<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277385">
    <dcterms:title><![CDATA[Selected Poems.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat record indicates that this volume includes a poem titled &quot;Opening Prologue of Chaucer&#039;s Canterbury Tales.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277384">
    <dcterms:title><![CDATA[A Journey to St. Thomas: Tales for Our Time.]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-five tales in modern iambic verse, told by various travelers on a cruise ship headed to St. Thomas, Virgin Islands, but beset by the COVID-19 pandemic. Modeled on CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277383">
    <dcterms:title><![CDATA[On Foot to Canterbury: A Son&#039;s Pilgrimage.]]></dcterms:title>
    <dcterms:description><![CDATA[Contemplative memoir of walking the Pilgrims&#039; Way from Winchester to Canterbury, highlighted with literary and historical references and commentary. Chaucerian references include, for example, lines translated from GP (1–2, 12–18), a surmise that the wall-painting of Fortune in Rochester cathedral may be connected with MkT, an account of &quot;The Canterbury Pilgrims,&quot; a chapter of Edith Nesbit&#039;s 1901 children&#039;s novel &quot;The Wouldbegoods,&quot; and more.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277382">
    <dcterms:title><![CDATA[Washington Irving&#039;s Mediaeval Renaissance: Chaucer&#039;s Influence on Irving&#039;s Foundational Project.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Washington Irving was broadly influenced by Chaucer. Focuses on Irving&#039;s &quot;Sketch Book&quot; and its narrative personae in particular and, more generally, his attention to Chaucer, medieval literature, and poetic language in his process of constructing a &quot;foundational text for American literature.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277381">
    <dcterms:title><![CDATA[Caroline Bergvall&#039;s Medievalist Poetics: Migratory Texts and   Transhistorical Methods.]]></dcterms:title>
    <dcterms:description><![CDATA[Collects twenty-six critical essays about Caroline Bergvall&#039;s literary output and outlooks, accompanied by three interviews with her, a foreword by David Wallace, an afterword by Rachel Gilmore, and a comprehensive index. Several essays refer to Bergvall&#039;s allusions to and uses of Middle English and Chaucer&#039;s works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277380">
    <dcterms:title><![CDATA[Author, Scribe, and Book in Late Medieval English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on fifteenth-century writers such as Audelay, Hoccleve, Kempe, and Charles d&#039;Orléans, and shows how these authors fashioned themselves as self-publishing and scribes in their own right. Argues that this modeling was influenced by Chaucer, among others, whose Adam frames Chaucer as almost a scribe.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277379">
    <dcterms:title><![CDATA[Holding Company: Chaucer&#039;s &quot;Franklin&#039;s Tale&quot; in the &quot;Faerie Queene.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Edmund Spenser&#039;s quotation of FranT, 764-66, in Britomart&#039;s speech in T&quot;he Faerie Queene,&quot; Book III, arguing that the Chaucerian material and its original context carry suggestions of the &quot;need for tolerance in social relations&quot; and &quot;[set] a standard for conduct&quot; for much of Spenser&#039;s poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277378">
    <dcterms:title><![CDATA[The Night of the Wolf.]]></dcterms:title>
    <dcterms:description><![CDATA[Historical novel in which friar-detective Rodric Chandler investigates murder as he seeks to hide Adam Pinkhurst&#039;s copy of CT from Lancastrian censors.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277377">
    <dcterms:title><![CDATA[Dreaming of Authors, Authoring Dreams: Literary Authorship in the Framed First-Person Allegories of John Skelton, William Dunbar, Stephen Hawes, and Gavin Douglas.]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;[I]nvestigates the distinctive conceptions of literary authorship of John Skelton, William Dunbar, Stephen Hawes, and Gavin Douglas by means of close and comparative readings of their utilisation of a particular form and mode: framed first-person allegory.&quot; Recurrent attention to Chaucer as a &quot;predecessor&quot; and his works as &quot;models.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277376">
