<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275056">
    <dcterms:title><![CDATA[Flowers of Friendship: Amity and Tragic Desire in &quot;The Two Noble Kinsmen.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Shakespeare and John Fletcher&#039;s adaptation of KnT in &quot;The Two Noble Kinsmen&quot; emphasizes the failure of same-sex friendship, darkens tone, and approaches tragic pessimism--in contrast with Chaucer&#039;s &quot;cautiously optimistic philosophical romance.&quot; Compares aspects of the play with KnT--particularly details pertaining to flower imagery and same-sex friendship in tension with erotic, procreative love--and assesses the anxious depiction of Chaucer and literary paternity in the prologue to &quot;The Two Noble Kinsmen.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275055">
    <dcterms:title><![CDATA[A &quot;Myrrovre&quot; for Magistrates: The Sociology of a Mid-Tudor Text.]]></dcterms:title>
    <dcterms:description><![CDATA[Contends that William Baldwin&#039;s &quot;Mirror for Magistrates&quot; (1559) was previously seen as linking the medieval literature of Chaucer and Boccaccio with the early moderns.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275054">
    <dcterms:title><![CDATA[Dressing Up as a Franklin&#039;s Housewife: Native Sources for Shakespeare&#039;s &quot;Cymbeline.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that FranT provided the &quot;raw material and structures of dramatic feeling&quot; for Shakespeare&#039;s &quot;Cymbeline,&quot; encouraging critics to adopt a more expansive view of source relations, and observing how and where the tale and the play illuminate each other, especially on questions of love and marriage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275053">
    <dcterms:title><![CDATA[Humor and Humoralism: Representing Bodily Experience in the Prologue of the &quot;Siege of Thebes.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Reinforces connections between the prologue to Lydgate&#039;s &quot;Siege of Thebes&quot; and CT. Claims Lydgate responds to Chaucer&#039;s caricature of the Monk in defense of monasticism; alludes to the Monk&#039;s portrait and the person of the Host in GP; borrows references to the Monk&#039;s manliness in Mel-MkL, rewriting them in terms of gluttony rather than sexuality; and makes his Host echo Pertelote&#039;s advice in NPT. Claims that the &quot;body humor&quot; in Lydgate&#039;s prologue bolsters monastic authority and flatters its audience while cautioning it against interference in monastic affairs.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275052">
    <dcterms:title><![CDATA[Shakespeare and Chaucer: Dream Visions and Dramatic Designs.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that in &quot;Cymbeline,&quot; &quot;The Tempest,&quot; and &quot;The Taming of the Shrew,&quot; Shakespeare sets his work in conversation with the dream visions BD and HF, thereby allowing Shakespeare to claim a place in the Chaucerian line of English canon and to challenge Ben Jonson&#039;s arguably greater claim.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275051">
    <dcterms:title><![CDATA[The Political Unconscious of the Allusion: Shakespeare&#039;s Habits of Mind and the Cultural Politics of Reading Chaucer in Early Modern England.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies an allusion to HF (lines 703-4) in &quot;King Lear&quot; (5.3.17), arguing that, although Chaucer&#039;s poem was &quot;marginalized&quot; in sixteenth-century editions because of its stance on literary fame, Shakespeare read it and echoed it &quot;unconsciously,&quot; displaying &quot;three things: an independent habit of mind, skepticism toward the literary canon, and a preference for subversive artistic practice.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275050">
    <dcterms:title><![CDATA[Making English Low: A History of Laureate Politics, 1399-1616.]]></dcterms:title>
    <dcterms:description><![CDATA[While examining Thomas Hoccleve, John Skelton, and Ben Jonson, suggests that Hoccleve &quot;channels&quot; Harry Bailly from CT as a demotic voice, drawing upon the routines of London life in the establishment of an &quot;English writerly voice worthy of laureate status.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275049">
    <dcterms:title><![CDATA[Shakespeare Rewords Chaucer: &quot;Troilus and Cressida.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the glossary and other &quot;editorial apparatus&quot; of Speght&#039;s 1598 edition of Chaucer&#039;s &quot;Workes&quot; &quot;yokes&quot; Chaucer&#039;s language and lexicon &quot;with his position as an English author,&quot; and that in his use of Speght&#039;s TC as source for &quot;Troilus and Cressida&quot; Shakespeare emulates this &quot;linguistic emphasis&quot; to raise &quot;questions of signification&quot; and evoke skepticism about words and values.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275048">
