<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275006">
    <dcterms:title><![CDATA[Caxton and His Readers: Histories of Book Use in a Copy of The Canterbury Tales (c. 1483).]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the &quot;marginalia, damages, repairs, signatures, and bindings&quot; of the copy of William Caxton&#039;s second edition of CT (Foundation Martin Bodmer, Cologny, Switzerland, Inc, B. 70) as signs of the ways it has been used and regarded historically, with attention to the &quot;shifting attitudes&quot; towards Caxton editions and incunabula.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275005">
    <dcterms:title><![CDATA[Moldy Pericles.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how John Gower&#039;s tomb in Southwark lent &quot;authority&quot; to the character of Gower-as-chorus in Shakespeare and George Wilkins&#039;s play &quot;Pericles.&quot; Includes examination of how the title pages, commemorative verses, and Chaucer&#039;s portrait in Thomas Speght&#039;s 1598 and 1602 editions of Chaucer&#039;s work convey the &quot;restorative power of books, and especially old books,&quot; and comments on the &quot;important ambiguity&quot; of Spenser&#039;s remarks on Chaucer&#039;s tomb in The &quot;Faerie Queene,&quot; IV.2.32-33.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275004">
    <dcterms:title><![CDATA[Allusion and Quotation in Chaucerian Annotation, 1687-1798.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes a kind of annotation used by eighteenth-century editors that links an edited poet to literary tradition by reference to or quotation from other poets. Focuses on the practice in Speght&#039;s 1687 edition of Chaucer; Dryden&#039;s Fables (1700); and the editions of John Urry (1721), Thomas Morrell (1737), and Thomas Tyrwhitt (1775), concluding that through this device Chaucer, who was becoming antiquated, gained status and familiarity through association with the likes of Homer, Shakespeare, Dryden, Pope, Gay, and Gray.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275003">
    <dcterms:title><![CDATA[Augmenting Chaucer: Augmented Reality and Medieval Texts.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes augmented-reality texts for the ways they differ from both print and digital texts, and explains a project called The Augmented Palimpsest, where a digital version of GP is augmented by links to auxiliary audio and visual data, including 3D modeling, providing &quot;a new, virtualized teaching edition.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275002">
    <dcterms:title><![CDATA[The Mind of the Book: Pictorial Title Pages.]]></dcterms:title>
    <dcterms:description><![CDATA[Contributes to a history of the &quot;pictorial title page&quot; in English printing, identifying continuities and developments by studying sixteen examples (sixteenth-nineteenth centuries), including the frontispiece to William Thynne&#039;s edition of Chaucer&#039;s Workes (pp. 72-76) and to the Kelmscott Chaucer (pp. 189–92). The volume includes an extensive introduction (pp. 1-59), a glossary of terms, and an index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275001">
    <dcterms:title><![CDATA[Unlocked Doors: Geoffrey Chaucer&#039;s Writing-Rooms and Elizabeth Chaucer&#039;s Nunnery.]]></dcterms:title>
    <dcterms:description><![CDATA[Maintains that Chaucer&#039;s works indicate his reliance upon social interaction and collaboration as spurs to creativity, commenting on HF (a &quot;poem about writer&#039;s block&quot;), and on public space and creativity in NPT, TC, and ClP. Also describes the conditions and nature of his daughter&#039;s four-year residence in St. Helen&#039;s Bishopsgate, close to her father&#039;s Aldgate residence and that of her grandmother.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275000">
    <dcterms:title><![CDATA[Chaucer&#039;s House Revisited.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses how Chaucer&#039;s own familial relationships and home life are reflected in depictions of home and familial relationships in his works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274999">
    <dcterms:title><![CDATA[Four Fragments from &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[A musical performance of Tremble&#039;s &quot;Four Fragments from &#039;The Canterbury Tales&#039;&quot; (GP, 1–42; GP descriptions of Knight and Squire; and WBP, 1–34), performed by Joanna Cowan White, Kennen White, Tracy Watson, Elissa Johnston, Mary Jo Cox, and Takeshi Abo.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274998">
    <dcterms:title><![CDATA[Merciles Beaute.]]></dcterms:title>
    <dcterms:description><![CDATA[Recording of MercB set to music, performed by the Vasari Singers, &quot;Recorded 2016 February 12–14 Church of St. Judeon-the-Hill, Hampstead Garden, London.&quot; <br />
]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274997">
    <dcterms:title><![CDATA[Geoffrey Chaucer and Dante Alighieri.]]></dcterms:title>
    <dcterms:description><![CDATA[Audio recording of a lecture that aligns the achievements of Dante and Chaucer, focusing on their attention to individuals and uses of their vernacular languages. The discussion of CT emphasizes Chaucer&#039;s social variety as it contrasts traditional notions of the three estates. An accompanying booklet includes excerpts from the lecture (pp. 127–33).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274996">
    <dcterms:title><![CDATA[The Index of Middle English Prose, Handlist XXIII: The Rawlinson Collection, Bodleian Library, Oxford. ]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the contents of the 167 manuscripts in the Rawlinson Collection that include Middle English prose; the following have Chaucerian material: D.3 [1] (Astr); D.913 [9] (Astr); poet.141 [1] (Mel); poet.149 [1] (Mel); poet.149 [3] (ParsT); and poet.223 [1]–[2] (Mel and ParsT).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274995">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Squire&#039;s Tale,&quot; &quot;Franklin&#039;s Tale,&quot; and Physician&#039;s Tale&quot;: An Annotated Bibliography, 1900-2005. ]]></dcterms:title>
