<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275172">
    <dcterms:title><![CDATA[Harry Bailly and Chaucer-Pilgrim&#039;s &quot;Quiting&quot; in the &quot;Tale of Sir Thopas.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads Th as a &quot;brilliant joke at the Host&#039;s expense&quot;: not a satire or parody of tail-rhyme romances but a repudiation of the Host&#039;s &quot;crude homosocial bantering,&quot; his &quot;puerile tastes,&quot; and his &quot;pretensions&quot; as a literary critic. Includes comments on stanza form; manuscript layout; and terms such as &quot;satire,&quot; &quot;parody,&quot; and &quot;burlesque.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275171">
    <dcterms:title><![CDATA[&quot;The Canterbury Tales&quot; (Geoffrey Chaucer, 14. Jahrhundert).]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the &quot;religiös motivierte Xenophobien&quot; (religiously motivated xenophobia) of PrT and comments on the degree to which it may be considered satirical.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275170">
    <dcterms:title><![CDATA[The Invention of Race in the European Middle Ages.]]></dcterms:title>
    <dcterms:description><![CDATA[Provides a comprehensive view of how &quot;race&quot; is defined in the premodern world and addresses the process of &quot;race-making&quot; within and outside the European context. In particular, discusses how Jews in England were &quot;racialized&quot; and analyzes the &quot;sensory character of race in the medieval period.&quot; Chapter 2 examines historical and governmental regulations against Jews, and looks at literary works, such as PrT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275169">
    <dcterms:title><![CDATA[Intersex and the Pardoner&#039;s Body.]]></dcterms:title>
    <dcterms:description><![CDATA[Interprets the Pardoner as an intersex person, taking his sexuality literally rather than figuratively, a matter of variation rather than lack. Clarifies these concepts in the history of science and the history of Chaucer criticism, and compares the Pardoner, Death, and the Old Man of PardT with the family of Sin and Death in John Gower&#039;s &quot;Mirour de l&#039;omme.&quot; Includes concern with teaching PardPT, its motifs of shame and castration, modern-day intersexuality, and the term &quot;hermaphrodite.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275168">
    <dcterms:title><![CDATA[Reescritura y traducción de los clásicos medievales ingleses en Argentina: Patricio Gannon y &quot;The Pardoner&#039;s Tale&quot; de Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the Spanish translation of PardT by Patricio Gannon published in 1944 in Argentina, a version that used as a source text John S. P. Tatlock&#039;s and Percy MacKaye&#039;s modernized version (1912). Studies the degree of rewriting in Gannon&#039;s version and the contextual aspects surrounding it through a &quot;post-translation studies&quot; lens.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275167">
    <dcterms:title><![CDATA[Infectious Fear: The Rhetoric of Pestilence in Middle English Didactic Texts on Death.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the &quot;rhetoric of pestilence&quot; as a &quot;powerful contemplative tool&quot; that urges readers to &quot;self-examination, penitence, and a more active, strategic approach to death&quot; in five texts: PardT, John Lydgate&#039;s &quot;Danse Macabre,&quot; &quot;The Castle of Perseverance,&quot; and &quot;A Disputation between the Body and Worms.&quot; Argues that PardT is didactic; despite the Pardoner&#039;s questionable morality, the tale warns against immoral recklessness and encourages a &quot;proactive, strategic approach to mortality.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275166">
    <dcterms:title><![CDATA[&quot;Is ther no remedye?&quot; A Question of Battered Women&#039;s Agency in Chaucer&#039;s &quot;Physician&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers how PhyT prompts attention to &quot;issues of female victimization and women&#039;s agency in litigation process,&quot; exploring Chaucer&#039;s alterations of his source material in Livy and the &quot;Roman de la Rose,&quot; and examining how his tale evokes late medieval legal process through the plea of Virginia, her father&#039;s &quot;judicial discretion,&quot; and the response of the &quot;peple&quot; to the proceedings before the corrupt Apius. Includes attention to the terminology of &quot;rape&quot; and the 1382 Statute of Rapes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275165">
    <dcterms:title><![CDATA[Gender, Vulgarity, and the Phantom Debates of Chaucer&#039;s &quot;Merchant&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that MerT is unified by its engagement with medieval debate tradition, evident in a series of five episodes that concern competing views on gender and marriage. Moreover, the &quot;phantom debate&quot; of the Merchant&#039;s &quot;split consciousness&quot; and the Host&#039;s reported conflicts with his wife evoke ongoing concerns with gender and matrimony, while leaving May to stand as a &quot;parodic figure of female wisdom.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275164">