    <dcterms:title><![CDATA[Falstaff and Fox Fables: A New Source.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer&#039;s &quot;daun Russel the fox&quot; in NPT 7. 3334 belongs to a centuries-long cohort of foxes whose tastes and tendencies Shakespeare applies to his wily Falstaff.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275047">
    <dcterms:title><![CDATA[Performing Manuscript Culture: Poetry, Materiality, and Authorship in Thomas Hoccleve&#039;s &quot;Regement of Princes.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Examines questions of autobiography, authorship, legacy, and the &quot;Fürstenspiegel&quot; genre in Thomas Hoccleve&#039;s &quot;Regiment of Princes,&quot; with attention to its manuscript presentations and to its images of Chaucer and of Hoccleve himself, discussing the &quot;minor differences&quot; in the versions of the Chaucer portraits and their &quot;major consequences for the text-image relation.&quot; Includes comments on the putative accuracy of Hoccleve&#039;s portrait of Chaucer, other portraits of him, and a &quot;clear reference&quot; to the Wife of Bath in Hoccleve&#039;s poem. Based on the author&#039;s 2014 dissertation, Freie Universität.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275046">
    <dcterms:title><![CDATA[Shakespeare&#039;s Chaucerian Entertainers.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies characters throughout Shakespeare&#039;s canon who &quot;process and engage Chaucer&#039;s ideas on theater, authorship and performance,&quot; and demonstrate &quot;how Chaucer&#039;s poetry is relevant to drama and theatricality.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275045">
    <dcterms:title><![CDATA[Harry Potter&#039;s Medieval Hallows: Chaucer and the &quot;Gawain&quot;-Poet.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the most &quot;tempting objects&quot; in J. K. Rowling&#039;s &quot;Deathly Hallows&quot; derive in part from the girdle in &quot;Sir Gawain and the Green Knight&quot;; the &quot;thirty pieces of silver that persuade&quot; the biblical Judas to betray Jesus; and the &quot;deadly pile of gold&quot; in PardT, the latter being the &quot;direct source&quot; of the Rowling chapter titled &quot;Tale of the Three Brothers,&quot; with variants derived from the &quot;Buddhist folk tradition&quot; and fairy tales.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275044">
    <dcterms:title><![CDATA[&quot;(Un)couth: Chaucer, The Shepheardes Calender, and the Forms of Mediation.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how Tudor editions of Chaucer and works by John Gower and John Lydgate &quot;mediate&quot; the presentation of Chaucer and his &quot;authorial identity&quot; in Edmund Spenser&#039;s &quot;Shepheardes Calender,&quot; arguing that Spenser depicts Chaucer not only as the preeminent gifted English poet, but also as the translator, interpreter, and mediator of the traditions that went before him--a &quot;go-between&quot; who is a &quot;partner of Pandarus.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275043">
    <dcterms:title><![CDATA[Ritual Lighting: Laureate Poems.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a lyric poem entitled &quot;Chaucer&#039;s Valentine, for Nia,&quot; which opens by quoting lines 1–2 of PF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275042">
    <dcterms:title><![CDATA[The Manuscript as an Ambigraphic Medium: Hoccleve&#039;s Scribes, Illuminators, and Their Problems.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that medieval &quot;media consciousness,&quot; despite the lack of &quot;verbal declarations of such awareness,&quot; is evident in the text-image relations of the Chaucer portrait in manuscripts of Thomas Hoccleve&#039;s &quot;Regiment of Princes,&quot; coining the term &quot;ambigraphic&quot; to characterize the &quot;ontological complexity&quot; of Hoccleve&#039;s &quot;self-referential&quot; text and the features of its presentation that are simultaneously original and copied.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275041">
    <dcterms:title><![CDATA[Books Are Made Out of Books: A Guide to Cormac McCarthy&#039;s Literary Influences.]]></dcterms:title>
    <dcterms:description><![CDATA[Locates a quotation from PardT in Cormac McCarthy&#039;s notes for his novel &quot;Blood Meridian&quot;; links McCarthy&#039;s penchant for &quot;the stories-within-stories motif&quot; to Chaucer; and identifies echoes of PardT in the old Mennonite episode of &quot;Blood Meridian&quot; and in Llewellyn Moss&#039;s death scene in &quot;No Country for Old Men.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275040">