    <dcterms:description><![CDATA[A complete annotated bibliography of scholarly and critical treatments of SqT, FranT, and PhyT from 1900 through 2005, subdivided into the following categories: editions and modernizations of each tale; sources, analogues, and later influence of each tale; and critical studies of each tale and of Sq-FranL. The entries in each category are arranged by date of publication, and the volume includes a  comprehensive index and an introduction to each tale that summarizes trends in criticism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274994">
    <dcterms:title><![CDATA[An Annotated Chaucer Bibliography, 2016.]]></dcterms:title>
    <dcterms:description><![CDATA[Continuation of SAC annual annotated bibliography (since 1975); based on contributions from an international bibliographic team, independent research, and MLA Bibliography listings. 335 items, plus a listing of reviews for 47 books. Includes an author index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274993">
    <dcterms:title><![CDATA[Cressida--A Love Betrayed.]]></dcterms:title>
    <dcterms:description><![CDATA[Video recording of lecture (ca. 31 min.), with illustrations, accompanied by an edited text of the lecture in the Course Guidebook (pp. 37-42). Describes the plot of TC, emphasizing the ambiguities of Criseyde and contrasting her character with that of Shakespeare&#039;s Cressida and, in greater detail, Henryson&#039;s Cresseid. Assesses Criseyde&#039;s letter to Troilus as the &quot;first &#039;Dear John&#039; letter in English.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274992">
    <dcterms:title><![CDATA[The Wife of Bath--An Independent Woman.]]></dcterms:title>
    <dcterms:description><![CDATA[Video recording of lecture (ca. 30 min.), with illustrations, accompanied by an edited text of the lecture in the Course Guidebook (pp. 31-36). Comments on details of the Wife&#039;s character in GP, WBP as an autobiography, the Wife&#039;s challenges to authority, and why Chaucer gave her a Tale about sovereignty featuring an &quot;old woman who becomes young and beautiful again&quot; instead of the current ShT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274991">
    <dcterms:title><![CDATA[&quot;Wood . . . as an Hare&quot; (The Friar&#039;s Tale, 1327).]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that &quot;wood&quot; indicates lechery in FrT 3.1327, echoed punningly by &quot;harlotrye&quot; in the next line.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274990">
    <dcterms:title><![CDATA[Chaucer&#039;s Daisy (Prol. LGW F 120-3; G. 109-11).]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys historical comments on the odor of daisies and suggests that Chaucer&#039;s praise of its odor in LGWP may be due to botanical accuracy, unusual because he usually follows literary conventions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274989">
    <dcterms:title><![CDATA[The Meeting of the Lovers in the &quot;Testament of Cresseid.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies ironic parallels between Troilus&#039;s viewings of Criseyde in TC and Cresseid&#039;s failure to recognize Troilus in Robert Henryson&#039;s &quot;Testament of Cresseid,&quot; exploring the latter as a narrative of &quot;punishment and expiation through suffering.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274988">
    <dcterms:title><![CDATA[The Wife of Bath and the Dunmow Bacon.]]></dcterms:title>
    <dcterms:description><![CDATA[Connects the reference to &quot;bacon&quot; in WBP 3.418 with the explicit reference to the &quot;Dunmow&quot; bacon of WBP 3.217-18.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274987">
    <dcterms:title><![CDATA[Chauntecleer&#039;s &quot;Venymous&quot; Cathartics.]]></dcterms:title>
    <dcterms:description><![CDATA[Observes that Chauntecleer&#039;s description of laxatives as &quot;venymous&quot; [var. &quot;venymes&quot;] in NPT 7.3155 parallels a similar connection in Roger Bacon, and suggests that Chaucer&#039;s use carries &quot;antifeminist irony.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274986">
    <dcterms:title><![CDATA[Criseyde&#039;s Blasphemous Aube.]]></dcterms:title>
    <dcterms:description><![CDATA[Maintains that anachronistic details of Criseyde&#039;s address to night in TC 3.1429-42 deviate from traditional albas and indicate that she &quot;challenges God&quot; in favor of her own will, indicated by her unorthodox attitude toward Providence.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274985">
    <dcterms:title><![CDATA[Chaucer and His England. 8th ed.]]></dcterms:title>
    <dcterms:description><![CDATA[Reprints the 8th edition (1950) of Coulton&#039;s 1908 critical biography of Chaucer, with a new bibliography by Craik (pp. 277-79).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274984">
    <dcterms:title><![CDATA[The &quot;Greyn&quot; in the &quot;Prioress&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that the &quot;greyn&quot; placed on the clergeon&#039;s tongue in PrT 7.662 is, ironically, a &quot;breath sweetener,&quot; one of several satiric details observed in the Tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274983">
    <dcterms:title><![CDATA[A Chaucer Analogue in Spanish-American Tradition.]]></dcterms:title>
    <dcterms:description><![CDATA[Quotes and translates an analogue to the window scene of bottom kissing in MilT, recorded by folklorist Juan B. Rael as &quot;La mujer y los tres amantes,&quot; collected by oral transmission from Félix Pino in New Mexico in the 1930s.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274982">
    <dcterms:title><![CDATA[Canterbury Hikayeleri: Genel Prolog. [The Canterbury Tale: The General Prologue]]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records indicate this is a translation of GP into Turkish.]]></dcterms:description>
</rdf:Description></rdf:RDF>