    <dcterms:title><![CDATA[John Gower&#039;s Use of the &quot;Ovide moralisé&quot;: A Reconsideration.]]></dcterms:title>
    <dcterms:description><![CDATA[Challenges Conrad Mainzer&#039;s evidence that Gower was influenced by the &quot;Ovide moralisé&quot; and/or the &quot;Ovidius moralizatus&quot; of Pierre Bersuire, arguing that closer, more likely parallels exist between Gower&#039;s work and BD and LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277375">
    <dcterms:title><![CDATA[Chaucer&#039;s Proleptic Palinode.]]></dcterms:title>
    <dcterms:description><![CDATA[Reads TC as a &quot;proleptic palinode&quot; that gives Chaucer &quot;something to apologize for&quot; before he writes LGW, modeling his poetic career on Ovid&#039;s. Argues that Pandarus &quot;grounds his amatory practice&quot; in Ovid&#039;s works, considers Criseyde&#039;s and Cassandra&#039;s readings of Theban material in relation to Ovid&#039;s treatment of female readership, and presents LGW as Chaucer&#039;s &quot;own &#039;Heroides&#039;,&quot; a rejection of reductive moralizing interpretation, and a defense of the &quot;ethical value of narrative fiction.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277374">
    <dcterms:title><![CDATA[&quot;Of latine and of othire lare&quot;: Essays in Honour of David R. Carlson.]]></dcterms:title>
    <dcterms:description><![CDATA[Collects eighteen essays on widely varied topics in Middle English, Anglo-Latin, French, and book production. For two essays that pertain to Chaucer, search for under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277373">
    <dcterms:title><![CDATA[Capaneus&#039;s Atheism and Criseyde&#039;s Reading in Chaucer&#039;s &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Discloses the implications--some &quot;shocking&quot;--of recognizing Statius&#039;s &quot;Thebaid&quot; as the source of Criseyde&#039;s imagining of &quot;radical atheism&quot; in TC, IV.1408-11. Explicates resonances of Thebes/Trojan parallels evident elsewhere in the poem and in medieval Troy material more generally. Includes a summary of the development of source study of Theban material in TC from the nineteenth century to the present.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277372">
    <dcterms:title><![CDATA[John Gower and Chaucer&#039;s Fabliaux.]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes that the so-called &quot;quarrel&quot; between Chaucer and Gower found in MLP pertains to their uses of Ovidian, fabliau-like material, reading several tales of &quot;Confessio Amantis&quot; as experiments in &quot;fabliauesque&quot; narrative, purged of &quot;schoolboy humour&quot; and obscene language. Argues that echoes of Chaucer&#039;s fabliaux in Gower&#039;s purged tales indicate that influence generally &quot;flowed from Chaucer to Gower&quot; in this regard; ManT, however, might be a response to Gower&#039;s &quot;Tale of Hercules and Faunus.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277371">
    <dcterms:title><![CDATA[Chaucer&#039;s Early Modern Readers: Reception in Print and Manuscript.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses &quot;on fifteenth-century manuscripts of Chaucer, and . . . how these volumes were read, used, valued, and transformed&quot; in the early modern period, reflecting &quot;conventions which circulated in print and . . . convey prevailing preoccupations about Chaucer,&quot; his status, and the medieval past. Four chapters treat Chaucerian manuscripts and editions, addressing, respectively, (1) &quot;Glossing, Correcting, and Emending&quot;; (2) &quot;Repairing and Completing&quot;; (3) &quot;Supplementing&quot;; and (4) &quot;Authorising&quot; as ways of pursuing the ideologically charged bibliographical goal of perfecting Chaucerian texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277370">
    <dcterms:title><![CDATA[Some Unindexed Verses from Bodleian Manuscripts--with Some Further Thoughts on Method.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents previously overlooked &quot;gleanings&quot; of verse that are missing from the general catalogues: one is at the end of Mel in MS Barlow<br />
20, while another is an analogue to lines from KnT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277369">
    <dcterms:title><![CDATA[Middle English Manuscripts and Their Legacies: A Volume in Honour of Ian Doyle.]]></dcterms:title>