    <dcterms:title><![CDATA[Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the &quot;audacity and intensity&quot; of Spenser&#039;s debt to Chaucer, considering the later poet&#039;s archaisms, his allusions to and quotations of Chaucer (particularly in &quot;The Faerie Queene&quot;), and the importance of Chaucer to Spenser&#039;s English &quot;identity.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275039">
    <dcterms:title><![CDATA[I Write My Woe: Pain in Late Medieval and Early Modern English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers KnT and TC vis-à-vis Robert Henryson&#039;s &quot;Testament of Cresseid&quot; as part of a discussion of pain and love in chapter three.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275038">
    <dcterms:title><![CDATA[Monumental Chaucer: Print Culture, Conflict, and Canonical Resilience.]]></dcterms:title>
    <dcterms:description><![CDATA[Uncovers the complex relationship between monumentality and print culture as it contributed to Chaucer&#039;s early modern reception in post-Reformation England.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275037">
    <dcterms:title><![CDATA[Influences de Deschamps sur ses contemporains anglais, Chaucer et Gower.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the influence of Eustache Deschamps on the development of non-musical fixed forms in the English lyric tradition, commenting on poems from Oxford, Bodleian Library, MS Rawlinson D. 913; the poems of &quot;Ch&quot;; and works by Chaucer and John Gower, including Adam, Truth, and Purse, provided in appendices.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275036">
    <dcterms:title><![CDATA[The Textual Worlds of Henry Daniel.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the career and works of late medieval English medical writer Henry Daniel, arguing that his views on &quot;collaboration&quot; between &quot;learned and lay sources&quot; are similar to Chaucer&#039;s, and that the two writers are also &quot;connected through their philological acumen, vernacular aesthetics, and technical innovations.&quot; Includes comments on Chaucer&#039;s scientific lexicon, especially in Astr.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275035">
    <dcterms:title><![CDATA[Lydgate&#039;s Virtual Coteries: Chaucer&#039;s Family and Gower&#039;s Pacifism in the Fifteenth Century.]]></dcterms:title>
    <dcterms:description><![CDATA[Looks at Lydgate&#039;s Parisian poems with a focus on &quot;Pilgrimage of the Life of Man.&quot; Aims to define and construct &quot;virtual coteries&quot; and identify connections between Lydgate&#039;s coteries and the poetry of Gower and Chaucer. Refers to Mel, ABC, Purse, and Ven.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275034">
    <dcterms:title><![CDATA[Snub and White: Chaucer, Logic, and Strode.]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes using a more philosophical reading of RvT to enhance understanding of Chaucer&#039;s &quot;academic knowledge and his relationship with Ralph Strode.&quot; An academic joke in RvT relies on snubness and whiteness as stock examples of inseparable and separable accidents. Symkyn&#039;s nose is inseparable from its snubness, but his wife misidentifies a &quot;white thyng&quot; (RvT, 4301) because whiteness is a separable accident. Argues that logician Ralph Strode may be Chaucer&#039;s source for this allusion; for the insult &quot;swynes-heed&quot; (4262); and for the logic-related terms &quot;impertinent&quot; (ClP, 54) and &quot;at dulcarnoun&quot; and &quot;flemyng of wrecches&quot; (TC, III.31, 33), which are academic nicknames for the Pythagorean theorem and the first difficult geometric proof.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275033">
    <dcterms:title><![CDATA[Chaucer&#039;s Neoplatonism: Varieties of Love, Friendship, and Community. ]]></dcterms:title>
    <dcterms:description><![CDATA[Explores examples of &quot;friendship, felicity or joy, love, fellowship, and &#039;compaignye&#039; (company, companionship, community)&quot; in Chaucer&#039;s works through a Neoplatonic lens. Focuses on &quot;Chaucer&#039;s Boethianism&quot; by offering perspectives on Chaucer&#039;s own philosophical search for truth in his works. Emphasizes how his reliance on Boethius&#039;s &quot;Consolation of Philosophy&quot; helped to shape Chaucer&#039;s philosophy and characters in CT, TC, and LGWP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275032">
    <dcterms:title><![CDATA[Gower and Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes four aspects of the critical tradition of exploring relations between Gower&#039;s and Chaucer&#039;s poetry--&quot;biography, common literary sources and analogues [especially in WBT, MLT, and Philomela in LGW], thematic issues, and poetics/style&quot;--surveying the field and commending studies that consider how the poets&#039; &quot;union allows us greater understanding of their respective works and their literary environment,&quot; rather than preferring one poet over the other.]]></dcterms:description>
</rdf:Description></rdf:RDF>