MLT, MilT, and Rom.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274737">
    <dcterms:title><![CDATA[Living in the Future: Sovereignty and Internationalism in the &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the views that accept Chaucer&#039;s nationalism as a given and those that focus on his international or European identity and vision. Draws on concepts of sovereignty and domesticity appearing &quot;primarily in romantic and household contexts,&quot; and finds the interdependence between nationalism and internationalism evident in CT, in which &quot;England emerges as a community grounded in the ethical demands of inclusivity.&quot; Claims &quot;that CT must be included in serious discussions concerning sovereignty and internationalism in both English literature and late medieval political thought.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274736">
    <dcterms:title><![CDATA[Introduction.]]></dcterms:title>
    <dcterms:description><![CDATA[Emphasizes the way in which Chaucer&#039;s poems engage in dialogue with his audience, changing the way we can engage with &quot;the fundamental questions of knowledge, understanding, beauty, and pleasure.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274735">
    <dcterms:title><![CDATA[Critical Thriving: Chaucer, the &quot;Nun&#039;s Priest&#039;s Tale,&quot; and the MLA.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the value of retaining the Chaucer Division of the Modern Language Association, maintaining its importance as long as &quot;attention to [Chaucer&#039;s] corpus continues to unhinge, transform, and trouble received ideas about being in the world.&quot; Comments on the &quot;slippery multiplicity&quot; of NPT as a reason that Chaucer criticism can and should thrive.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274734">
    <dcterms:title><![CDATA[The Power of the Medieval Solomon- Magus and Solomon-Auctor Revealed through &quot;The Canterbury Tales,&quot; &quot;Sir Gawain and the Green Knight,&quot; and &quot;The Tale of the Sankgreal.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Includes discussion of Chaucer&#039;s &quot;two brief glimpses&quot; of Solomon as a figure of wisdom in CT, and more extended discussion of Solomon as author in Mel, WBP, MerT, and ParsT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274733">
    <dcterms:title><![CDATA[The Multisensoriality of Place and the Chaucerian Multisensual.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;full sensory expression&quot; in Chaucer&#039;s &quot;construction of space,&quot; emphasizing the interconnectedness of the five senses in medieval understanding and their ethical dimensions that require proper training to engage volition correctly. Includes observations about these concerns in ParsT, Mel, Bo, SNT, and PF, where the interconnectedness of the senses is an ideal achievable in heavenly places, and dismantled in hellish ones.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274732">
    <dcterms:title><![CDATA[The Five Senses in Medieval and Early Modern England.]]></dcterms:title>
    <dcterms:description><![CDATA[Collection of essays presenting perspectives on interrelations between sense perception and secular and Christian cultures in England from the Middle Ages to the Early Modern period. For essay on Chaucer, search for The Five Senses in Medieval and Early Modern England under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274731">
    <dcterms:title><![CDATA[Critical Poetics: A Meditation on Alternative Critical Vernaculars.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes several ways of addressing modern &quot;experimental poems &#039;as&#039; criticism,&quot; and suggests that, adumbrating such metapoetic practice, the juxtaposition of Th and Mel &quot;constitutes a wondering literary-theoretical response to Boethius&#039; &#039;Consolation&#039;&quot; in which poetry (Th) &quot;engages the senses&quot; while prose (Mel) &quot;engages the reason.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>