    <dcterms:title><![CDATA[Hateful Contraries in &quot;The Merchant&#039;s Tale.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the narrator in MerT &quot;augments the malignity of the tale itself by debunking all idealism and mocking its naiveté, but in his blindness and rhetorical ineptitude points to a sordid reality that he fails to gloss over.&quot; Yet, the tale reveals a &quot;psychologically healthy middle ground outside the experience of the narrator or his characters, where body and soul, real and ideal, experience and innocence meet.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275163">
    <dcterms:title><![CDATA[Plotting Motherhood in Medieval, Early Modern, and Modern Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses &quot;maternal authority&quot; in literary works from Augustine&#039;s &quot;Confessions&quot; to Tony Kushner&#039;s &quot;Angels in America,&quot; including a chapter entitled &quot;Maternal Abandonment, Maternal Deprivation: Tales of Griselda in Boccaccio, Petrarch, Chaucer, and Shakespeare&quot; (pp. 43-71) that focuses on motherhood (rather than wifehood) and on the ways in which Griselda&#039;s obedience to Walter is &quot;belied&quot; by triple &quot;assertions of her individual will in relation to her children&quot;--responses to his &quot;attacks&quot; on maternal authority and aligned with concerns about legitimacy and fidelity. Treats Shakespeare&#039;s &quot;The Winter&#039;s Tale&quot; in similar terms.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275162">
    <dcterms:title><![CDATA[Chaucer, the Medieval Nominalist Doctrine of Justification, and the Reformation.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that ClT allegorically &quot;reveals key elements of a medieval doctrine of justification,&quot; reading Walter as God and Griselda as a &quot;reformed sinner.&quot; The tale also &quot;provides a window into how a number of key scriptural texts figured into this doctrine,&quot; and changing interpretations of these texts clarify how medieval and Reformation views on justification differ.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275161">
    <dcterms:title><![CDATA[&quot;An irous man&quot;: Anger and Authority in the &quot;Summoner&#039;s Tale.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the right use of anger in proper, hierarchical social relationships in SumT affirms aristocratic authority while undermining the pretenses of Friar John and Jankyn the clerk.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275160">
    <dcterms:title><![CDATA[Body and Awareness as Reflected in the Wife of Bath: A Historical Study Based on &quot;Chaucer&#039;s Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Characterizes the Wife of Bath as &quot;full of life and energy,&quot; with a &quot;material&quot; rather than a &quot;romantic&quot; view of marriage, based in her &quot;sexual instincts.&quot; Summarizes the GP description of the Wife as well as that in WBP, offers a Freudian analysis modeled on Herbert Marcuse, and concludes that the character &quot;possessed and boldly expressed bodily awareness.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275159">
    <dcterms:title><![CDATA[Astrologija i književnost&quot; [Astrology and Literature]]]></dcterms:title>
    <dcterms:description><![CDATA[A shortened version of an essay from a two-volume work not seen: Ljiljana Banjanin, Persida Lazarević Di Giacomo, Sanja Roić, and Svetlana Šeatović, eds. Il SoleLuna presso gli slavi meridionali, 2 vols. (Alessandria: Edizioni dell&#039;Orso, 2017). Includes comments on the Wife of Bath&#039;s use of her horoscope as justification for her claims to sovereignty in marriage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275158">
    <dcterms:title><![CDATA[Reconciling Competing Missions of English Education: A Story of Pedagogical Realism.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers &quot;pedagogical realism&quot; as an approach to reconciling the &quot;goals of social justice&quot; with canonical &quot;curricula standards&quot; in English instruction, illustrating how to use the motif of rape in teaching WBT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275157">
    <dcterms:title><![CDATA[Rewriting Chaucer&#039;s &quot;Wife of Bath&#039;s Tale&quot; from Dryden, through Voltaire, to Niemcewicz: Medievalism or Modernisation?&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the transmission of WBT, through John Dryden&#039;s modernized English version in &quot;Fables: Ancient and Modern&quot; and Voltaire&#039;s French in &quot;Ce qui plait aux dames&quot; to Julian Ursyn Niemcewicz&#039;s Polish &quot;Co sie damom podoba&quot; in &quot;Pisma rózne wierszem i proza,&quot; exploring questions of adapting for taste.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275156">
