<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274981">
    <dcterms:title><![CDATA[Canterbury Hikayeleri [Canterbury Tales].]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records indicate that this is a translation of CT into Turkish.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274980">
    <dcterms:title><![CDATA[Contos da Cantuária.]]></dcterms:title>
    <dcterms:description><![CDATA[Translation of CT into Portuguese verse. Item not seen; not listed in WorldCat.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274979">
    <dcterms:title><![CDATA[Selected Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Translation of selections from CT into Farsi verse. Item not listed in WorldCat; item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274978">
    <dcterms:title><![CDATA[Public Dreams and Private Myths: Perspective in Middle English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Compares relations between cosmology and psychology in medieval and modern understandings of poetry, emphasizing the concentric and expanding perspectives prompted by Middle English imagery and world views, exemplified in several lyrics. Includes comments on Biblical imagery in MilT, audience responsibility in PrP, and the scribe as an analogue to the Edenic Adam in Adam Scriveyn.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274977">
    <dcterms:title><![CDATA[The Origins and Make-up of Cambridge University Library MS Ff.1.6.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys what is known and what can be inferred about the origins of the so-called Findern manuscript, its scribes, manuscript affiliations, and codicological features, with recurrent comments on the works by Chaucer that are anthologized in it (PF, Purse, Pity, Venus, and extracts from LGW and Anel). Includes three appendices: the first describes the collation of the manuscript. the second accounts its watermarks, and the third lists its scribes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274976">
    <dcterms:title><![CDATA[The Common Voice in Theory and Practice in Late Fourteenth Century England.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores analogues to literary voice in late-medieval English political, legal, and Wycliffite discourses, and analyzes the &quot;common voice&quot; found in John&#039;s Gower&#039;s &quot;Vox Clamantis&quot; (&quot;aged wisdom&quot;) and in PF (&quot;self-making&quot; individual sovereignty). Also, comments on voice as theme and technique in works by Thomas Usk and William Langland, and suggests intertextualities of the common voices in various works, particularly Gower&#039;s &quot;Vox&quot; and &quot;Confessio Amantis&quot; and Chaucer&#039;s PF and KnT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274975">
    <dcterms:title><![CDATA[Some Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Art edition of selections from CT: GP, MilT, RvT, FrT, MerT, WBT, SumT, and PardT, with collage-like illustrations that combine imagery from medieval and modern sources,]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274974">
    <dcterms:title><![CDATA[Walter Map&#039;s &quot;De Gradone Milite Strenuissimo.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the meaning and artfulness of Walter Map&#039;s version of the &quot;Wade&quot; story in &quot;De Nugis Curialium,&quot; exploring a variety of sources and analogues, including comments on Chaucer&#039;s reference to Wade in TC 3.624 and to Wade&#039;s boat in MerT 4.1424, and offering an etymology for the name of the hero&#039;s boat, Guingelot, that suggests sexual entendre.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274973">
    <dcterms:title><![CDATA[The Injuries of Time: Geoffrey Chaucer, Thomas Speght and Wade&#039;s Boat.]]></dcterms:title>
    <dcterms:description><![CDATA[Interrogates features of the reception of Chaucer from Thomas Speght&#039;s editions of 1598 and 1602 to twentieth-first century criticism, focusing on the poet&#039;s reference to Wade and his boat in MerT 4.1423-26. Discloses the critical legacy of the &quot;cultural repression&quot; of a &quot;form of women&#039;s knowledge&quot; in the commentary on the passage, particularly Speght&#039;s annotation and later scholarly and medievalist discussions that either infer once-known lost narratives or are in the &quot;tradition of imaginative etymologizing.&quot;  ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274972">
    <dcterms:title><![CDATA[Chaucer and the Dido-and-Aeneas Story.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes five medieval redactions of Virgil&#039;s &quot;Aeneid,&quot; &quot;widely separated geographically and chronologically,&quot; assessing how they &quot;medievalized&quot; the material in conventional ways, and using these &quot;conventions&quot; to discuss Chaucer&#039;s successful treatments of the Dido/Aeneas story in HF as an &quot;exemplum&quot; and in LGW as &quot;a thoroughly integrated narrative.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274971">