    <dcterms:description><![CDATA[Seventeen essays by various authors on topics in Middle English manuscripts, their legacies, and the career of Ian Doyle, with an introduction by Saunders and Lawrie, an afterword by Linne Mooney and Derek Pearsall, a list of Doyle&#039;s publications by Elizabeth Rainey (assisted by A. S. G. Edwards), an index of manuscripts and early printed books, and a comprehensive index. For two essays that pertain to Chaucer, search for Middle English Manuscripts and Their Legacies under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277368">
    <dcterms:title><![CDATA[Chaucer in Small Parcels: Odd Texts of Chaucer&#039;s Short Poems, and Their Manuscript Contexts.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes conjunctions--&quot;many of them improbable or curious&quot;--among the materials contained in manuscripts &quot;which preserve just one or two of Chaucer&#039;s short poems,&quot; exploring what they &quot;can tell us about the reception and transmission of Chaucer&#039;s verse.&quot; Aligns the range of circulation of Chaucer&#039;s &quot;moral lyrics&quot; with their status as &quot;wise and semi-proverbial.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277367">
    <dcterms:title><![CDATA[Pope&#039;s Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Challenges the traditional provenance of CT manuscript Oxford, Trinity College, MS 49, detaching it from Saffron Walden, and asserting that it was not donated to Trinity College by Sir Thomas Pope, founder of the college, but given by Thomas Unton, as is recorded in Trinity&#039;s Library Benefactors&#039; Book. Summarizes Unton&#039;s life and book ownership and explores broader implications of this ownership.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277366">
    <dcterms:title><![CDATA[Fictions of Witness in the &quot;Confessio Amantis.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the manuscripts of John Gower&#039;s &quot;Confessio Amantis&quot; as evidence of his status and role in the production of Lancastrian literature and propaganda, challenging long-held assessments of the dates and sequence of the manuscripts and what they reflect about Gower&#039;s intentions and his reception. Includes comments on Gower&#039;s relations with Chaucer, issues of &quot;laureation&quot; and scribal activities that pertain to the works of both poets, and Venus&#039;s praise of Chaucer in some manuscripts of the &quot;Confessio.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277365">
    <dcterms:title><![CDATA[Miscellaneity and Apocrypha in Chaucer&#039;s Works (1532)]]></dcterms:title>
    <dcterms:description><![CDATA[Compares the contents of manuscripts of Chaucer&#039;s works and those of early printed editions, especially William Thynne&#039;s 1532 edition of &quot;Works.&quot; Focuses on the heterogeneous mixture of Chaucerian materials, apocrypha, and works by other authors in Thynne&#039;s edition--and the impact of their arrangements--to clarify the nature of &quot;miscellaneity,&quot; its value as a critical concept, and its role in canon formation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277364">
    <dcterms:title><![CDATA[Is There a Source Text in This Class? Teaching Medieval Literature through Contemporary Retellings.]]></dcterms:title>
    <dcterms:description><![CDATA[Outlines &quot;the lesson plan and pedagogical approach&quot; (with course description and syllabus) for a senior, undergraduate course called &quot;Retelling, Rereading, Rethinking--the Afterlife of Medieval Texts in Contemporary Literature.&quot; Includes explanation of using samples from CT (in translation or synopsis) and retellings/adaptations of them in Patience Agbabi&#039;s &quot;Telling Tales&quot; (2014).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277363">
    <dcterms:title><![CDATA[Legend of Good Women: In a Modern English Version.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat record indicates that this is a translation of LGW into modern English prose.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277362">
    <dcterms:title><![CDATA[Asutororabe ni kansuru ronbun. [A Treatise on the Astrolabe].]]></dcterms:title>
    <dcterms:description><![CDATA[Japanese translation of Astr based on the Riverside Chaucer, 3rd edition. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277361">
    <dcterms:title><![CDATA[&quot;The Works of Geoffrey Chaucer&quot;: William Morris&#039;s Ideal Book.]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes the development of Morris&#039;s Kelmscott Press and describes the achievement of his aesthetic ideals in the Kelmscott Chaucer.]]></dcterms:description>
</rdf:Description></rdf:RDF>