    <dcterms:title><![CDATA[The Wife of Bath in Afterlife: Ballads to Blake.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes manifestations of the Wife of Bath throughout 1660-1810, in seven chapters on primarily verbal art and seven on primarily visual art. Melds methodologies from the disciplines of literature, art history, musicology, education, folklore, print marketing, equitation, and especially theater, both in London and on the Continent.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275155">
    <dcterms:title><![CDATA[The Wife of Bath&#039;s &quot;Bele Chose.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys Chaucer&#039;s uses of terms for private parts, and argues that his use of &quot;bele chos&quot; (beautiful thing) instead of pudendum (shameful thing) suggests his celebration of the Wife&#039;s sexuality.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275154">
    <dcterms:title><![CDATA[Assertive Women, Oral Confessions: The Wife of Bath and Molly Bloom.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents Chaucer&#039;s Wife of Bath and James Joyce&#039;s Molly Bloom as counter-cultural figures, from the perspective of their characters, their views of man-woman relationships, and their sexuality. Contrasts the different forms of expression of their assertiveness and confessions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275153">
    <dcterms:title><![CDATA[The Homeland of the &quot;doghter of hooly chirche&quot;? The Representation of Rome in Chaucer&#039;s &quot;Man of Law&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Compares MLT and the stories of Constance by Nicholas Trevet and John Gower. Argues that MLT points to the uncertainty of Rome as the center of ecclesiastical authority in the later fourteenth century.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275152">
    <dcterms:title><![CDATA[Reading Chaucer after Auschwitz: Sovereign Power and Bare Life. ]]></dcterms:title>
    <dcterms:description><![CDATA[Applies a &quot;New Paradigm for Reading&quot; to MLT based on the &quot;new ethics&quot; of Giorgio Agamben&#039;s analysis of Levi Primo&#039;s testimony of Auschwitz, combined with Walter Benjamin&#039;s concept of &quot;constellations&quot; of images that fuse past and present. Focuses on relations between sovereign power and the subjectification and &quot;desubjectification&quot; of subjects, particularly how the multiple sovereigns of MLT impose power on Custance and abandon her, conveying &quot;various permutations&quot; of the &quot;painful experience of exile&quot; and the intrinsic culpability of the sovereign. Presents MLT as Chaucer&#039;s most negative view of sovereignty, and examines parallel concerns in PrT and ClT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275151">
    <dcterms:title><![CDATA[The Wretched Constance: Defining a &quot;Mens exili.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Treats Nicholas Trevet&#039;s, John Gower&#039;s, and Chaucer&#039;s tales of Constance as seriatim clarifications of &quot;mens exili&quot; (the mind of exile) in preparation for discussing relations between &quot;exilic experience&quot; and &quot;national formation and nationalistic subjectivity&quot; in early modern English literature. In MLT, Custance has less agency, is more &quot;wrecched,&quot; and is more a marginalized &quot;stranger&quot; than Gower&#039;s character or Trevet&#039;s, but she is a more powerful figure of religious transformation--perhaps Chaucer&#039;s comment on Wycliffite heterodoxy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275150">
    <dcterms:title><![CDATA[Damaged Goods: Merchandise, Stories and Gender in Chaucer&#039;s &quot;Man of Law&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores medieval analogies between &quot;storytelling and merchandizing&quot; and how both relate to gender in MLT, clarifying connections between the travel narrative, its rhetoric, and the poverty prologue, and commenting on source and analogue relations. Also links the &quot;aversion to incest&quot; in MLP with &quot;anxieties about poetic property,&quot; attributing the latter to Chaucer  rather than to the Man of Law.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275149">
    <dcterms:title><![CDATA[Modeling Medieval Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores three &quot;models&quot; for considering medieval studies in the context of world literatures--&quot;Mediterraneans,&quot; &quot;distant reading,&quot; and &quot;moving things&quot;--using the last to compare MLT and the Ethiopian &quot;Kebra nagast&quot; and assess &quot;Mandeville&#039;sTravels&quot; and the &quot;Travels of Ibn Battuta.&quot; In each, someone or something (God&#039;s message in MLT) relocates, catalyzing the transformative effect&quot; of leaving the initial location in the past and launching the new location &quot;into a powerful present and a dynamic future.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275148">
    <dcterms:title><![CDATA[Quiet Riot: A Politics of Noise in the &quot;Cook&#039;sTale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the urban management of sound as found in CkT as a reflection of Chaucer&#039;s attitudes toward popular noise in London.]]></dcterms:description>
</rdf:Description></rdf:RDF>