    <dcterms:title><![CDATA[Chaucer and the Unnatural History of Animals.]]></dcterms:title>
    <dcterms:description><![CDATA[Clarifies the conventionality of Chaucer&#039;s references to allegorical and/or exemplary animals and their significances, offering numerous examples to show that Chaucer&#039;s allusions are &quot;brief&quot; and generally similar to and/or derived from &quot;the most widely defused tales of antiquity,&quot; the Bestiary, ecclesiastical architecture and illuminated manuscripts, homilies, or folk tradition]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274970">
    <dcterms:title><![CDATA[You und Thou: Studien zur Anrede im Englischen (Mit einem Exkurs über die Anrede im Deutschen.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a section entitled &quot; Das Pronomen bei Chaucer&quot; (pp. 74-86) that examines Chaucer&#039;s artistic uses of the second person pronouns of address, focusing particularly on TC and including comments on WBPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274969">
    <dcterms:title><![CDATA[Chaucer&#039;s Pardoner as Entertainer.]]></dcterms:title>
    <dcterms:description><![CDATA[Contrasts medieval and modern charitable giving, indulgence granting, and false relics, and assesses the Pardoner as a &quot;professional collector,&quot; and &quot;high-pressure fund raiser,&quot; reading PardPT as &quot;an exposition&quot; of the Pardoner&#039;s &quot;fund-raising technique&quot; and his &quot;entertainment&quot; of the pilgrims. His &quot;benediction&quot; (6.916-18) at the end of his tale is &quot;honest,&quot; and his &quot;dig&quot; at the Host (6.941-45) offered as entertainment as well.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274968">
    <dcterms:title><![CDATA[Chaucer&#039;s Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes CT in &quot;outline form,&quot; divided into units (following the Ellesmere order) and interspersed with brief interpretive comments on background, genre, plot, and characters. Opens with a General Introduction to backgrounds and Chaucer&#039;s Life; closes with a survey of criticism, test questions, and suggestions for further reading. Also printed as The Canterbury Tales of Chaucer, published in the Monarch Notes and Study Guides series.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274967">
    <dcterms:title><![CDATA[Antecedents of the English Novel, 1400-1600: From Chaucer to Deloney.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys &quot;precursors of modern novels&quot; in English tradition between 1400 and 1600, with a &quot;glance&quot; at even earlier stories which &quot;reveal a kinship with the future narrative form,&quot; discussing, among others, TC, and treating it (pp. 28-40) as an adaptation of Boccaccio&#039;s &quot;Filostrato&quot; that resists classification even though it combines elements of &quot;society romance&quot; and &quot;comedy of manners.&quot;  Rich in style, dialogue, and especially characterization, it is a &quot;great sustained approximation to a modern novel.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274966">
    <dcterms:title><![CDATA[The Key of Remembrance: A Study of Chaucer&#039;s Poetics.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how &quot;the problems and operations of poetry and the poet are repeatedly raised into the consciousness of the reader&quot; of Chaucer&#039;s poetry, adding a &quot;peculiar dimension&quot; to engaging with his works by requiring a &quot;deliberate assent to their artifices&quot; while pursuing meaning and ethical concerns. Surveys the classical and medieval poetic and rhetorical traditions that &quot;provided Chaucer&#039;s fundamental assumptions about the nature of poetry,&quot; and examines LGWP as an &quot;account of the main issues in the Chaucerian poetic,&quot; similar to BD, HF and PF in being structurally &quot;combinative&quot; and a variation on the &quot;book-experience-dream formula.&quot; Treats CT as an unresolved series of experiments in form and style as means to convey and confront the &quot;problems&quot; and potentials of poetry, while TC is Chaucer&#039;s &quot;most nearly satisfactory solution&quot; to such concerns, offering &quot;almost endlessly expanding concentric ironies which constitute Chaucer&#039;s way of reconciling human wisdom with human limitation.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274965">
    <dcterms:title><![CDATA[Later Medieval English Prose.]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes some sixty modernized examples and excerpts from late-medieval English prose writing, arranged by topic, form, or genre (e.g., Historians, Mystics, Religious Controversialists, etc.), with a brief introduction to each section. Includes a selection from Bo (pp. 191-200; Bo 5pr2-4) under &quot;Moral Philosophers&quot; and under &quot;Literary Critics,&quot; Ret (pp. 233-34) and William Caxton&#039;s &quot;Proem to the &#039;Canterbury Tales,&#039; 1484&quot; (pp. 234-36).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274964">
    <dcterms:title><![CDATA[Robert Henryson: Poems.]]></dcterms:title>
    <dcterms:description><![CDATA[Edits a selection of Robert Henryson&#039;s poetry, with appended critical notes and glosses, an Introduction, a Biographical and Textual Note, and a series of Appreciations by literary historians. The Introduction (pp. vii-xv) focuses on how and to what extent Henryson ought to be considered &quot;Chaucerian,&quot; emphasizing Henryson&#039;s independence, and providing points of comparison and contrast between the two poets. The critical notes include recurrent references to Chaucer&#039;s works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274963">
    <dcterms:title><![CDATA[Chaucer in His Time.]]></dcterms:title>
    <dcterms:description><![CDATA[Evokes the social and cultural conditions of England during Chaucer&#039;s lifetime by describing historical events, political circumstances, court life, domestic conditions for all classes, child-rearing, education and literacy, the influence of religious ideals and reforms, and more. Illustrates this discussion with wide-ranging details and examples from works by Chaucer and his contemporaries (especially Langland and Froissart), augmented by details and reproductions from medieval manuscripts, effigies, and architecture.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274962">
    <dcterms:title><![CDATA[Two Chaucer Notes: 1. Proper Names in the &quot;Canterbury Tales&quot;; 2. A &quot;Minced&quot; Oath in Sir Thopas.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the placement of proper names in the verse lines of Chaucer&#039;s CT, tabulating and commenting upon the total number of incidences of names and the numbers of their initial and terminal placements in the verse lines of twelve of the tales. Then comments on the mildness of the oaths of the protagonist in Th, consistent with his &quot;mock-heroic&quot; characterization.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274961">
    <dcterms:title><![CDATA[The Prioress&#039; Brooch and St. Leonard.]]></dcterms:title>
    <dcterms:description><![CDATA[Observes that as the patron saint of prisoners St. Leonard was associated iconographically with chains and fetters, and contends that this deepens the irony and ambiguity of the motto on the brooch of the Prioress in GP 1.162, where &quot;vincit&quot; carries the &quot;suggestion of bondage.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274960">
    <dcterms:title><![CDATA[Chaucer and Moliere: Kindred Patterns of the Dramatic Impulse in Human Comedy.]]></dcterms:title>
    <dcterms:description><![CDATA[Compares MerT, MilT, and ShT with works by Moliére, arguing that Chaucer&#039;s &quot;dramatic impulse&quot; is clear in light of &quot;Comedy Proper,&quot; a dramatic form in which intellectual error leads to folly and just, comic punishment. Both writers succeed through the ability to depict characters with &quot;certain universal qualities common to all&quot; and lampoon them with &quot;biting, ironical, laugh-logged satire.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274959">
    <dcterms:title><![CDATA[Chaucer&#039;s Use of Jerome&#039;s &quot;Adversus Jovinianum,&quot; with an Edition of Book I, Chapters 40-49, Based on a Study of Medieval Manuscripts.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes Chaucer&#039;s knowledge of and uses of Jerome&#039;s &quot;Adversus Jovinianum&quot; in CT, as well as his references to the treatise and glosses to his manuscripts that quote it, focusing on the tales of the Marriage Group. Includes an edition of ten chapters of Book 1 Jerome&#039;s text, which influenced Chaucer most directly.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274958">
    <dcterms:title><![CDATA[&quot;A Round Tour of Yvoyre&quot; (&quot;The Book of the Duchess&quot;, 946).]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that the description of Blanche&#039;s throat as a round ivory tower may &quot;carry on the idea&quot; of the Duchess being referred to as a &quot;fers,&quot; a chess piece, found elsewhere in the poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274957">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;The Knight&#039;s Tale,&quot; A. 1810.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores proverbial implications of the variant readings of KnT 1.1810, &quot;than woot a cokkow or [var. of] hare,&quot; and suggests &quot;hare&quot; might be a pun on &quot;whore.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>